Spartacus: Gods of the Arena

I watched the whole Spartacus series back when it first came up and now I'm revisiting it. Still, it does stand it's ground. I had no recollection of Jai Courteney being in the series and I don't like him as an actor but as Varro he is just great. All the acting is great, even when it's over the top, it all just fits together so nicely. Yeah, the GCI is a bit funny now and then but after just a few episodes, I really started to enjoy it. This show is sad, exciting and just pure fun to watch. To Andy: you made such an impression on younger me and you still do. You are a legend.

There were many skeptics leading into this new season (not technically season 2) of "Spartacus: Gods of the Arena", many feared it would not be worth watching without Andy Whitfield. For those with concerns, here is some advice: watch it! The major antagonist was lost from the previous season, but the character depth/story of the new leading actor is building AND new depths of past characters from "Spartacus: Blood and Sand" are unveiled. The history of how they developed is fascinating. The relationship differences between the two season are significant, thus there is a huge void of curiosity leftover to reveal how they developed to become the personalities they portrayed in season 1.

It would be remiss to leave out the absolute, succulent gratuity that peaks our senses! The world is enriched with beautiful people, outstanding wardrobes cast in a time that fascinates most, the Roman Empire. Did I mention that many of these beautiful people are quite revealing? Nudity! It is with taste I might add! Of course, references to porn are made, but no porn has the character depth and sophistication that gives the sexual scenes the passion that is conveyed in this series. The necessity to produce these scenes is important in fostering the time-period's stance of sexual openness. The costume range is great; the rich are adorned with lavish jewelry and a colorful, flowing wardrobe which is artistically chosen, and for the poor, well sometimes they are left with nothing. The gladiators are especially left without much clothing, but the armor they do wear is often demonic, intimidating and everything you would naturally expect to find on a person when they are fighting to the DEATH!

The fight scenes are well choreographed and blood is everywhere! The array of weapons to choose from, the differences in fighting styles, the varying levels of fighting skill all make for interesting battles in the arena. Also, bear in mind that the arena is not only for physical fighting, but the political fold is the pressing force behind the fights. Basically, it is more than just a fight, what you see is not entirely what you get. The fight's value is difference for the gladiator, than it is for the crowd, than it is for the owner's of the gladiators; and, these differences are excellently contrasted. The graphics are not top-notch, but it adds a stylistic element to the show. The blood is vibrant and sometimes seems to defy physics--it's great! The acting is intense and the director seems to strive away from being "natural" which is good. The intensity is not monochromatic and individual to each characters personality.

In a short and sweet summary, this gratuitous mash of beautiful people, fight scenes, political undertones is nothing short of brilliant. Watch it for what it is and you will not be disappointed.

It's so good I'm watching it all over again. 10 years later it still holds up. Amid all the glorious violence I had forgotten just how surprisingly emotional this series was.

If you have not seen it, watch it!

For fans of Gladiator, Xena, Hercules, and works by Sam Raimi. You need not have seen the original 1960 film Spartacus to enjoy the series as they are not related.

Warning - every episode contains nudity and explicit sex scenes. You have been warned.

And don't forget to watch the 6 episodes of Spartacus: Gods of the Arena, which aired between seasons one and two, but could be watched after this series. This was basically a holdover for the fans while it was hoped for and assumed by everyone involved that Andy Whitfield's return would be eminent.

Sadly, Andy Whitfield was taken from us a year and a half after the final episode aired. If you like Andy and enjoyed his performance make sure to check out the documentary Be Here Now. RIP Andy Whitfield.

The complete series is an absolute masterpiece. As a former Australia producer I am so proud of the most sincere work not only from the cast but also the crew. Based in New Zealand it brings a complete smorgasbord of the great talents from director, producers, cinematography to a unique editing style and I must impress upon the casting just perfect. To all involved you do yourselves proud and you bring credit to our industry. Job well done!

I started watching this very belatedly in early 2019 while waiting for the final season of Game of Thrones. I figured some swords-and-sandals would fit the bill in the meantime.

For the first two episodes, that's exactly what I got. Nothing special; a lot of gory violence, graphic sex and nudity, and colourful baroque mock-Shakespearean dialogue so over-the-top that I couldn't tell whether the acting was good or not. However, I had seen John Hannah (Batiatus) and Lucy Lawless (Lucretia) in other things before, so I stuck with it.

And damn, did the show hook me quickly after that. Yes, the dialogue is absurd and nobody ever spoke like that, but the actors deliver it with such unrestrained gusto and are clearly having such a blast making the show that you can't help but get swept up in it. Also, the dialogue has the added virtue of being clever and well-written: for example, there's a scene in the final season (don't worry, no spoilers) in which Marcus Crassus is having a discussion with his son Tiberius and a young Julius Caesar. Crassus is speaking to both of them, and they are answering him -- but Crassus is completely oblivious to the fact that Tiberius and Caesar are simultaneously having their own verbal sparring match against each other, while still advancing their three-way discussion. I rewound that scene a few times just to watch it play out.

Gory violence and graphic sex can only sustain a show for so long; fortunately, the characters are beautifully written and developed, and their relationships with each other (romantic or otherwise) are allowed to evolve and progress. By the end of the show I had come to care greatly about the central characters -- and what else could possibly be the mark of well-written characters effectively portrayed?

It's the stuff of TV legend by this point that Andy Whitfield, who gave a virtuoso performance as Spartacus in season one, was diagnosed with cancer shortly after filming wrapped, and that it took his life. The switch to his successor Liam McIntyre took a little bit to get used to, but McIntyre stepped into the unenviable position of taking over from a well-liked and tragically departed predecessor in a central role, and made it his own. No small feat, that.

In closing, if you're not a fan of gory violence, graphic sex and nudity, and casual profanity, this show won't be for you. If you're a "fan" of those things, watch the show, and you'll be surprised by how quickly they take a back seat to the story and the characters. Enjoy!