Umma

What happened? The first half of the movie was so solid, interesting story, good acting, beautiful cinematography, great chemistry between the two leads, then the second the daughter came out of the basement and questioned her mother, the dialogue became very clunky and unnatural.

We were then confronted with some very unscary CGI and all the promise the film once held just fizzled away.

There was definitely a much better film in here somewhere. Such a shame.

I love Sandra Oh, and I love Korean horror films. I thought that this was going to be a match made in heaven, but honestly calling it a horror movie is almost offensive.

Umma is predictable, boring more times than not, and all around just a lame attempt at something that could be amazing.

Umma can be an interesting study of motherhood and generational trauma with a dash of a touch of folk horror. After a promising start, alas Iris K. Shim is unable to maintain the tension or the emotional aspect it's direly in need throughout the rest of the film. In the end, it presented a rather dull, if not bland, third act.

This ended up being a bland "horror" movie. My emphasis on horror is due to it not being what I consider horror but I watch a lot of horror and may be desensitized. For me, this was a pass the time movie.

There is little intriguing about the worn out premise, of the script, but there are still a few things to enjoy in this psychological melodrama. Sandra Oh gives a sturdy performance as the phobic isolationist on her California farm, and Dylan McDermott is a reliable co star. The traditional hanboks are beautiful.

But then there are the plot holes. What clingy Korean mother goes back to her country when he daughter is in the United States? How did a woman get married and have a child while never being around eléctricity? How did she go to school, afford a farm and learn to produce honey without electricity? Wouldn't Child Protective Services show up for a kid that has never ridden in a car?

Suspend all logic and you might enjoy the rest of the movie.