Choose

Plot of this film: Fiona, journalism student and daughter of a police inspector, is stalked by a psychopath. She investigates, discovers gruesome murders that are connected and her own role in the whole.

Choose is a 2011 TV thriller/B-movie that mixes a bit of gore into a crimes story to appeal to horror fans. It's somewhat reminiscent of Seven, but don't expect too much. I have to admit that the initial storyline is quite strong for this type of film. There are holes in the plot, but not as many as I expected. The whole thing is logical, exciting and even interesting.

The acting and camera work are good, there is tension building... The film was for an hour on its way to make me give it a higher score. But the last 15 minutes seemed as if all the money had suddenly run out. No big climax, no exciting confrontation of good and evil. But just a cheap, 'easy' ending that leaves me a bit unsatisfied. Shame.

Similar in method to Seven (1995) this well cast little thriller doesn't live up to its potential.

A new criminal has emerged, one who presents his victims with a horrific choice such as which limb he'll cut off or which family member they have to kill.

The concept has potential, the execution however is lacking.

The movie has moments of intelligence and strong writing but sadly that's all it has, moments.

Katheryn Winnick, Kevin Pollak & briefly Bruce Dern star in this lackluster effort that should have been a great deal better.

For a far more intelligent and well conceived movie about forced difficult choices then I suggest Would You Rather (2012)

The Good:

Couple of nice touches in the script

The Bad:

Very underwhelming

Potential squandered

Things I Learnt From This Movie:

Bruce Dern looks identical in every film he's ever been in

If Scarlett Johansson & Teresa Palmer had a baby it'd look like Katheryn Winnick

"Do what I say and you live. I'm going to kill your mother or your father. You have 60 seconds to decide, choose, or I kill them both." Journalism student Fiona (Winnick) becomes obsessed with the case of a serial killer. Her father (Pollak) tries to keep her away from the case he is working on, but the further she delves the more she thinks that her mother's death is somehow connected to this case. This is a movie that was pretty good, but had potential to be better. This movie seemed like it tried to copy "Silence Of The Lambs" and "Untraceble" with "Saw" mixed in. It didn't really get close to the standards of these movies, but it is still a good attempt. The acting was pretty good though and that helped. I think the main problem with this movie is that it didn't grab you with tension like a thriller should. It was OK, but had enough chances to be great and just never quite got there. Overall, "Saw" meets "Untraceable" with out the tension of either. An OK movie, nothing that hasn't been tried before though. That said, I did like it enough to say...I give it a B-.

Would I watch again? - I don't think I would.

*Also try - Scar & Untraceable

I was at a film convention the other day where there were a lot of DVDs for sale; I chose Choose. I didn't choose Choose because I thought it was going to be innovative and fresh (I could tell it was going to be a weak derivative of Saw, and it was); my choice wasn't based on reviews or word of mouth (I hadn't even heard of the film before then). No, Choose was chosen for one reason only: Katherine Winnick was in it. Katherine Winnick, the 'renaissance slut' sister from Satan's Little Helper. That Katherine Winnick.

Sadly, Katherine's presence alone is not enough to make this worth watching, director Marcus Graves going through the 'torture porn' motions but failing to deliver what audiences really expect. Not only is there very little worthwhile gore but Winnick's character takes two showers and a bath amidst all the screaming and bloodletting, but is only seen through a heavy plastic shower curtain and submerged shoulders-deep in a tub full of bubbles. Certainly not what most horror fans would opt for given the choice.

Caught this at Leeds Hyde Park Picture House's Night of the Dead and wish I hadn't. Dull, by-the-numbers serial killer slasher that has one gimmick - the killer makes his victims choose between two nasty punishments - that proves to be a lot less interesting than the you'd think.

Cue a plucky young journalist who uses the power of Google searching to solve a series of local crimes that her father, a high-ranking police officer, inexplicably doesn't seem to give a toss about.

The script has unintentional laugh-out-loud moments, and that's about the best I can say about this gently steaming pile of tepid naffness.