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6.5/10
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Ruthless executive Christine brings on young Isabelle as her assistant taking delight in toying with her innocence. But when Christine starts passing on her protege's ideas as her own, thing... Read allRuthless executive Christine brings on young Isabelle as her assistant taking delight in toying with her innocence. But when Christine starts passing on her protege's ideas as her own, things take a dark turn.Ruthless executive Christine brings on young Isabelle as her assistant taking delight in toying with her innocence. But when Christine starts passing on her protege's ideas as her own, things take a dark turn.
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Frederic Venant
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- (as Frédéric Venant)
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In Love Crime, the French have taken Mike Nichols' Working Girl and turned it into a true thriller, not just a sociological study of corporate ambition and intrigue. Isabelle (Ludivine Sagnier) is the young executive in a large global corporation; Christine (Kristin Scott Thomas) is her boss and mentor. All's well while they love each other; not so when Christine usurps Isa's ideas without attribution in the name of collaboration.
That first half, where the two execs jockey for success and independence, emphasizes shady but not lethal methods. When an unexpected plot twist changes the film into a more traditional thriller, the film is nonetheless fascinating as the protagonist makes her way through a maze created by herself and seemingly deadly for her career and her personal life.
The late director, Alain Corneau, crafts the intrigue so as to allow his actors the widest scope for their talent, especially Sagnier, who goes from introverted neophyte to deadly colleague learning from her mentor the tricks necessary to break through the glass ceiling. Not so successful is Corneau with the police, who can't seem to get it right even the second time around.
Typically French is the emphasis on Isabelle to be loved and Christine to be admired. The larceny that ensues can be traced to these driving emotions, and only the French can deconstruct them both and still produce an engrossing suspense.
That first half, where the two execs jockey for success and independence, emphasizes shady but not lethal methods. When an unexpected plot twist changes the film into a more traditional thriller, the film is nonetheless fascinating as the protagonist makes her way through a maze created by herself and seemingly deadly for her career and her personal life.
The late director, Alain Corneau, crafts the intrigue so as to allow his actors the widest scope for their talent, especially Sagnier, who goes from introverted neophyte to deadly colleague learning from her mentor the tricks necessary to break through the glass ceiling. Not so successful is Corneau with the police, who can't seem to get it right even the second time around.
Typically French is the emphasis on Isabelle to be loved and Christine to be admired. The larceny that ensues can be traced to these driving emotions, and only the French can deconstruct them both and still produce an engrossing suspense.
Alain Corneau wrote (with Nathalie Carter) and directed this little French thriller about the extremes to which people will go to maintain their goals - and the spatter of mess they leave behind on everyone who comes into contact with them. Despite a fine cast of actors this story is one in which the audience simply doesn't care about anyone involved. Bad things happen to bad people, and that concept is taken to extremes.
Christine (Kristin Scott Thomas) is a wealthy corporate executive in Paris who makes international deals through her brainy cunning. Her protégé is the equally bright but less world-wise Isabelle (Ludivine Sagnier). At times it appears that Christine wants to be in a relationship with Isabelle but at the same time Christine has a lover Philippe (Patrick Mille) who works for her and who incidentally is also sleeping with Isabelle. Games are played; Christine takes credit for Isabelle's ideas in a manipulative way to gain a position in the US. Two tigers cannot in the same environment survive and Isabelle carefully plots the murder of Christine: we see Isabelle stabbing Christine to death. After the murder Isabelle, in an apparent drugged state, confesses to the murder and is sent to jail. But the story is far from over as Isabelle's brilliant and now criminal mind knows how to manipulate this predicament as well as Christine would have had the tables been turned.
Despite the fact that both Kristin Scott Thomas and Ludivine Sagnier are both extraordinarily beautiful women and superb actors, neither is a character with whom we can empathize much less care. Yes the plot is a brilliant Hitchcock type story and the film, though it drags in many places, is very well made. But in the end we are left in an emotional vacuum. Where is the love of the title?
Grady Harp
Christine (Kristin Scott Thomas) is a wealthy corporate executive in Paris who makes international deals through her brainy cunning. Her protégé is the equally bright but less world-wise Isabelle (Ludivine Sagnier). At times it appears that Christine wants to be in a relationship with Isabelle but at the same time Christine has a lover Philippe (Patrick Mille) who works for her and who incidentally is also sleeping with Isabelle. Games are played; Christine takes credit for Isabelle's ideas in a manipulative way to gain a position in the US. Two tigers cannot in the same environment survive and Isabelle carefully plots the murder of Christine: we see Isabelle stabbing Christine to death. After the murder Isabelle, in an apparent drugged state, confesses to the murder and is sent to jail. But the story is far from over as Isabelle's brilliant and now criminal mind knows how to manipulate this predicament as well as Christine would have had the tables been turned.
Despite the fact that both Kristin Scott Thomas and Ludivine Sagnier are both extraordinarily beautiful women and superb actors, neither is a character with whom we can empathize much less care. Yes the plot is a brilliant Hitchcock type story and the film, though it drags in many places, is very well made. But in the end we are left in an emotional vacuum. Where is the love of the title?
Grady Harp
Apart from saying that this movie is about competition between two ambitious female executives, I don't plan to get into the plot. The strength of the movie lies in the performances of the principals, Kristin Scott Thomas as the ruthless senior executive, and Ludivine Sagnier as her imaginative young assistant. Ms. Scott Thomas, English born but a long-time resident of France, seems to appear in an unending stream of British, French and American movies. This an unusual role for her but she is an accomplished actress and carries it off with her usual skill. The younger Ms. Sagnier is also splendid in an equally demanding part. Eventually, "Love Crime" becomes an intricately plotted murder mystery which, at least for me, is unconvincing. But I enjoyed the ride.
Someone who says that only men are capable of cruelty has not watched this movie. A fine example of cruelty and a very good movie (with very good actresses as well). I won't spoil anything about the story or the characters, but I can tell you that it is more about the road than the ultimate goal. It isn't very hard to see where this is heading and you might also see what it achieves to do.
Still very well made and executed with the mentioned central performances that are just amazing. The women go head to head (with different style and results of course), which might be enough for you to not see the obvious flaws. It was as you can see and read, enough for me.
Still very well made and executed with the mentioned central performances that are just amazing. The women go head to head (with different style and results of course), which might be enough for you to not see the obvious flaws. It was as you can see and read, enough for me.
Having watched Sweet Karma earlier tonight, I don't know if I was in the mood for two revenge movies, but this is very different.
A favorite of mine, Kristin Scott Thomas (The English Patient, Four Wedding and a Funeral) stars with another fave, Ludivine Sagnier (Swimming Pool, 8 Women). They are number one and two in a multinational's Paris location. Christine Thomas) is not above stealing the ideas of Isabelle (Sagnier) to get transferred to New York.
This was director Alain Corneau's last film, and it has already been picked up for a remake by Brian DePalma coming out this year. It is rumored that Rachel McAdams (Sherlock Holmes, Red Eye) and Noomi Rapace (the original Lisbeth Salander) will star.
After Christine threatens and humiliates Isabelle, she plots her revenge. Needless to say, it is an elaborate plot. I can't say anything more or it will spoil the film for you.
It had me on the edge of my seat in the second half.
A favorite of mine, Kristin Scott Thomas (The English Patient, Four Wedding and a Funeral) stars with another fave, Ludivine Sagnier (Swimming Pool, 8 Women). They are number one and two in a multinational's Paris location. Christine Thomas) is not above stealing the ideas of Isabelle (Sagnier) to get transferred to New York.
This was director Alain Corneau's last film, and it has already been picked up for a remake by Brian DePalma coming out this year. It is rumored that Rachel McAdams (Sherlock Holmes, Red Eye) and Noomi Rapace (the original Lisbeth Salander) will star.
After Christine threatens and humiliates Isabelle, she plots her revenge. Needless to say, it is an elaborate plot. I can't say anything more or it will spoil the film for you.
It had me on the edge of my seat in the second half.
Did you know
- TriviaLast movie of Writer and Director Alain Corneau, who died on August 30, 2010, twelve days after this movie was released.
- GoofsAll entries contain spoilers
- ConnectionsFeatures Cadeau de rupture (2009)
- SoundtracksKazuko (Peace Child)
Performed by Pharoah Sanders
- How long is Love Crime?Powered by Alexa
Details
Box office
- Gross US & Canada
- $539,792
- Opening weekend US & Canada
- $35,375
- Sep 4, 2011
- Gross worldwide
- $3,696,522
- Runtime
- 1h 46m(106 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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