Sundown

Try this on and see if it fits. in 2004, the sideways passengers made it safely home to live their lives as they would have. The begin to meet each other and interact together.

The second group of passengers crashed and spent 6 years on the island in order to do "something" (whatever that is) in 2010.

The first group (I believe) is going to find themselves somehow interacting with each other so much that they ALL end up the series doing the same "something" to the island in THEIR 2010.

Thus, these people were MEANT to do something on the island regardless of the dimension they are in.

When 'Lost' was in its prime, it was must-watch television. Remember first watching it, found it remarkably easy to get into, was hooked from the start and was on Season 3 by the end of one week. The general consensus is that the final season is a disappointment and cannot disagree.

It, Season 6 that is, started promisingly enough with "LA X", both parts, before reaching disappointment with the still watchable "What Kate Does", which had great moments but a dull and soap-heavy central story. "The Substitute" was a step up and one of the best of the episodes up to this point of the season (second best), but not one of the best 'Lost' episodes, did find a couple of issues with it but can understand why critically it has been positively received. "Lighthouse" to me was uneven but decent.

Season 6 hits a high here with "Sundown", for me by far the best episode up to this early point of the season and one of the season's best episodes overall. Not quite one of my all-time favourite episodes of 'Lost', but there is a lot of classic elements here.

There is really very little to fault with "Sundown", other than it does get slightly crazy in spots and clarity is occasionally not always there. The pace though is tighter than it was in "Lighthouse" and none of the writing is as soap-operatic as some of "What Kate Does" was. There are more shocks, more illuminating revelations and characterisation, generally more story clarity and character motivations are not as vague.

The flash sideways is one of the best of the season, it doesn't get soapy and actually has tension, suspense and emotion while also providing new information instead of reiterating what is already known. The island events are utterly gripping, full of suspense and is remarkably dark for Season 6, with an ending that provokes chills and the shock factor. The story and character development feels advanced rather than going backwards or ground to a halt.

Acting can't be faulted, with Naveen Andrews' powerful Sayid and Kevin Durand's sinister Keamy being the standouts. The visuals are slick and stylish, the music chilling and understated, the writing tightly structured and the direction showing ferocity and control. The action is unpredictable and superbly choreographed.

All in all, excellent episode, if anybody was to ask me what episodes stood out as among the best of Season 6 "Sundown" is very high up. 9/10 Bethany Cox

Sayid asks Dogen why he wanted to kill him and they fight; Dogen banishes Sayid from the temple. Meanwhile Locke and Claire head to the temple and Claire tells Dogen that Locke want to see him outside the temple. Sogen asks Sayid to kill Locke to prove that there is goodness in his soul. Kate returns to the temple and Miles tells her that Claire is prisoner in the temple. Kate tells to Claire that she raised Aaron in Los Angeles. Sayid stabs Locke in the chest but he does not feel anything. Locke asks Sayid to tell Dogen and his people that they have until the sundown to leave the temple. Sayid destroys the only protection of the temple.

In the parallel reality, Sayid visits Nadia and her husband Omer, who tells him that he has been pressed by dangerous people from whom he borrowed money. Omer is stabbed and goes on surgery. When Sayid is abducted by the gangster Keamy, he gives the ultimate solution to the situation.

"Sundown" is maybe the best episode of this Fifth Season, with the entity that possessed Locke winning the fight against Dogen due to Sayid. I do not understand this character Jacob, who seems to be connected to the survivors of the Oceanic Flight 816, but that has not protected them along the First, Second,, Third and Fourth Seasons, when they were permanently threatened by The Others. Let's see to what the writers of "Lost" will do with this former excellent show. My vote is seven.

Title (Brazil): "Sundown"

"Sundown," directed by Bobby Roth, shifts the focus to Sayid Jarrah, one of the show's most morally complex characters. The episode delves into Sayid's internal battle between his inherent goodness and the darkness that has always haunted him. On the island, Sayid faces a life-altering choice that will determine his fate, while in the alternate reality, his past actions catch up with him, leading to a confrontation that mirrors his struggles on the island. The episode is notable for its intense atmosphere and the way it pushes Sayid to the brink, forcing him to confront the darkest aspects of his nature.

Naveen Andrews delivers a powerful performance as Sayid, capturing the character's turmoil and desperation. On the island, Sayid's interactions with Dogen, played by Hiroyuki Sanada, and the Man in Black, further complicate his already conflicted moral compass. The tension between Sayid's desire for redemption and his growing alignment with the Man in Black is palpable, with Andrews portraying this internal conflict with a brooding intensity. In the alternate reality, Sayid's struggle to escape his violent past is equally compelling, as he is forced to confront the consequences of his actions in a brutal and tragic way.

The script, written by Paul Zbyszewski and Graham Roland, is tightly constructed, with a focus on Sayid's character arc and the broader themes of power, corruption, and redemption. The pacing is relentless, with the episode building towards a dramatic and violent climax that leaves Sayid's fate hanging in the balance. The dialogue is sharp and evocative, particularly in the scenes between Sayid and the Man in Black, where the latter's manipulations highlight the themes of free will and the seductive nature of power. The writing effectively captures the episode's dark and foreboding tone, making "Sundown" one of the more intense entries in the season.

Visually, "Sundown" is dark and atmospheric, with the cinematography emphasizing the shadows and confined spaces that mirror Sayid's psychological state. The direction by Bobby Roth is taut, with a focus on the tension and unease that permeate the episode. The use of close-ups and tight framing in the island scenes adds to the sense of claustrophobia and impending doom, while the more open, yet ominous, visuals of the alternate reality underscore the inescapability of Sayid's past. The visual storytelling enhances the episode's exploration of Sayid's internal and external conflicts.

The sound design and Giacchino's score heighten the episode's sense of dread and urgency. The music, with its dissonant tones and haunting melodies, reflects Sayid's inner turmoil and the escalating danger on the island. The sound effects, particularly in the climactic scenes, add to the intensity and chaos, creating an immersive and unsettling experience for the viewer. The auditory elements are integral to the episode's atmosphere, complementing the strong performances and direction.

In conclusion, "Sundown" is a dark and gripping episode that delves deep into Sayid's character and the moral complexities that define him. Naveen Andrews delivers a standout performance, and the script expertly weaves together the themes of power, corruption, and redemption. The episode's visual style, combined with its evocative score and sound design, creates a tense and immersive viewing experience, making "Sundown" a significant and memorable entry in the final season of Lost.

I've just seen a UFO ! Right on my TV. Sundown was an Unidentified Airing Episode. The very first minutes were so intense that it felt like watching a completely different show. Was it Lost or Found ? I'm not sure but it definitely succeeded in touching both my heart and soul. The story was so well written, weird and dark that it was like reading a Lovecraft short for the first time. It began with a dynamic fight between two characters and it was so well choreographed that it reminded me of Jackie Chan's best work. The stunt men and martial artists also did a very impressive job.

This time Sayid was featured and his arcs were both excellent but for once the island one was even better than the urban one. Better ? It's a miserable word to describe it because terms like awesome and amazing would be more appropriate. Awesomazing ? Definitely ! John Locke was smoking, more than in LA X and The Substitute, and even Kate dirty hotness couldn't rival with him. Terry O'Quinn dead calm acting was fascinating and disturbing. Naveen Andrews (Sayid) also did a very convincing job and Freckles was irresistible as always. Bobby Roth's direction was fierce and it seems he made his best to show the performers how much this episode was important to him. It was definitely pivotal and as surreal as the few twisted ideas I wrote at the end of my What Kate Does episode review. That's why I wasn't surprise to learn that Paul Zbyszewski wrote it because he also worked on Follow the Leader, an episode I consider by far the best of season 5. In fact he collaborated with Graham Roland, a new team member, who previously worked on Prison Break. Maybe that's why Sundown was so puzzling.

The ambiance was as frightening as in the season 1 pilot and it really seemed like the beginning of the end. The daylight scenes were already unpredictable and strained. But once they turned off the lights, the black order turned into a white chaos. A 15 ft high tyrannosaurus ripped everyone apart. Later Romero's zombies came to have a feast at the guests expense. It's on the cabin an ogre groaned but it was already too late because the Invasion of the Body Snatchers had already begun. To sum things up, it was The Constant the 6th and finale season needed to establish itself as the ultimate evolution of televisual madness.