Roadie

Jimmy was a roadie for Blue Oyster Cult all his adult life who has - painfully and wrongfully according to him - been fired by the band and left by them somewhere in the wilds of Michigan. With nowhere else to go, he makes his way back home to Queens where he has not been since his father's death many, many years before. He has barely spoken with his mother in the interim and now he overstates his role with the band to her - manager, writer, producer, etc. He tries to collect himself to deal with this massive setback, but he is not making the situation any better with angry calls to the band's actual manager.

I think that roadie is one of the coolest jobs in the world next to rock star and Jimmy does as well. I, too, would have major problems dealing with his rude awakening after so many years and the loss of his livelihood and dream.

Out for some butter for his Mom's famous tuna melts, Jimmy runs into a high school classmate who is and was quite a butt-head who is now married to Jimmy's first love, Nikki. Jimmy and Nikki wind up back in his boyhood room which is untouched by time and looks like a "rock and roll museum" according to Nikki.

Out of his vinyl record collection, Nikki pulls out Ratcity In Blue by, local 70s favorites, the Good Rats and they listen to a couple of tracks. This brings back memories of seeing the band every Saturday night with their friend Steph - who passed away unbeknownst to Jimmy.

This movie is about real people, with lots of issues, who love music and are dealing with some very real problems. If you enjoy music, have been on the road with a band or thought about doing so (one of my life's regrets is turning down an offer to be a roadie) you will really like this movie.

Full disclosure - I also own this "original" album with the cool pizza sleeve art, am a huge Good Rats fan and may have seen Steph, Nikki and Jimmy at one of those Saturday night shows back in the day. My heartfelt thanks go to Gerald and Michael Cuesta for a wonderful film and soundtrack including these New York music legends and a great version of Jackson Browne's Stay by Adam Duritz of the Counting Crows. Did they misspell "Peppi" Marchello in the closing thanks to him?

Is this movie a musical tribute to roadies who vicariously act out their rock-n-roll fantasies through the live performances of their employers or is it a musical rebuke of all forms of career mediocrity that settle for a greasy hamburger without even looking at the gourmet steak menu? For me, it was both.

Many scenes had the realistic look and feel of a low-budget documentary that exposes the dreary monotony of people talking a lot but saying very little. But other scenes played out more like attention-captivating music videos where the classic-rock song playing in the background was perfectly synchronized with the fleeting frames of film it was linked to in such a way as to reveal more in a few musical measures than even the most eloquently constructed lines of dialog could ever hope to express using the medium of the written-to-spoken word.

Thematic elements of Roadie dealt with connecting to people and places from one's past but despite being portrayed under the center-stage spotlight of honesty, these themes are never totally submerged in a bottomless pool of pessimism where hopelessness and despair become deadly poisons to those who dare to dream and dream to dare. Instead, I found a few rays of sunny optimism shining through the dark clouds of experiential adversity and disappointment as though to subtly suggest that just as wisdom is gained from taking an honest look at the many seeds of mistakes (erroneous judgment) sown in the gardens of the past so can wisdom be applied to improving the blossoming realization of the future by making better (wiser) choices in the decision-sprouting reality of the present moment!

Led Zeppelin said it better than I ever could in a line from the lyrics from their 1971 hit, Stairway to Heaven: "There's still time to change the road you're on."

I watched this movie for two reasons. First, I am a huge fan of Blue Oyster Cult. Been listening to BOC since 1973 and have seen them about 60 times in concert. Second, I worked as a sound engineer, stage manager, production assistant and local crew stagehand at thousands of shows in Arizona. Though I only did a few "road" gigs and most of what I did was local work, I have many "roadie" friends that have been around the world with some pretty big named bands. So my love for BOC and my time spent working in the business is what drew me to this movie. While the story is a bit slow, I still liked it and could relate to many of the scenes. I remember going back to my old high school bedroom at my parent's house after moving away. It was pretty surreal just like in the movie when Jimmy comes home, puts on an old Robin Trower record and lays in his bed surrounded by posters of his rock heroes from the days of his youth and sings along at the top of his lungs. I can also relate to bumping into old friends after I had moved away and some of the dialog and reminiscing that takes place. Of course, I loved the soundtrack! Not many movies feature Buck's Boogie, Last Days Of May, See You in Black, Cities on Flames and The Red and The Black! Plus some Trower, Tull and of course Jackson Browne's tribute to roadies, The Load Out! One of my favorite parts is when they are in the bar and Jimmy is trying to describe BOC's music. Something that many have tried to do for years now and failed. Jimmy says "The Thinking Man's Metal" "That's how the critic's described them" and to me that best sums it up. Jimmy and Nicky are in the bar and Cities On Flame is playing on the juke box. Nicky says he never got BOC and Jimmy attempts to explain how good they were to him. The script goes something like this: "And the drumming, it would get all jazzy, but underneath all those f#@%ing heavy riffs!

I mean Buck Dharma, his solo on Dominance and Submission is without question the BEST hard rock guitar solo of the era, hands down! It sums up everything that came before it. I mean Hendrix, Zeppelin, Townshend. Dharma, he takes a little bit from all of them and mashes it all together into one f#@%in' brilliant solo that says, THIS! THIS is what it's all about! It was like science fiction poetry on a turntable. All these weird worlds. They were just so much smarter than everything else that was around. Naw man, BOC, they were better. And they should have been even bigger!" For me the movie was just what I expected, no blockbuster, no action packed car chases, just a movie about coming home to your roots to see your aging mom, your rusted out old car, your old neighborhood, some old high school friends and the collection of vinyl and rock posters in your bedroom that would allow you to escape reality for just a little while.

IMDb currently has this movie top listed as "Comedy". That plus its eponymous association with the 1980 B-movie classic "Roadie" starring Meat Loaf, not to mention this movie's deceptive DVD tagline ("Sex, drugs, rock 'n' roll. It was fun while it lasted") might lead you to expect... I dunno... a comedy?

It's not. If we're ok with that, then let's move on to what this movie really is.

"Roadie" (2011) is a brutally honest, sometimes bizarre but mostly lucid look at returning to an ordinary life after living on the road for 20 years. The movie doesn't focus on the rockstar life (and in fact the only references we get are a few hazy flashbacks in the beginning) but instead plants us squarely in the real world, Queens NY to be exact, where our protagonist Jimmy is forced to confront reality for perhaps the first time in his life.

The entire story occupies the space of about 24 hours from Jimmy's arrival at his estranged mother's house to his chance encounter with the old high school douchebag who coincidentally married Jimmy's high school sweetheart. The high school sweetheart herself is an amateur musician, and this (plus Jimmy's refusal to accept his failure in life) leads him to claim he's the manager for Blue Oyster Cult. The plot certainly sounds like it could be a raucous rib tickler, but the material is played straight, dramatic rather than farcical, even a bit on the disturbing/dark side.

This came as a big surprise, but once I realized how well everything was presented--the excellent and I mean EXCELLENT acting by all 3 leads plus the mother, the appropriate pace giving things time to breathe, the subtle brooding vibe of cinematography, and of course the great script with believable dialogue--I was sucked in and riveted until the very end.

This film has a slow, careful buildup to an explosive climactic scene and a thoughtful aftermath which will stick in your mind for a long time. The main question being: Whose reality is more valid, those who accept their mediocrity but hang on to dreams of a better future, or those who fall from success but hang onto dreams/fantasies of their past? If that last sentence didn't make a lotta sense, just watch the movie and you'll see what I mean.

"Roadie" has a distinctly indie vibe (as much as I hate to use that term) which means it's not glossy, snappy paced and glamorous like most Hollywood blockbusters. The style reminded me of some of Vincent Gallo's work ("Buffalo 66", "The Brown Bunny") in the same way Gallo weaves a surreal story within the confines of a very real world. If you're not familiar with Gallo, think of maybe "Leaving Las Vegas" where the main character comes from a questionable past and refuses to accept a new future.

Again, this is NOT a rock 'n' roll movie, though it does have some great classic rock tunes on the soundtrack (Blue Oyster Cult, Robin Trower, Jethro Tull, The Ramones). So don't expect Spinal Tap! "Roadie" might be closer to the excellent washed-up-musician flicks "Crazy Heart" or "Searching for an Echo".

I must confess up to the point of actually watching the Roadie, I had no idea what a roadie was or did. This is not my usual type of movie, however we should strive to challenge and expose ourselves to different movies. Just as you would a different language or cultural in order to grow and mature as an all around individual. The movie was interesting and I thought the plot, made a point in trying to relate to the viewer the regret of decisions that we make as youth, that do not pan out or other wise never manifest themselves. The characters were very likable and came across genuine and authentic in the Roadie, which must be stressed is a very necessary thing in a film like this. There was a feel that that the movies' main character could have been anyone of us: in regards to decision or choices that were made in our lives that never quite pan out. Perhaps you could take it a bit further and say that everyone in there life at least once or twice has not let go of an idea or notion until: well it was to late. Atlas, I would be remiss, if I did not mention that the sound track for the Roadie is excellent.