Moby Dick

I just finished watching this and I don't have time to write an extensive review, but I will say a couple of things about this production.

Many, many liberties were taken with the plot. In fact the opening scene may blow you right out of the water. And Caption Ahab has apparently been swayed by New Age sharing and caring! But the essence of Melville's work may be considered intact if you take the view that he was a Transcendentalist, along with Whitman and others of that era.

If you hold to that interpretation of this production you may enjoy it on that level (see Jed Mckenna's "Spiritually Incorrect Enlightenment" for more on that). In fact if you hold to the conventional interpretation- that of a psycho-social critique of man's hubris against Nature, you will also probably be satisfied at the thematic level.

A few fine scenes but Ahab's wild and fantastic speeches are missing - which to me are the greatest of joys.

The treatment of the finale is decent.

Good luck!

(7.5/10) My husband and I picked it up at our local rental place and we were surprised at how well it was done. Really strong performances from William Hurt and Ethan Hawke as Ahab and Starbuck, and the rest of the roles were well-cast, too. The filmmakers managed to capture a lot of the symbolism and themes of Melville's novel, and if you think about what was happening in Melville's time (civil war was brewing, American society seemed to be disintegrating), the mini-series makes it clear that the story was about much more than a Nantucket whaling expedition. Melville was issuing a warning to his fellow Americans that still has resonance today. We're Canadian, so it was fun to see that much of the movie was filmed in Nova Scotia. The whale special effects were a little weak at times, but otherwise, well worth watching.

This is an unsuccessful effort with fine actors and beautiful views of the sea and sailing vessels. It is by far the most disappointing performance I have seen by William Hurt, an actor who has given us many fine performances. I suppose it is too much to hope that there will ever be a film that actually spends time on the essential things in the novel, since they are not that cinematic in nature. The most effective part of the film is the representation of Nantucket, replete with a scene from a church service. The ship's masthead on the pulpit is quite striking and authentic. Otherwise, this film struggles to take a new approach to an old subject, but the result is sometimes ludicrous. There are several instances of modern-day idioms which make one cringe, given the context of nineteenth-century speech (e.g. "I'm just messin' with you"). The crew members are shown gleefully singing sea shanties as if this is the real reason they have gone to sea, the camera zooms in on their faces so the audience will see how awestruck they are at the sight of a whale, and the computer-generated image of Moby Dick is just plain laugh-out-loud ridiculous. The crew shouting "Moby Dick, Moby Dick, . . ." sounds like something from a football pep rally. (You almost expect them to spell it out next "M-O-B-Y-D-I-C-K"). Ishmael's narration of the story is minimal, so much so that it seems almost out of place. The totally invented part about the child lost at sea and miraculously found is never explained or rationalized. How did he suddenly become separated and how could Ishmael possibly have known where to look? The film begins with a soon-to-be neurotic and obsessed Captain Ahab having dinner peacefully at home with his wife and child. The ship sets out from Nantucket for some reason. (In the book it is New Bedford. What on earth did this change hope to accomplish?) In short, this movie is part action film, part cartoon.

The story treatment, production, and acting are all very good. The casting is excellent. The dialogue moves well among the characters.

The long fiction takes a while to spin out when reading, and the writers have managed to retain the story in an efficient format. The historical background lays easily under the plot and dialogue and in short long shots. The character development and setup are worth the wait for the ocean drama.

doubt though that we would find, in the novel or in the time period, statements like "I didn't sign on for this?" and "Are you OK?". OK for example is a modern word that came about in the middle of the last century, not a hundred years before. Nevertheless, the modern attributes to add to the flow and so I don't object.

After non-stop disappointment at the movies this Summer, the latest being Cowboys & Aliens for so many reasons, this "freebie" on Encore came as a very pleasant surprise. William Hurt as Ahab was rock solid and while this may sound like heresy, was more fully rounded and interesting than Gregory Peck, whose monolithic performance embarrassed him in later years, and he didn't mind saying so in numerous interviews. (Still he had that great baritone voice) The supporting cast was fine (Ethan Hawk a bit too contemporary) and the production values commendable given the constraints of the budget. Liberties were taken from the classic novel but far from a dumbing down. And the finale, a virtual battle with the white leviathon was surprisingly effective if not all together a solid action set-piece....... far more so than anything in the aforementioned Cowboys and Aliens. I would have to say its worth checking out for most tastes and nothing too objectionable for kids over seven if they can deal with the hunting of whales.