A true crime writer investigating a small town murder spree uncovers the devastating truth that changes the town forever.A true crime writer investigating a small town murder spree uncovers the devastating truth that changes the town forever.A true crime writer investigating a small town murder spree uncovers the devastating truth that changes the town forever.
- Awards
- 1 win total
Michael Robert Brandon
- Detective Davis
- (as Michael R. Brandon)
- …
Lance Kawas
- Doctor
- (as Lance KR Kawas)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
"I liked him, I just can't believe he killed those people." After an insurance investigator is killed and blamed for a string of murders a writer comes into town to write a book on the events. Talking to his girlfriend and his new neighbor he begins to uncover secrets that may lead to his innocence. This movie seems better then it is. The acting is passable...but with Tom Arnold giving the best performance that should help you with the quality involved. Besides the performances the editing was very strange and seemed very choppy. But all that aside this movie was very ordinary and kinda boring. For an action movie this was not full of action and was rough to get through. All that being said I have seen worse. Overall, worth watching only if you love action movies more then any other genre. I give it a C-.
*Also try - Blood Out
*Also try - Blood Out
I was - whatever - absorbed?
PI unearths plot, and pays the price. OK. It wasn't too noir, wasn't over-hip. Mena Suvari (bra on sex scene contract not withstanding) was real, and genuine, and it could almost have been a romcom. (I don't think I've ever had a sex scene with bras on, personally).
And then, it just suddenly revives. A new character, a new phase, act 2.
And then, suddenly, Act 3. People stop being who they were, and use guns. Who knew? Even, when it all calms down, another twist, and we have act 3.1.
My son-in-law is the acid test. If there are plot holes, he disses the film, and I wish I hadn't suggested it.
This got a 'pass' on his radar, (though he agreed with the 'stupid no tits rule'.
Worth a look. I was surprised, a few times. And that no longer happens often.
PI unearths plot, and pays the price. OK. It wasn't too noir, wasn't over-hip. Mena Suvari (bra on sex scene contract not withstanding) was real, and genuine, and it could almost have been a romcom. (I don't think I've ever had a sex scene with bras on, personally).
And then, it just suddenly revives. A new character, a new phase, act 2.
And then, suddenly, Act 3. People stop being who they were, and use guns. Who knew? Even, when it all calms down, another twist, and we have act 3.1.
My son-in-law is the acid test. If there are plot holes, he disses the film, and I wish I hadn't suggested it.
This got a 'pass' on his radar, (though he agreed with the 'stupid no tits rule'.
Worth a look. I was surprised, a few times. And that no longer happens often.
This movie was a total waste of my time. I don't even know where to start in describing how horrible it was. The "twist" in the end is surprising because the movie made no sense! This fool can just decide to come back and start killing people and the cops never ask him a single question? Not believable at all. The action didn't start until like an hour into the movie, and when it did, it was people killing in broad daylight and then no questions asked later. Kind of a clue not to watch the movie since the writer, producer, and star actor are the same person, but we gave it shot since Mena Suvari was in it. Should have known when On Demand did't give us a preview either. Overall, I am annoyed that I wasted 2 hours, or however long it stole from my life, watching this terrible movie.
I don't think I've ever seen choreography of action sequences this sloppy or acting this horrible. Talk about low rent! (Starting off a review like this, you know what's coming is bad. But read on!) By the way, has Tom Arnold fallen this far from A-List? Come to think of it, was he ever really A-List?
Anyway, Restitution is a film directed and co-written by Lance Kawas. If you've never heard of him, don't beat yourself up too badly. Nobody has... (Moving on!)
The film follows the actions of a rookie author, Alex Forrester, as he lands in a sleepy town on Lake Michigan trying to uncover the truth behind a pair of odd killings committed by a highly intrusive, but otherwise decent, insurance investigator. The insurance investigator then ends up dead, himself. Forrester intends to write a book on his findings, but if he digs too deep, he might end up dead just like the insurance investigator.
There are a few plot twists along the way as we build up to the climax and then there's a final plot twist at the very end that puts everything that precedes it into perspective. Some savvy viewers might call the big plot twist way before the ending. If you do call it, then get up and pop in another movie right away! If others are still watching, quickly leave the room and find something else better to do. Like watching a cup of ice melt. Why? Because despite the horrible directing, acting, dialog, cinematography, and everything else, the plot was the only thing remotely interesting Restitution had going for it. So, if you figure it out before the ending, you'll be really angry because nothing else is worth the wait. Furthermore, I don't even think the ending was a big enough payout for the prolonged suspense the writers created to get to the end result.
Another major problem is Kawas' inability to commit to a specific genre, especially early on. At times I didn't know if I was watching a comedy, a mystery, a lost footage film, or even a spoof flick. Directing 101: it's hard for an audience to take a film seriously if they're too confused about what direction the "director" is taking them.
I think if this film had been given a larger budget and great writers that would have tweaked the ending and delivered decent dialog, it could have been a hit. The plot had plenty of potential. However, suspense and a decent plot aside, everything else about this film screams "low rent" to the 10th power. It stinks!
Anyway, Restitution is a film directed and co-written by Lance Kawas. If you've never heard of him, don't beat yourself up too badly. Nobody has... (Moving on!)
The film follows the actions of a rookie author, Alex Forrester, as he lands in a sleepy town on Lake Michigan trying to uncover the truth behind a pair of odd killings committed by a highly intrusive, but otherwise decent, insurance investigator. The insurance investigator then ends up dead, himself. Forrester intends to write a book on his findings, but if he digs too deep, he might end up dead just like the insurance investigator.
There are a few plot twists along the way as we build up to the climax and then there's a final plot twist at the very end that puts everything that precedes it into perspective. Some savvy viewers might call the big plot twist way before the ending. If you do call it, then get up and pop in another movie right away! If others are still watching, quickly leave the room and find something else better to do. Like watching a cup of ice melt. Why? Because despite the horrible directing, acting, dialog, cinematography, and everything else, the plot was the only thing remotely interesting Restitution had going for it. So, if you figure it out before the ending, you'll be really angry because nothing else is worth the wait. Furthermore, I don't even think the ending was a big enough payout for the prolonged suspense the writers created to get to the end result.
Another major problem is Kawas' inability to commit to a specific genre, especially early on. At times I didn't know if I was watching a comedy, a mystery, a lost footage film, or even a spoof flick. Directing 101: it's hard for an audience to take a film seriously if they're too confused about what direction the "director" is taking them.
I think if this film had been given a larger budget and great writers that would have tweaked the ending and delivered decent dialog, it could have been a hit. The plot had plenty of potential. However, suspense and a decent plot aside, everything else about this film screams "low rent" to the 10th power. It stinks!
The man who produced and starred in this film is a joke. He took decent actors (Et Tu, Bill Sadler?) and gave them some terrible lines to read. Then he had the audacity to put himself in the lead when he has no talent. There are PLENTY of better actors in Michigan than him. But instead of caring about the CRAFT of film-making, he just wanted to fulfill his fantasy of having Mena Suvari play his girlfriend. Mark, when Tom Arnold out-acts you, you need to WISE UP. I am begging you to stop making films. Seriously, your money could be spent on something so much better. Everything about this film is horrible: the special effects, the "action," the cinematography, and the music. The best you can hope for is that the Mystery Science Theatre 3000 crew will get a hold of this and give it the thrashing that it deserves.
Did you know
- GoofsAlex's wrist watch comes off and is clearly seen on the floor when he is thrown down at beginning of stair case fight scene, but is back on wrist in the middle of the scene and at the end when he comes back, retrieves his pistol and goes looking for Youngstown.
- ConnectionsReferences Street Boss (2009)
Details
Box office
- Gross US & Canada
- $2,664
- Opening weekend US & Canada
- $1,779
- Oct 30, 2011
- Gross worldwide
- $2,664
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