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An exploration of the appeal of horror films, with interviews of many legendary directors in the genre.An exploration of the appeal of horror films, with interviews of many legendary directors in the genre.An exploration of the appeal of horror films, with interviews of many legendary directors in the genre.
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Can you believe that even today (56 years later) Alfred Hitchcock's "Psycho" still continues to have a substantial impact on the general direction of contemporary, American, horror movies? Well, it does!
And, with that in mind - Is it any wonder that this particular genre of film has become the stalest and most predictably trite movie category of them all?
According to all of the horror-movie directors, story-writers and historians who offered up their opinions in their fright-flick documentary - It was completely unanimous by all that Psycho was, indeed, the turning point. In the decades to follow, Psycho single-handedly set the inevitable direction that horror movies would head.
And, of course, in order to continue to compete with such a significant milestone as Psycho, horror-movie scenarios quickly accelerated into fast-pace mode and became a helluva lot messier and horrendously more sadistic in those years that followed Hitchcock's unforgettable slasher classic.
Yet, as is clearly evident today, it has been proved virtually impossible to fully satisfy and quench America's seemingly insatiable thirst for buckets of blood, and geysers of gore, and horrific stories that escalate into a non-stop barrage of pure, x-rated ultra-violence.
2 things that quickly lost this documentary some serious points were -
(1) All of those who offered up their opinions on the subject of horror movies placed a ludicrous amount of emphasis on directly connecting up these films with the socio-political mood (especially since 1950) that was clearly present in American society (at any given time in their nation's turbulent history).
(2) Way too much screen-time was given over to focusing in on director John Carpenter's half-baked opinions. As well, far too many film clips from his movies were spotlighted in this documentary. Also movies adapted from Stephen King novels were given too much attention, too.
P.S. - In order to make a point, I thought it was really pushing things a little too far when a particular scene from Disney's animated, 1940, classic Pinocchio was included in this film as yet another example of a horrific movie-moment worth discussing..... Spare me!
And, with that in mind - Is it any wonder that this particular genre of film has become the stalest and most predictably trite movie category of them all?
According to all of the horror-movie directors, story-writers and historians who offered up their opinions in their fright-flick documentary - It was completely unanimous by all that Psycho was, indeed, the turning point. In the decades to follow, Psycho single-handedly set the inevitable direction that horror movies would head.
And, of course, in order to continue to compete with such a significant milestone as Psycho, horror-movie scenarios quickly accelerated into fast-pace mode and became a helluva lot messier and horrendously more sadistic in those years that followed Hitchcock's unforgettable slasher classic.
Yet, as is clearly evident today, it has been proved virtually impossible to fully satisfy and quench America's seemingly insatiable thirst for buckets of blood, and geysers of gore, and horrific stories that escalate into a non-stop barrage of pure, x-rated ultra-violence.
2 things that quickly lost this documentary some serious points were -
(1) All of those who offered up their opinions on the subject of horror movies placed a ludicrous amount of emphasis on directly connecting up these films with the socio-political mood (especially since 1950) that was clearly present in American society (at any given time in their nation's turbulent history).
(2) Way too much screen-time was given over to focusing in on director John Carpenter's half-baked opinions. As well, far too many film clips from his movies were spotlighted in this documentary. Also movies adapted from Stephen King novels were given too much attention, too.
P.S. - In order to make a point, I thought it was really pushing things a little too far when a particular scene from Disney's animated, 1940, classic Pinocchio was included in this film as yet another example of a horrific movie-moment worth discussing..... Spare me!
Horror and sci-fi veteran Lance Henriksen narrates this look at the history of the American horror film, examining the earliest monster movies of the silent era up to the scariest modern-day masterpieces. Highlights include interviews with genre masters Roger Corman, Joe Dante, John Carpenter and George A. Romero, plus clips from classic films like The Exorcist, Night of the Living Dead and Rosemary's Baby.
I have seen my share of horror documentaries, I have read my share of interviews and interviewed my share of people in the horror industry. I have met most of the people in this documentary personally. So, my thought on this film going in was: this is going to be fun and a bit of a refresher for things I already know, a good thing to kick back and watch lazily. Nothing new to be learned here!
Well, that may not have been completely true. While the film covered a lot of the same ground as things I was familiar with: the politics, the culture, how films of the 1950s reflected nuclear fears... the documentary had some new angles, too. Who thought we would see a horror documentary that brings in "Easy Rider" and the James Bond films? I never thought so.
As I said, there is much talk of politics, particularly Reagan. Vietnam comes in, as does the Great Depression and the Cold War to a point. But the 1980s dominate, from John Carpenter's "They Live" to "American Psycho". There is even an argument made (which I find very dubious) that the 80s were a decade of excess, and this is in part why there is such an excess of blood in "Evil Dead 2". I doubt Sam Raimi would agree.
Larry Cohen says early on, "If a horror film is cutting off people's thumbs and gouging your eyes out, I guess that's a certain of horror. But it's not the kind of horror film that interests me." I liked this distinction, because horror seems to be heading in the direction where more films are just violence without any fun, suspense or subtle message. And that is just cheap. Horror films may not win Oscars, but they still range from bad to good, and the best are more than just torture.
The documentary also touched on numerous many overlooked films (such as "Atomic War Bride"), some that ought to have been overlooked ("Uncle Sam") and some lesser-known modern ones such as "The Devil's Backbone". The focus was on American films, so Hammer is not here, nor are the current foreign films of Japan. No Italian giallo. I think Vincent Price received far too little screen time, but overall the film covered just about every American film you could name that affected the history of horror in some way.
I have seen my share of horror documentaries, I have read my share of interviews and interviewed my share of people in the horror industry. I have met most of the people in this documentary personally. So, my thought on this film going in was: this is going to be fun and a bit of a refresher for things I already know, a good thing to kick back and watch lazily. Nothing new to be learned here!
Well, that may not have been completely true. While the film covered a lot of the same ground as things I was familiar with: the politics, the culture, how films of the 1950s reflected nuclear fears... the documentary had some new angles, too. Who thought we would see a horror documentary that brings in "Easy Rider" and the James Bond films? I never thought so.
As I said, there is much talk of politics, particularly Reagan. Vietnam comes in, as does the Great Depression and the Cold War to a point. But the 1980s dominate, from John Carpenter's "They Live" to "American Psycho". There is even an argument made (which I find very dubious) that the 80s were a decade of excess, and this is in part why there is such an excess of blood in "Evil Dead 2". I doubt Sam Raimi would agree.
Larry Cohen says early on, "If a horror film is cutting off people's thumbs and gouging your eyes out, I guess that's a certain of horror. But it's not the kind of horror film that interests me." I liked this distinction, because horror seems to be heading in the direction where more films are just violence without any fun, suspense or subtle message. And that is just cheap. Horror films may not win Oscars, but they still range from bad to good, and the best are more than just torture.
The documentary also touched on numerous many overlooked films (such as "Atomic War Bride"), some that ought to have been overlooked ("Uncle Sam") and some lesser-known modern ones such as "The Devil's Backbone". The focus was on American films, so Hammer is not here, nor are the current foreign films of Japan. No Italian giallo. I think Vincent Price received far too little screen time, but overall the film covered just about every American film you could name that affected the history of horror in some way.
I got a chance to watch a screening of this with the director followed by a Q & A session. It actually starts out well. It breaks into the major time periods of the 20th century and posits that the social issues of the time helped craft their most notable horror films. Paranoia and the threat of nuclear war in the 50s led to "Invasion of the Body Snacthers" and "Them!" The loosening of social mores helped drive the slasher films of the 70s and 80s.
It's when this movie gets to the modern day that it stumbles. Face it, to 2000s have been a TERRIBLE time for American horror. The biggest characteristic of this decade has been not original films, but remakes of either past classics or more inventive foreign films. "Nightmares" somewhat acknowledges this, but by saying that since we face many of the same social problems as we did in decades past, THAT is the reason we've turned to remakes. Yeah, I know. LAME.
I would have much better things to say about the movie if it had acknowledged that the quality of the genre has flagged from time to time, and we're currently in a slump. Such a lost opportunity.
It's when this movie gets to the modern day that it stumbles. Face it, to 2000s have been a TERRIBLE time for American horror. The biggest characteristic of this decade has been not original films, but remakes of either past classics or more inventive foreign films. "Nightmares" somewhat acknowledges this, but by saying that since we face many of the same social problems as we did in decades past, THAT is the reason we've turned to remakes. Yeah, I know. LAME.
I would have much better things to say about the movie if it had acknowledged that the quality of the genre has flagged from time to time, and we're currently in a slump. Such a lost opportunity.
An excellent documentary about American horror movies from Thomas Edison's 'Frankenstien' to 'The Mist'. It talks about the evolution of horror movies and the times they were made. But it it is interesting how these movies reflected their era. From the aftermath of World War I all the way to 9/11.
I never figured Lance Hendrickson would be a good narrator, but he was. And I like all the film historian's insight. What's really cool is the interviews of the 'Masters of Horror', Mick Garris, John Carpenter, Larry Cohen, Joe Dante, etc... and how they all loved horror films as kids. I loved it when George Remero talks about 'The Thing', and his own 'Night of the Living Dead'. You find out horror directors are not sick, demented people. They simply make these movies because they enjoy them and the have a true passion for good horror movies. And they are not above shaking things up a bit as well.
You find out true horror movies aren't always madmen killing sexually active teenagers in strange ways, but how true horror is all around us every day and these movies reflect that. It also shows horror films will never die. Like it or not they will always be with us.
I never figured Lance Hendrickson would be a good narrator, but he was. And I like all the film historian's insight. What's really cool is the interviews of the 'Masters of Horror', Mick Garris, John Carpenter, Larry Cohen, Joe Dante, etc... and how they all loved horror films as kids. I loved it when George Remero talks about 'The Thing', and his own 'Night of the Living Dead'. You find out horror directors are not sick, demented people. They simply make these movies because they enjoy them and the have a true passion for good horror movies. And they are not above shaking things up a bit as well.
You find out true horror movies aren't always madmen killing sexually active teenagers in strange ways, but how true horror is all around us every day and these movies reflect that. It also shows horror films will never die. Like it or not they will always be with us.
"Nightmares in Red, White and Blue" is a chronological march from the earliest horror movies to today. It begins in the thirties with movies such as "Dracula" (1931), "Frankenstein" (1931), and "Dr. Jekyll and Mr. Hyde" (1931) and takes the viewer up to current day movies (2009) such as the "Saw" franchise and "Hostel" (2006).
The commentators are some of the horror genre heavyweights. There was John Carpenter, George A. Romero, Darren Lynn Bousman, Larry Cohen, Joe Dante, Tom McLoughlin, Brian Yuzma, and Tony Timpone.
They cover monsters, animals, serial killers, demons, slashers, aliens and more. They don't get to much into the paranormal scary films. They mention classics like "The Exorcist," "Poltergeist," and "The Amityville Horror," but don't mention "Paranormal Activity," "The Ring," or "The Grudge." All of it is commentary about the era and times in which the movies were made with something about a deeper meaning of the movie itself, so don't expect to see how the movies are made. It's a cool documentary for horror buffs.
Free on IMDbTV.
The commentators are some of the horror genre heavyweights. There was John Carpenter, George A. Romero, Darren Lynn Bousman, Larry Cohen, Joe Dante, Tom McLoughlin, Brian Yuzma, and Tony Timpone.
They cover monsters, animals, serial killers, demons, slashers, aliens and more. They don't get to much into the paranormal scary films. They mention classics like "The Exorcist," "Poltergeist," and "The Amityville Horror," but don't mention "Paranormal Activity," "The Ring," or "The Grudge." All of it is commentary about the era and times in which the movies were made with something about a deeper meaning of the movie itself, so don't expect to see how the movies are made. It's a cool documentary for horror buffs.
Free on IMDbTV.
Did you know
- GoofsDespite being a documentary on US horror, it features Shivers (1975) and Videodrome (1983), two Canadian films by David Cronenberg.
- Quotes
Darren Lynn Bousman: [speaking of horror] Most of the power that it has relates to the time that it is made.
- ConnectionsFeatures Frankenstein (1910)
- Soundtracks3 Blue
Composer/Publisher: Steven Paul Glotzer (BMI)
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Американские кошмары
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 36m(96 min)
- Color
- Aspect ratio
- 1.78 : 1
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