Attack the Block

After reading the previous reviews of this movie, I am a bit surprised to see how many people didn't like it. They didn't care for the characters, because of their rude language, their clothes (Ooooh, hoddies:) and the fact that they are petty criminals. But this is a classic "bad guy turns hero" story with such a great written script and talented young actors. The casting director did an excellent job finding these kids. They are real, natural and very believable in portraying being born and raised in Londons Ends. I found myself actually caring about the characters and their destiny throughout the movie. "Attack the Block" is a horror comedy about an alien invasion. Aaaah, you think, I've seen this before! "Bodysnatchers", "The Faculty", and not to mention the great TV-series "Falling Skies". But this movie is different. The focus in the film lies with the characters, and their reaction to having their street invaded by aliens. The aliens them self are kind of cheesy, but scary in a funny way. I expected Nick Frost to have a bigger role, I loved him in "Shaun of the Dead" and "Paul". But he never disappoints me, funny as always :) I really enjoyed this movie, and if you like movies like "Shaun of the Dead" and "Tucker & Dale vs Evil", you'll probably enjoy this as well.

Favourite quote from the movie " Oh man! All this weed and no skins... This is the worst day of my life!"

All aspiring film-makers should watch this. And those producing films for SyFy or Asylum should also take note.

First and foremost, we need characters. Characters that have each their own voice and emotions, all growing from their personal past. This makes the viewer care about what happens to them, root for them, and believe in them. It also takes a bit of the storytelling burden off the cinematography, as these characters can support the story in their part.

Secondly, a compelling story should be written. Compelling does not necessarily equal complex. A story should have events pan out in an order that presents at least some kind of logic and thought behind it. Twists and turns are okay, but they don't have to be gimmicks. This doesn't mean resorting to worn clichés, but have these engaging characters something to do. Something, that has some weight to it, so that the viewer stays focused for the length of the movie.

And third, add a bit of vision. A little quirk here and there brings the humanity of the characters, the story, and those making the film apparent, and creates the valuable bond between the finished movie and its' audience.

As we can see, none of these elements require much of a budget. So having a small budget should not be a constraint per se, but rather a source of ingenuity. Monty Python and the Holy Grail is one excellent example, Attack the Block is another.

It is clear that they did not have the money for a plethora of awesome locations, top-notch CGI, or brand-name anything. But what they managed to do with what they had was fun and entertaining and well worth a re- watch: The lack of shooting locations was masked with a brilliant and logical reason for limited room; lack of awe-inspiring special effects was masked with more traditional skills, ie. use of light and sound, and going story first (everyone knows how annoying is the modern over-focus on CGI over human connection, even when the effects are great); and I have no reason to believe they were looking for cheap actors, but people with desire to go out and do their best and have some fun while at it.

This film is fresh and entertaining, and as stated in the beginning, a great lesson in how to make something great out of nothing much.

Attack the Block is one of those films that does exactly what it says on the tin - its a bunch of aliens attacking a bunch of roadmen in London. If this premise doesn't appeal to you, steer clear as the film isn't anymore complex or deep than that. I for one loved the premise. It was simple, effective, and entertaining!

The film has a great pace, with no messing about. Joe Cornish knew exactly what he wanted to do and got straight down to it. There was lots of good action, some great suspenseful scenes, and some neat chase scenes. At under an hour and a half long, Attack the Block never felt like it was dragging. It was zippy, fresh, and engaging.

I wasn't massively in love with any of the characters. They were pretty cliched at times, and didn't really get much development. They just were who they were. I must say though Joe Cornish captured the generation perfectly. All the language and behaviour felt very real and authentic. The acting was decent as well, with Jodie Whittaker as the standout for me.

My absolute favourite part of the film though was the design of the aliens. They felt so fresh and unique, and just looked very cool whenever on screen. The effects haven't aged at all in 10 years.

Attack the Block is a perfect film to sit back, switch off the brain, grab the popcorn and be thoroughly entertained.

The first film from Joe Cornish, one half of cult broadcasting duo Adam and Joe, is a vital horror-comedy that pitches a teen gang against a breed of hairy aliens with glow-in-the-dark teeth. It begins with a mugging, as nurse Jodie Whittaker has her phone, wallet and ring taken at knifepoint by five hoodies. No sooner has she fled the scene than an alien falls from the sky into a parked car. The kids kick it to death. Then its mates turn up.

This is an incredibly assured debut, with unpredictable plotting, stylised dialogue and characters you really care about, once their frailties are laid bare. Cornish has acknowledged his debt to '80s "creature features", but the film this most recalls is John Carpenter's action classic Assault on Precinct 13 - albeit set in London, and with added aliens - as a gaggle of disparate, untrusting souls band together to combat a greater threat, and an unlikely, initially dislikeable hero emerges.

While Whittaker is excellent and the supporting players are uniformly fine, the standout performance unquestionably comes from John Boyega as gang leader Moses, with his sullen expression, Adidas-three-stripe-style facial scar and burgeoning understanding of his growing responsibilities. He's a fantastic character and Boyega nails his myriad complexities: his insecurity and feeling of persecution alongside his bravery, resourcefulness and sense of honour.

Cornish also has a natural gift for choreographing action, leading to a series of frenetic, energetic, perfectly-paced set pieces. Indeed, that vitality and invention runs through the whole film, from its "big alien gorilla wolf monster" baddies to the Union Jack reveal: an iconic shot, informed by Roger Moore-era Bond, at the heart of a stunning finale.

Perhaps the subplot about middle class drug dealer Luke Treadaway was a bit of a misstep - although funny in itself, it slows proceedings - but everything else about this punchy, idiosyncratic slice of genre fun is absolutely dead-on. It's also a thrilling counterpoint to establishment fare like The King's Speech, without a royal carriage or quietly-emoting monarch in sight. And it has the best final five minutes of any film in recent memory.

Made with less than one tenth of SUPER 8 budget, this movie gets twice more entertainment while delivering social messages instead of shallow fake nostalgia. A gang of teenagers (mostly black but from other ethnic groups too) rob a woman/nurse on her way home. A sudden explosion and something falling from the sky, allow the woman to escape. When the gang's leader checks what happened is attacked by an extraterrestrial creature. The group kills the thing and take the body with them hoping to make a few squids out of the strange creature. From there, things get really ugly; when more bigger beasts fall from the sky, police and some gangsters show up; everybody pursuing the gang. The action does not stop. No unnecessary romances, or tear breaking scenes; just a few commentaries about life in those marginal neighborhoods. The acting of the teenage members is excellent. Every one of them has a brief time to deploy their character but all of them have enough charisma to succeed. In brief, do not expect Hollywood overproduced and unrealistic special effects here only real fun.