Whores' Glory

This documentary was nowhere near as interesting as it could have been. Why? Well because we never really got a real glimpse into the lives and existences of the prostitutes portrayed in the documentary.

The documentary is divided into three segments; "The Fishtank" in Bangkok/Thailand, "The City of Joy" in Faridpur/Bangladesh, and finally "The Zone" in Reynosa/Mexico.

"The Fishtank" proved to be the most 'glamorous' of the places shown and of the three segments. Now, the word is being used in a less than positive way, mind you. Here the women sit on display behind a wall of glass for the patrons in the bar to gawk and pick from, calling out their numbers when they settle on a woman. This segment was also the least interesting, because it basically told no story of the women working there. It was all just about showing how the business worked at that given location.

"The City of Joy" was the most downtrodden and depressing of the segments. However, this was also where the director actually started to step up and show the story of some of the women working there. The conditions shown here were just atrocious, and there were even little children living in the environment. The milieu here was really harsh and gray.

"The Zone" turned out to be the must 'in-your-face' segment, in the terms that we we got to see the conditions the women were working under and also showed that drugs was, of course, a part of life in "The Zone". This segment also allowed the viewers to get to become acquainted with some of the women there. Be warned though, that this segment does hold some sexual graphic scenes, which might not just be suitable for anyone.

I had expected to actually get a better insight in the world of prostitution and the world these people live in. But at almost 2 hours, this documentary proved to be very little educational. And as the end credits started to roll on the screen, I must admit that I sat there thinking "what was the purpose of this?". Director Michael Glawogger veered right away from anything that really could pass as educational and proper documentary.

I just love the irony of how the synopsis claims: "The documentary revolves around the lives and individual hopes, needs and experiences of the women." This is such a stretch and can hardly pass as being proper information about the contents.

If you enjoy documentaries about the shadier sides of life, then chances are that your time is much better spent elsewhere.

Might be my favorite documentary of all time - it really makes you feel the sorrow behind these poor women.

While the chitchatting girls of Bangkok may initially make you think it's actually not that bad, the back alley brothel in Bangladesh kicks you in the stomach. Remember while watching: 100 Taka = €0,95. And while the men are reduced to (nasty, ignorant, or at least naive) animals that can't help but exert their primal urges ('without the brothel all women would get raped all the time' is a telling quote), it's the madams' treatment of their girls that will truly horrify any viewer. The documentary ends slightly surrealistic, though not unsuitable, in a drug-fueled Mexican red light area.

What probably struck me most were the small rituals, often merely casual habits, that are used by the girls to keep hanging on in their incredibly hard life.

One can argue (as I'm sure has been done) whether 'dramatic' music in such a documentary is fitting. Nevertheless, the film is gripping, beautifully made, and if it wasn't such a nasty side of humanity the images and music would be enchanting. But without a happy end.

This is a must see look at lives of prostitutes in different countries around the world. The saddest monologue is from a young Pakistan prostitute who asks how in god's world can there be no place for her. She sees her future clearly and realizes that she has no hope of the simple dreams of a marriage and family.

The overview is blunt and non judgmental. Mainly it is left to the prostitutes to discuss their own experiences.

Whore's Glory is a documentary about prostitution. There is no voice over, no narration, no script. It merely records a visual documentation of the lives of prostitutes in three different venues (located in Thailand, Bangladesh and Mexico).

Of course the film was edited, but other than that, it provides an unfiltered view of prostitution. It focuses on the prostitutes themselves, enough so that the viewer sees the conditions they live in/under. They sometimes talk to the camera. We learn of their sorrows, their problems, and how they deal with the realities of prostitution.

In Thailand, the girls do not seem as victimized. Oddly, some of them spend much of their money on the "bar boys" who entertain women for money.

In Bangladesh, these women are truly victims of economic hardship. Women bring their daughters into the business. Society is so stratified that people's choices are limited. The caste system still controls much of life there.

Because the camera is just an observer, there is no glorification of the job. In all three locations, waiting is a large part of the job. Religion and superstitious mysticism play a part in the women's lives, just as for others in their societies.

One woman in Bangladesh who comes across as more sensitive, perhaps more intelligent explains the horrible reality she must confront every day, saying "Women are unhappy creatures." Philosophically, she wonders why it is that way and how it can change.