Virginia

It's always difficult to portray mental illness but the mixture of comedy and violence in this movie totally confused the issue.

We are supposed to believe that Virginia started the affair with Richard when she was 24 and he was 44 and it's been going on for 16 years? Hollywood BS.

Virginia (2010)

An offbeat black comedy that is all charm and surprise. It plays off of a nostalgia for a simple middle America and inserts a woman who is both lovable and off her rocker. Her son is a precocious and tender teen with dreams of his own and he gets caught in the middle. The result is warm and funny and actually, in its comic way, tragic.

The star and an amazing star is Jennifer Connelly, but she is well paired with the young Harrison Gilbertson. Third in line is Ed Harris playing a cop or district attorney running for office. It's Virginia Beach, Virginia and there is for some reason a Mormon presence which adds to the humor because of course even Mormons can do outrageous things. Affairs fly against expectations, nuttiness becomes dangerous chaos, and innocence is shattered thoroughly. All in ironic good fun.

The story is key and it's written by the director, Dustin Lance Black. This is his first full fledged movie and it's too bad the responses are so negative. I liked it a lot. Even just appreciating the sheer acting prowess of Connelly is enough to last all the way through. Throw in a half dozen other good performances, some wonderful sets and locations, and really solid photography and it makes for something significant. Finally make the story as crazy as it is and you might have a good time here.

It's not perfect, for sure. They pull the same trick that was used in another, better Connelly film, "The House of Sand and Fog," where the opening scene is the end of the story, and the rest is filling in all the facts. This means a certain surprise is removed, and an expectation raised. You might also say this is all just so frivolous and sensationalist--it means nothing and you take nothing away from it (unlike "Sand and Fog" for example again). And that's true. It's an entertainment, and maybe even a bit of a fairy tale fantasy. Certainly the very last scene, which is after the moment that opens the movie, is a comic (improbable) euphoric conclusion to it all.

Check it out? Yes, if you like offbeat films.

This was not for me.

A schizophrenic(?) mother has delusions regarding almost every aspect of her troubled life: her importance to the Sherrif as a love affair, her ability to parent, her health, and her faith. The son plays along with these delusions as a way to "protect" her or something-a goal that does not end up happening.

Every character feels half-baked here. This movie feels like a dream in the sense that things just don't feel right/real.

Also, I'm not sure the themes or messages this movie tries to impart were worth telling, at least in this way. I often found myself just not wanting to be with these characters anymore.

Maybe this story works for others, but I had a real tough time finding something about it to warm up to.

WATCHED ON: Prime Video

HIGHER OR LOWER: Lower.

Virginia (Jennifer Connelly) is one seriously disturbed woman. One possible look at it is that she was screwed over by having an affair with an aspiring Senator, Dick Tipton (Ed Harris), who left her pregnant and alone to raise her son as a single mother. "Virginia" has a number of story lines, some in present time, some in flashbacks, but all resulting from the affair between Virginia and Sheriff Tipton.

The first is one of a teen romance. Virginia's son, Emmett (Harrison Gilbertson) is in love with the Sheriff's daughter, Jessie (Emma Roberts). The problem is they are half-siblings and they're told they're not even allowed to see each other let alone be friends with each other. Nobody is supposed to know of the affair so their forced separation can raise a few eyebrows. Interestingly, it's Emmett who starts questioning what's really going on.

What's really going on is that nobody is stable. The Sheriff is a devout Mormon and extreme conservative. In his Senatorial bid campaign, he needs a photo-op with a red, white and blue Ferris wheel, but the town's only Ferris wheel is pink and it's owned by an out-and-proud gay man. It is the simple conflicts like this which are resolved on the surface which lead to the very interesting dynamics in the film.

Dustin Lance Black is a relatively young filmmaker who is making his directorial debut with "Virginia" and previously wrote the screenplays for "Milk", "J. Edgar" and the HBO series "Big Love". He was raised in a Mormon household and community and was worried about his sexuality. Most of his filmmaking career has been spent inspiring people to become LGBT activists.

What is interesting about "Virginia" is that while none of the main characters are outwardly gay, the film appears to still be very personal with the boardwalk town likely doubling for Black's hometown of San Antonio, Texas. The religious undertones are very present but never over-powering.

The overall plot of "Virginia" definitely has places to go but the story hasn't been too well received. What is more interesting is what the film is trying to say without actually saying it. Black is such a talented writer that there's lots to read in between the lines.