Dread

Based on the Clive Barker short story, Dread, which made its world premiere at the 2009 edition of Montreal's Fantasia film festival, is remarkable on two fronts: Barker's striking departure from his traditional macabre story lines, and Anthony DiBlasi's impressive directorial debut.

The story unfolds with two college students, Steve (Twilight's Jackson Rathbone) and Quaid (Shaun Evans), agreeing to work together to create a documentary of people's innermost fears. The two put out a call for candidates and document their interviews on video.

An expert manipulator, Quaid is able to coax these troubled souls into revealing their innermost demons; deeply personal revelations they would otherwise never dream of discussing in public, much less on camera. Meanwhile Quaid harbors deep seated psychological scars of his own, having been a childhood survivor of the brutal home invasion axe slaying of his parents at the hands of a mysterious psycho.

Espousing the belief that by confronting one's ultimate fear an individual will either overcome their phobia or be consumed by it, Quaid convinces the more demure Steve, and friends Cheryl and Abby to participate in the study. Unknown to everyone involved, however, is Quaid's desire to take things to the next level, progressing beyond mere interviews to the actual physical and psychological nightmare of tackling their fears head on.

DiBlasi displays a remarkably talented hand at spinning a yarn that incorporates introspective, character-driven drama and some spectacularly jolting and emotionally moving sequences. While deviating out of necessity from the plot structure of Barker's original story, which didn't provide much "meat" for a feature length film, Barker equally deserves kudos for providing DiBlasi with a twisted tale that is firmly rooted in the real world, where human cruelty is infinitely more tangible and terrifying than anything the supernatural can invoke.

Led by Rathbone and Evans, the young cast turns in uniformly strong, nuanced and intensely emotional performances not typically found in this genre. Among the standouts is Hanne Steen, who plays Cheryl, a friend infatuated with Steve who bears the curse of a disfiguring skin pigmentation that covers a third of her face and body. Steen deftly manages to convey her character's sensitivity and long held pain in a manner that the viewer can readily attune to, earmarking her as a future talent to watch.

As debuts go DiBlasi's Dread is as solid, slick, engaging and thought provoking as it is terrifying, making this a must see, not merely for fans of the genre, but anyone with untold skeletons in their closet.

I haven't been very impressed by movies based on Barker's work as they tend to be on the silly side and so it is with some apprehension that I watched this low-budget flick, shot by a first time director and based off a short story by Clive Barker.

The movie starts in a pretty conventional fashion and along the way, the plot is fairly conventional but things do pick up. I like how director Anthony DiBlasi doesn't shy away from horrific scene yet doesn't feel the need to overly polish the gore and special effects. A lot of films this decade (one only has to think of the Saw series) have raised the bar to show in minute details of body mutilation in their glory. DiBlasi takes a middle of the road approach. Part of the gore is suggested and left in the shadows, part of it is shown.

This is obviously a film on a budget and corners were cut. The lead and supporting actors are doing their best but uneven from one scene to the next. The action scenes are done as well as DiBlasi probably could on a budget as a first timer too but you will have seen much better.

The main weakness in the movie is the implausibility that authorities are never involved. It just doesn't seem to make sense from a plot point of view and also seems weird from the characters' point of view as well. There is also a vague sense that you've seen all of this before, even though it is definitely its own story.

DiBlasi also wrote the screenplay for the movie and I wish someone else had given it another pass. Stronger characters and a few more story details might have covered the flaws in this movie but overall, it picks up very well in the second half and unlike most low-budget movies, I was not bored to death by this one but started to care more.

Worth a solid 5.

"Dread" is a work that will remain in your mind for some time after watching the movie. The movie will make you feel sick in your stomach, just like "Saw" and "Hostel", but what separates "Dread" from other movies in the same genre is the level of intellectual incorporated into this movie. Yes, I am talking about intellectual that is very sick, but again, there is no limit to humans intellectual.

Cast wise, I don't know anyone. I have no idea whether they are small timers or novice at all, but all of them did a very good job. I have seen low budget independent movies starring actors who don't even know the basics of acting, just pretty faces. But "Dread" steers itself clear by its cast, which does a very good job.

The best thing(or rather, sick thing) about this movie is that even though it lacks the blood, gore and violence of "Saw" or "Hostel" or "Texas Chainsaw", you still feel sick by the events in the movie. Cause, "Dread" showcase human's limit, when faced with the thing they most fear, in a very naturalistic way. The dark setting throughout the movie greatly adds to the overall sordid atmosphere.

Overall, watch this movie. But one thing, it's not for faint hearted. Even though it's not a horror movie with creepy creatures and gore, it will disgust you for sure.

My Verdict: 7/10

Taking a glance at the cover in the video store, I almost arrogantly assumed it would be a terrible slasher flick, due to it's title and the lack of pictures, and also due to the fact that it went out of it's way to mention that Jackson Rathbone, "Star of the Twilight Saga", was in this film. I felt a little uncomfortable until I glanced a bit longer and noticed that it was "From the mind of Clive Barker". But alas, this is a review of it's content and not it's cover.

I'm glad I did pick it up however because it turned out to be a decent psychological thriller, more so than it was a horror film. The characters are convincing, in particular Quaid, the protagonist bad guy, who we feel isn't all right from the very beginning of the film. I feel as if I was led to question whether the motives of Quaid were inherently bad or environmental, due to a childhood of significant psychological torment. When an audience is opened up to the possibility of these influences, immediately it changes from a horror film to an intellectual psychological thriller, that borders existential exploration of the human psyche. I couldn't help but feel as if some scenes of the film kind of reminded me of Fight Club, as Quaid attempted to groom Stephen in to his mode of thinking, but unlike Fight Club, this was unsuccessful and we saw the further polarisation of the characters involved in the college project from Quaid.

All in all, Dread is a film which won't cater to your grisly, sleazy gore driven desires, mostly due to the fact that a lot of the gore is paced out through the film and used tactically in order to keep it relative to the conceptual element of the film, and also to keep the suspense. For those who enjoy psychological thrillers, college sociopathic sadists and existentially driven plots, will enjoy Dread. Fans of Clive Barker can rest assured that Anthony DiBlasi has effectively captured Clive Barker's depiction of the story and doesn't buck to the sleazy needs of Hollywood gore and torture-without-reason films (Saw) and manages to effectively convey the terror, torment and disorientation of Dread.

Having watched around 600 horror and thriller movies over the course of the last 20 years. I have rarely come across a horror flick that has the intellectual prowess of "Dread". This is a very well done adaptation of Barkers short story, and has kept the dark and ominous feel of the original.

The cinematography is masterfully done while keeping an almost home movie feel. The flickering lights and dark sets lend an eerily dreamlike feel to the bulk of the movie so that when the brighter scenes appear the contrast is quite stark.To say this movie is disturbing would be an understatement. The decent into madness depicted here is powerfully dramatic and quite intense. Not only is there violence, gore, and blood, but a realistic view of trauma inflicted psychosis becoming complete madness.

The bottom line is this. The ability to suspend disbelief is the cornerstone of any good story and this one delivers in buckets.