Thrilla in Manila

This documentary told a sad but great story. The people who were interviewed were compelling and entertaining to listen to. These other reviewers are upset cause it makes Ali look bad. Ali was great, intelligent and charismatic but he was also a bully and sometimes racist. People are complaining that this documentary is one sided. The filmmakers have a right to an opinion and choose a side. It's an important story to tell and one that is rarely told. Do these people just want another documentary praising Ali? He wasn't perfect. He was an a-hole at times and Joe Frazier deserved a lot more credit and respect. By the way, this also shows the dark side of Frazier. He was bitter and angry. So it really wasn't that one sided. One of the best documentaries I've seen and probably the most underrated.

Thrilla in Manila: 8 out of 10: This is what great documentaries are all about, changing ones perception by teaching something new. Thrilla in Manila also has that British tradition of targeting the preconceived notion without remorse. The sacred cow in target this time is that American icon Muhammad Ali. The film uses Ali’s only real nemesis Joe Frazier as its tool.

Thrilla opens up in North Philadelphia in a dilapidated gym in the midst of a ghetto where Joe Frazier lives and works. My first thought was what happened? My second thought; so this where Sly Stallone cribbed his last six Rocky movies; I loved the last Rocky Balboa film but thought Stallone’s characters borderline poverty lifestyle unrealistic… I clearly stand corrected.

The film does an excellent job finding relevant interviews with everyone from Imelda Marcos to Ali’s fight doctor. In addition the movie integrates the fight footage in a way few documentaries have (You can feel the heat of Manila in the ring).

This film asks a simple question. Why is Muhammad Ali rich, famous, and beloved? While Joe Frazier toils in poverty? The film then paints Ali in a most unflattering light. Claiming he is a racist and a member of a cult. All of this is very well documented, with Ali discussing his own participation in Ku Klux Klan meetings a real revelation. Ali is shown attacking Joe for being too black and strangely enough an Uncle Tom of all things. In addition, Ali is shown calling Joe ignorant, ugly and a gorilla.

Ali is clearly the villain in this piece and Frazier is the victim. Yet a strange thing happens over the hour and a half. The more Frazier brags on how his punches caused Ali’s current mental and physical state one cannot help but wonder that Ali’s blows caused as much permanent damage to Frasier in the form of bitterness and self-destruction.

Here is a film giving Frazier a chance to display his own self in a good light and pull himself and his family out of poverty. Instead, he comments, while watching Ali light the Olympic torch that he wished Muhammad would fall in and burn to death. Ali’s doctor got one thing right; Joe Frazier is a stupid man.

I loved the documentary When We Were Kings when it came out but it seems that director John Dower didn't like the fact that Ali was rather elevated in that film in the way that he has been for most of the time since his boxing career ended. Certainly for me and most of my generation, Ali is the epitome of the fast-talking sports star, a true character who produced some great fights and this film confirms some of that while also throwing a slightly harsher light on him. It does this by looking specifically at the relationship between Ali and Joe Frazier, the latter of whom still lives in a room behind his gym in a rundown area of Philadelphia.

The similarities in style between this film and We Were Kings (WWWK) are mostly cosmetic things and are mostly good things but the main difference is in the content. The first film focused on the fight lifting up the black community and having such a cultural impact. However this film focuses more on the negative side of Ali's trash talking and the products of this – a brutal fight and buckets of acrimony. The structure of the film builds to the retelling of the fight in the same way as WWWK by focusing on the social consequence and specifics of the build up before getting to a talk-through of the actual fight itself. Here it does a good job of showing the significance of what Ali was saying – attacking Frazier's "blackness", calling him racial names and so on. When I say a good job I mean that it helps the modern viewer understand the impact of his words – specifically the historical context in which these things were said.

I found this fascinating and the only slight downside is that there is nobody really to speak on behalf of the Ali camp and you can tell that the film has been put together with a certain amount of seeking to redress the balance and give a voice to Frazier. With that it mind, and the clear presentation of the "facts", it is hard not to feel for Frazier, who still to this day has a fighter's heart but also a real bitter streak. This is perhaps not particularly palatable to see but the film leaves it there for us to see nonetheless, as it should. The overall presentation is good, with the fight footage well blended with talking heads and plenty of good soundtrack selections. I thought it was a very good idea to have people watching the fight during the film – specifically Frazier himself – as this did produce some interesting moments.

WWWK is the accessible boxing documentary that everyone knows about but this film is equally as good, even if the rather bitter subject matter is not as fun and uplifting as that film. The structure and presentation is good and the makers present a bitter and tense conflict in a way that is engaging and sympathetic. Nobody really comes out of it well but so be it. Could have done with a little more from the Ali camp during the film but this is a minor niggle and it engages easily.

The story of how Joe Frazier did everything he could to help a blacklisted Ali, lending him money, campaigning for his reinstatement to the boxing world when he had been shut out for refusing to serve in the US Army... and how Ali, it seems, never forgave him for it, and attempted to destroy Frazier as a fighter and as a man.

For those who, like me, grew up thinking of Ali as a flawless hero, a cross between Jesus and Elvis, this is quite a shocking story, but those comments above which complain that this film is biased towards Frazier are clearly not watching it attentively. There are no winners here - Ali's moral cowardice, his inability to ever apologise to Frazier for the racial taunting that effectively ruined the man's life, is more than matched by the cold, ugly bitterness that Frazier displays towards his nemesis. The story is as dark and comfortless as any Greek tragedy - these two men's lives were destroyed by their rivalry. One is rich, world-famous and locked into a crippled body; the other is poor, forgotten and healthy, but lives every day trapped in the past and in his unchanging enmity.

A stunning, mesmerising piece of work.

What's the greatest boxing film ever made? Rocky? Raging Bull? Million Dollar Baby? Up until now, I would have said When We Were Kings was the contender for best boxing film ever made, but having seen Thriller in Manila I'm not so sure.

When We Were Kings tells the story behind the George Foreman/Muhammad Ali title fight (billed as the Rumble in The Jungle), which took place in Zaire in 1974. Thriller in Manila (as that fight was hyped), recounts the story leading up to the world heavyweight championship fight between Muhammad Ali and 'Smokin' Joe Frazier. Both films use extensive footage of each title fight to drive home the power of their stories.

And what a fight the contest in Manila was. Fourteen brutal rounds beginning at 10am on a hot, humid Manila morning, just so the folks back home in America could watch it live in the comfort of their lounge rooms.

By 1975 when the fight took place, both men were at their peak as boxers. They had met on two previous occasions, each coming away with one win. Now they were going head to head, for the third and final time. What unfolded in the searing heat of Manila is now considered one of the greatest boxing matches of all time.

This documentary tells its story through the battered eyes of Joe Frazier. It makes extensive use of archival footage, and numerous interviews with many of the surviving key personnel involved in both Ali and Frazier's support teams, including Ali's ringside doctor, and one of Frazier's corner-men.

It shows Ali at his best and his worst, as he stalks Joe Frazier with racial taunts of 'Uncle Tom', as "ignorant", and through constant references to Frazier as a "gorilla". For Ali, this was all part of the 'mental game of boxing', and he was a master of it. He knew how to psyche an opponent out, and he was using every weapon in his arsenal to try and put Frazier off his game. But Frazier was having none of it.

Finally, when all the bluff and swagger, the arrogance and taunts, the hokey poems, and the hours of training are over, all you are left with is the ultimate physical contest between two men inside a boxing ring.

It was probably the first time that Ali had stood head to head with an opponent and slugged it out. No fancy dancing, no jokes or smart quips to the crowd – and no mercy or surrender. By the fourteenth round, both men were physically and mentally exhausted. Joe Frazier could barely see through his puffed and swollen eyes, and Ali's body had taken such pounding to his kidneys, heart and liver that it was beginning to shut down (Frazier states in the documentary, that his constant pounding around the area of these vital organs was a deliberate attempt on his part to inhibit Ali's ability to fight).

In the end, the fight finished not with a bang, but a whimper. Although Joe Fazier wanted to go out for the fifteenth and final round, his trainers would not let him. You can see him in the television footage refusing time and again, to throw in the towel, but his trainer, who had the final call, made the decision that gave the fight to Ali.

In Ali's corner, a separate drama was taking place. Ali had gone back to his seat and demanded that his gloves be 'cut off', a clear sign that he had had enough. Ali was prepared to give the fight to Frazier, but his trainers refused.

One can only speculate now whether Ali would have refused to fight the last round with Frazier. History on the other records that Muhammad Ali won the 'Thriller in Manila'.

One of the most poignant aspects of the film is watching Joe Frazier's face as he in turn watches a film of the boxing match. You see him re-fighting every round with Ali, adding little comments here and there; taking the blows one more time.

While Muhammad Ali went on to make millions by selling his image to a host of advertisers, and through numerous lucrative product endorsements, Joe Frazier still lives humbly above the gym that bears his name in a poverty ridden suburb of Philadelphia.

At 63 years of age (when he was interviewed for this documentary), Joe Frazier does not make a good poster boy for the sport of boxing – and Muhammad Ali even less so. Both have been ravaged, physically and mentally by the constant pounding of sledgehammer-like blows to their heads, and yet I suspect that if either men were asked today, neither of them would probably have any regrets.

This film makes the perfect companion piece to When We Were Kings, which tells the story of arguably the greatest boxer in the history of the sport. Thriller in Manila, on the other hand, looks at this myth through the eyes of one of Ali's greatest opponents, and casts an altogether different light on the man and the myth.

My only reservation about the film is that it is told almost entirely from Joe Frazier's point of view. Of course, Ali himself, is no longer in any position mentally to present his side of the story. In many respects, his own words and actions speak for themselves, and viewers will have to be satisfied with these.

Over the intervening years since that great contest, Ali to his credit, has apologised on several occasions for his racial jibes against Joe Frazier, acknowledging that he had gone too far. Frazier for his part, seems to still harbour resentment for the way he was treated by Ali, and feels that Ali is now paying the price for his arrogance.