The Freebie

The high concept question asked by "The Freebie" is: If you and your spouse gave each other total freedom to indulge in a one-night stand, no questions asked and no strings attached, would you do it?

The couple at the center of the movie (played by Dax Shepard and the film's writer/director Katie Aselton) do it, or at least probably do it (I wasn't even aware that the film even hinted at ambiguity as to its outcome until after I'd already seen it and read comments from the Internet community about it -- it seemed pretty clear to me while watching the film). And the results, predictably, are disastrous for their relationship.

"The Freebie" is a frustrating viewing experience, mostly because of the characters played by Shepard and Aselton. They're the kind of people who talk and talk and talk about every last minute emotion and feeling they're having, treating each other more like their own personal blogs than like a life partner. Their relationship has fallen into a rut and no wonder -- I'd be sick to death of anyone who I spent that much time navel gazing with. By the time the movie's over, I didn't much care whether or not they stayed together, because them together drove me crazier than either of them did when they were apart from one another. When tensions overflow into a shockingly nasty (especially on the part of Shepard's husband) fight at the end, you're almost relieved, because for once these two people have stopped being so damn nicey-nice and understanding with one another and actually just say what they feel.

"The Freebie" is ultimately a little too slight and underdeveloped to really be satisfying, but I will admit that it had me and my wife talking quite a bit about even a couple of days after we'd seen it, so it obviously achieved something.

Grade: B-

This movie is advertised as a comedy but it's a drama in all aspects of the word. The way that it was shot reminded me of Eternal Sunshine with a less talented camera operator. A lot of the film looks like its done with a hand-held and there are some choppy edits.. but overall its a worth watching movie.

Some reviews on here say that the script is lacking and there is no point to it.. "a waste of time". It's not, it is a short movie that gives you a glimpse into their lives and the decision that they made.

The end leaves you questioning and lets you decide for yourself what to believe. Not everybody's cup of tea, but it's worth the 77 minutes..

In my quest to watch all things Katie Aselton, I thought I'd found pure gold when I stumbled upon this movie. I watched the preview to see if my bounty was true or fools gold. The preview played it off like a light hearted romantic comedy so I was sold! Much like the premise of the better known comedy Hall Pass, a young couple comes to an agreement to take one night off from their marriage in hopes of rekindling the spark in their relationship. Much UNLIKE the better known comedy Hall Pass, this is not a comedy at all but rather a horror movie. Their guilt and shame at what they've done destroys the bedrock of their relationship and we're left to pick up the pieces. Dax Shepard and director Katie Aselton are pleasant enough as the young couple but I watched the first half of this movie thinking that this doesn't look like a couple that is having intimacy problems. The second half of the movie I just thought Dax's character was a jackass. Katie, of course, was a princess. I found it to be very similar to Indecent Proposal in that it tells the story of a young couple that tempts fate in an attempt to save their relationship only to find they've set about destroying it instead.

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Sometimes, or is it all the time, it seems like the people in charge of selling a movie are working directly in opposition to the original intents and artistic dreams of the actual creative people who make movies. I know that it's the job of distributors to get people to watch a movie they're putting out, I guess by any means necessary. But if they create an ad campaign, a movie poster, or DVD box art which is deliberately misleading as to the actual content of the movie, isn't that just going to either tick or turn people off? Seriously, if you create a sexy, silly cover for an ambitious, serious film, either you're going to a.)disappoint the people attracted to such a cover when they don't get what they were looking for or b.)keep people who would actually like such a film from ever renting it, or c.) both. For example, this film. I didn't watch it, and had no real interest in watching it, essentially based on the cover art and title. (I mean, sure, I was not exactly jazzed to check out the newest Dax Shepard vehicle either, but more on that later...) The title, the tagline, and the cutesy cover with stars Shepard and Katie Aselton all wrapped up in a blanket and giving us a comically-cute 'oops!' look makes it look like a lowbrow, cheesy romantic comedy, and the premise (unhappy couple decides to give each other the titular 'freebie' one-night stand with someone else apiece) is the stuff of lousy guy comedies (see last year's Hall Pass, etc.) But, since I had an undeniably-too-cool-not-to-tell reason to actually watch the thing (I got to interview star/director/writer Aselton) and I have to say The Freebie is really, really good. In addition to starring in this (and the very funny series 'The League'), Aselton is married to indie filmmaker (and co-father of the so-called 'mumblecore' movement) Mark Duplass, and in this, her directorial debut, she shows a real affinity for that genre's improvisational, conversational and emotionally-raw style, and creates a smart, legitimately moving examination of one couple's misguided attempt to sort out their relationship. Shepard and Aselton play Darren and Annie, a genuinely-happy, compulsively-honest couple who admit, one night, that their sex life has become routine. And so the 'one-night stand' plan. What's truly impressive is how organically the premise gets introduced; the two actors so ably create a very specifically-believable couple that you go along with their reasoning, even though you are pretty sure they're making a terrible mistake. That's a credit to the two actors, in more ways than one. I noticed that there are no writing credits listed for The Freebie on IMDb, and none in the movie itself, and Aselton confirmed to me on the phone (that's the last time I name drop, I promise), that, while she wrote her film's outline, the entire thing was improvised. And, while Aselton's background in the mumblecore genre, and the improv-heavy 'The League' reveals that she's got the chops for such an undertaking (and she is heartbreaking, winning, and lovely), the real revelation is Shepard. You might recognize him from comedies of such variable quality as Let's Go to Prison, Idiocracy, Without a Paddle, and Baby Mama, but absolutely nothing in his previous work suggested he could pull something like this off. As the two go through their painful journey into sexual adventurousness and, maybe, back again, the two actors make us care, and empathize, every step of the way, with Aselton's sure hand behind the camera providing sensitive, sure guidance. I popped this DVD in, honestly, out of a sense of obligation and, largely thanks to how it was marketed, absolutely no expectations whatsoever. I finished it with a continued respect for Aselton, a newfound one for Shepard, and a reaffirmed belief that movie marketing is headed up, by and large, by a team of trained chimps with cocaine habits. Ignore the cover, watch the movie.

Advertised as "A one night experiment in infidelity", The Freebie starts, progresses, and ends in such a strange independent state that when it's over you're like "what just happened?" It's a humble film that was released in September of 2010. If it hadn't been for the recently canned radio show DreX in the Morning, I probably would've never heard of this film. Good or bad I'm still debating.

The film is very "silent" if that makes any sense. The movie seems to be like a little kid daring to take his first step. He never really gets off his hands and knees and finally gets on his feet. He just crawls for a while hoping to gain some notice. No scenes in The Freebie stand out, and the dialog is the only thing this film has really going for it. It's a little dry, and very independently shot. But that's the rewarding part about this. Me and some other girl could've probably made this film. That makes it easy to relate to since the characters are very comparable. So this is definitely a step in the right direction.

Darren and Annie (Sheppard and Aselton) are a couple that is struggling to get the spice back into the relationship. To prove their still "cool" and "hip" both decide to give each other a night off of marriage, and have a rules free evening. Why couples are stupid enough to do that, no idea, but this means that both of them can do whatever they please as long as they go back to their marriage duty the next day. After a while, Darren makes note of Annie's awkward behavior, and her arrival at home at 6 AM. That's when they both figure out they've made a big mistake.

Like I said, The Freebie is as almost as if nothing happened. Even the fights both Sheppard and Aselton have aren't as entertaining as they could be. It is amusing seeing Dax in a straight edge, serious film role after watching something as farce as Without a Paddle, but there isn't a whole lot new or amusing. The effort is here, but the execution is very lukewarm.

One last random fact that I discovered is that Joshua Leonard of The Blair Witch Project actually makes an appearance in the film. I think I'd rather see him being hunted by an invisible urban legend than being the victim to a ho-hum rom com.

Starring: Dax Sheppard and Katie Astelon. Directed by: Katie Astelon.