A compilation of interviews, rehearsals, and backstage footage of Michael Jackson as he prepared for his series of sold-out shows in London.A compilation of interviews, rehearsals, and backstage footage of Michael Jackson as he prepared for his series of sold-out shows in London.A compilation of interviews, rehearsals, and backstage footage of Michael Jackson as he prepared for his series of sold-out shows in London.
- Awards
- 6 wins & 10 nominations total
Featured reviews
I haven't been since I was a kid. I therefore had zero expectations for this movie, and even groaned that I had to come in at 6 this morning to preview it for my theater. That said, I was completely blown away and entertained from beginning to end. His voice and his dance moves are top form and timeless. He sang all his greatest hits, even from the J5 era, which really hit a soft spot with me. And people might be complaining that this isn't a typical concert movie...in truth, that is a big plus here. Typical concert movies are overly produced. The intimacy of this footage makes you feel, not like you're in a concert, but like you're witness to very private performances. You get to see first hand how involved this man was (to every little detail of production and planning). There are no crowds of screaming and crying fans to have to sit through (with the exception of a brief opening scene in which the auditioning dancers get a little too blubbery at times). This film easily reignited my appreciation for the man, who was without a doubt one of the greatest entertainers of our time. Complete 180 for me, I'll be the first to admit. And a side note, his female guitarist (her name escapes me) had me picking my jaw up off the floor, and not just her looks. You'll see what I mean.
This was a clear view into the intergral preperation of a concert by a complete genius. I was never a Michael Jackson fan, however, my wife was and since she was desperate to see the film I decided to accompany her. I was astounded. I could not believe this man in the film was the same person that is was always hounded by the press and made to look like the devil. He was by no means weird, ill health, or a drug user. If he was, he masked it very well. The film shows us what we are missing as far as the concert goes and what a pity, it would have been amazing! He seemed at ease, and so happy and normal while on stage, as if it was built to be his. You would never believe this was the ''freak'' that the world perceived him to be. Shame on those people. Genius at work, a perfectionist down the smallest detail and I think the film has captured this very well. What I liked a lot was the fact that the film was not concentrating on his death and tradegy, but solely on his concert, his music, and his geniality and it was a fitting tribute to one of the greatest musicians of our times. So I would urge anyone who has had any miss conceptions about the man to go see this, you like me will more than likely change your views on the man. RIP
Forget everything you think you know about Michael Jackson. Forget the scandals, the surgeries, the rumors, the mysteries. Just accept that we're all innocent until proved guilty in America and let it all go. Michael Jackson was the greatest dancer in the history of mankind. This documentary shows that hours before his death, he remained the greatest dancer in the history of mankind. He was a revelation, pure and simple. And the greatest achievement in Kenny Ortega's simple, elegant tribute is that it allows the viewer, without a shred of distraction, to witness the process of an artist. Sure, some of the footage is a little amateurish, as this was meant for Michael Jackson' records more than anything else. But that's the fun of it. The viewer gets to witness the raw nature of the artist rather than the glossy outcome that would have been the final product. If you're concerned that the film will be an act of gross exploitation and an attempt to squeeze every last dime in the wake of Michael Jackson's death, know this: I haven't the slightest doubt that Michael would have wanted his fans to see this footage. Of course it's exploitive, don't fool yourself into thinking otherwise, but so what: All documentaries are exploitive to some degree and tasteful exploitation is better than tasteless exploitation. This is a film about the process, nothing more. We're just lucky that this process happens to revolve around the finest entertainer of our time. If you're even the slightest fan, this is a must see. If you're not, I dare you not to be won over. Also, if you're looking for signs of fatigue from Michael Jackson, you will be disappointed. In fact, if there's one thing that bothered me about the film, it's that Michael was in such terrific shape that it's angering to think he died so close to the finish line. We don't have many great entertainers left in the world. And the fact that at 50 years of age, operating at about 80% energy wise, Michael blows the top 10 pop singers of today out of the sky, is rather remarkable. Prepare for an emotional and downright exciting concert-film. "This is it" will show the world that with all the noise, all the distractions, all the craziness: Michael Jackson still had it. And then some...
There is one simple way of understanding whether one will enjoy This Is It or not, and that has to do with a caption that appears at the beginning of the film: "For the fans". Translation: Those who grew up with Michael Jackson's music, know his songs by heart and idolized him despite his bizarre antics and legal problems will love the movie; those who believe he was an overrated, disturbed artist will probably loathe it. Then there's a third category, to which I belong: people who enjoy listening to Jackson's music, without necessarily being die-hard fans. In that case, This Is It comes off as an interesting, but rather hollow experience.
The story behind the picture is well-known: following Michael Jackson's tragic, unexpected death in June 2009, just before the first of a series of gigs that would mark his retirement, it was decided to make the rehearsal footage, filmed during the preparations for the first concert, known to the public, so that the late singer's admirers could get an idea of what could have been. The film begins with several young people auditioning to become dancers or background singers, and their tangible enthusiasm remains unaffected throughout, a feeling that is shared by Jackson once the real work begins.
Watching the footage makes one thing absolutely clear: if Jackson had lived, it would have been a major event. Showing no signs of weakness whatsoever, he was both precise (he knew exactly what everyone should do and when) and playful (he is shown goofing around on the stage and joyously interacting with everybody), trying to make sure all the people involved were having a good time. Unfortunately, a lot of that passion and energy fails to get through the screen, mostly because of the center-stage presence granted to the project's director, Kenny Ortega (of High School Musical fame), whose constant attempts to please his star get annoying rather quickly.
On the flip-side, it's intriguing to see all the special stuff the team was preparing for the event: new filmed material to go with certain songs (including new footage shot for Thriller), devices that would allow the stage to "transform" as the show went on, smoke, special effects, you name it. Additionally, even casual listeners are likely to be thrilled when Jackson performs live versions of everyone's favorites. This Is It was, in his mind at least, a true labor of love. The resulting film, however, does occasionally have "cash-in" written on it. It's an interesting look at a lost opportunity, but it's more of a curiosity, rather than a proper, affectionate tribute. You know, for the fans.
The story behind the picture is well-known: following Michael Jackson's tragic, unexpected death in June 2009, just before the first of a series of gigs that would mark his retirement, it was decided to make the rehearsal footage, filmed during the preparations for the first concert, known to the public, so that the late singer's admirers could get an idea of what could have been. The film begins with several young people auditioning to become dancers or background singers, and their tangible enthusiasm remains unaffected throughout, a feeling that is shared by Jackson once the real work begins.
Watching the footage makes one thing absolutely clear: if Jackson had lived, it would have been a major event. Showing no signs of weakness whatsoever, he was both precise (he knew exactly what everyone should do and when) and playful (he is shown goofing around on the stage and joyously interacting with everybody), trying to make sure all the people involved were having a good time. Unfortunately, a lot of that passion and energy fails to get through the screen, mostly because of the center-stage presence granted to the project's director, Kenny Ortega (of High School Musical fame), whose constant attempts to please his star get annoying rather quickly.
On the flip-side, it's intriguing to see all the special stuff the team was preparing for the event: new filmed material to go with certain songs (including new footage shot for Thriller), devices that would allow the stage to "transform" as the show went on, smoke, special effects, you name it. Additionally, even casual listeners are likely to be thrilled when Jackson performs live versions of everyone's favorites. This Is It was, in his mind at least, a true labor of love. The resulting film, however, does occasionally have "cash-in" written on it. It's an interesting look at a lost opportunity, but it's more of a curiosity, rather than a proper, affectionate tribute. You know, for the fans.
No one has any apology to make about this wonderful documentary, least of all Kenny Ortega. When I heard he intended to take "rehearsal" footage of the "This Is It" tour and market it as a film, I assumed it was an attempt to recoup the investment made in the project. Who could have guessed that this film would stand on its own and also enter the echelons of the "best" documentaries about rock music ever made? No less, Michael Jackson reveals more about himself in this footage than we've ever seen before. It's his premiere moment on film, and I would guess he would not have wanted it shown only because we see—for the first time—Jackson without a mask. I won't attempt to characterize this complicated, insanely talented, person, but basically he's painfully shy. And he excelled at one of the most public vocations there is: performing.
What's interesting about the footage is that it exists at all. But since concerts today use video projection for the large venues where they play, it was natural to include the cameras during the rehearsal period. And it's riveting! Nothing is ever less than compelling in large part due to the level of talent in all quarters. The dancers, the musicians, the back-up singers, sets, costumes it's a parade of the best of the best. While Jackson is the center of all of this, if you don't care for him, there's plenty of other things to look at and enjoy.
Any sadness is brought by the viewer. There's not one nod to Jackson's demise or when it occurs. He looks thin, but even in a rehearsal mode, he's electrifying, and I think that's why the film works. We're not at some huge arena (for which the concert was conceived) with 10,000 screaming fans. And rather than missing that electricity, we get intimate performances of familiar Jackson material. But it's re-imagined and you never know what's coming next.
An alert: there is footage throughout the final credit sequence and after the credits end. And if you can, see it in a DP theater...for the sound alone. An amazing experience!
What's interesting about the footage is that it exists at all. But since concerts today use video projection for the large venues where they play, it was natural to include the cameras during the rehearsal period. And it's riveting! Nothing is ever less than compelling in large part due to the level of talent in all quarters. The dancers, the musicians, the back-up singers, sets, costumes it's a parade of the best of the best. While Jackson is the center of all of this, if you don't care for him, there's plenty of other things to look at and enjoy.
Any sadness is brought by the viewer. There's not one nod to Jackson's demise or when it occurs. He looks thin, but even in a rehearsal mode, he's electrifying, and I think that's why the film works. We're not at some huge arena (for which the concert was conceived) with 10,000 screaming fans. And rather than missing that electricity, we get intimate performances of familiar Jackson material. But it's re-imagined and you never know what's coming next.
An alert: there is footage throughout the final credit sequence and after the credits end. And if you can, see it in a DP theater...for the sound alone. An amazing experience!
Did you know
- TriviaGuitarist Orianthi Panagaris states in an interview that she received an invite to audition for a spot on the tour via MySpace. When she showed up to audition, Jackson and other producers asked her to play the solo from the song "Beat It." After playing the piece, Jackson approached Panagaris, took her arm, and asked if she could play the solo walking across the stage at a specific speed. When she responded she could handle the assignment, Jackson hired her on the spot.
- Quotes
Michael Jackson: [to guitarist Orianthi Panagaris, encouraging her to play louder] This is your moment to shine.
- Crazy creditsThere are two scenes after the closing credits. The first was a clip of Michael rehearsing "Human Nature" a couple of weeks before his death. The other was a video of the little girl who appeared in "Earth Song" holding the earth with the words "Heal The World" above her, followed by Michael's signature, and his final message to his fans: "I love you."
- ConnectionsEdited from The Whole Town's Talking (1935)
- SoundtracksThey Don't Care About Us
Written and Performed by Michael Jackson
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Michael Jackson's This Is It
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $60,000,000 (estimated)
- Gross US & Canada
- $72,091,016
- Opening weekend US & Canada
- $23,234,394
- Nov 1, 2009
- Gross worldwide
- $267,983,588
- Runtime
- 1h 51m(111 min)
- Color
- Sound mix
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