Burned-out ex-baseball player Hank Thompson unexpectedly finds himself embroiled in a dangerous struggle for survival amidst the criminal underbelly of 1990s New York City, forced to navigat... Read allBurned-out ex-baseball player Hank Thompson unexpectedly finds himself embroiled in a dangerous struggle for survival amidst the criminal underbelly of 1990s New York City, forced to navigate a treacherous underworld he never imagined.Burned-out ex-baseball player Hank Thompson unexpectedly finds himself embroiled in a dangerous struggle for survival amidst the criminal underbelly of 1990s New York City, forced to navigate a treacherous underworld he never imagined.
Mike Francesa
- Mike
- (voice)
Chris 'Mad Dog' Russo
- Mad Dog
- (voice)
- (as Christopher Russo)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Summary
Reviewers say 'Caught Stealing' has stylish cinematography, intense action sequences, and strong performances, particularly from Austin Butler. The supporting cast, including Zoe Kravitz and Regina King, is also highlighted for their strong performances. Reviewers also enjoy the recreation of 1990s New York and the use of period-specific details throughout. However, some reviewers find the plot convoluted and the tone inconsistent. The film's attempt to blend dark humor with violence is noted, with mixed reactions. Overall, "Caught Stealing" is seen as a bold attempt by Darren Aronofsky to blend crime and comedy, though it may not fully satisfy all viewers.
Featured reviews
Unusual Cinematic Home-run
Caught Stealing is a wild, almost slapstick crime thriller that feels like a Coen Brothers movie set in the gritty, pre-gentrification New York of the late '90s. I loved how the film captured the city's vibe, from the seedy bars to the run-down apartments.
Austin Butler does a great job grounding the chaos with his "wrong place, wrong time" character. But honestly, the standout for me was the cat, Bud. It's a hilarious and surprisingly important part of the story, and the animal acting is a highlight.
I went in expecting another dark psychological drama and came out thoroughly entertained by a fast-paced and witty caper.
Austin Butler does a great job grounding the chaos with his "wrong place, wrong time" character. But honestly, the standout for me was the cat, Bud. It's a hilarious and surprisingly important part of the story, and the animal acting is a highlight.
I went in expecting another dark psychological drama and came out thoroughly entertained by a fast-paced and witty caper.
Lacks Any Real Personality
Caught Stealing is definitely a departure for Darren Aronofsky but in the least exciting ways. It's full of familiar tropes and story beats we've seen before but Aronofsky just doesn't do much of anything to differentiate it or raise the script above feeling so generic. It's entertaining here and there but overall there wasn't much of a personality on display.
Because I kept waiting for the film to come into its own and give me a hint as to why Aronofsky was drawn to this story and it honestly just never came. Every new character feels increasingly more one-noted and the whole plot that the Austin Butler character gets dragged into is disappointingly straight forward. Austin Butler is great and I liked the fact that the movie never lost sight of this being a truly normal character totally out of his depth and they never took a convoluted jump with his skill set which I appreciated. He has a self destructive nature that I never really felt came to ahead and where they leave him off didn't really feel that set up to be a satisfying conclusion Honestly it felt like it was trying to set up a sequel that I doubt is ever going to happen.
It's a really stacked cast over all but the colourful characters the trailers teased never really come about on screen and ended up feeling like a massive waste of some amazing talent. Zoe Kravitz has great chemistry with Butler but her character just fizzles out of the narrative after a while and she just ends up feeling like the standard girlfriend archetype. Matt Smith doesn't get much to do after an intriguing set up and Regina King is let down by the writing of a character who feels like she belongs in a different movie. Liev Schreiber and Vincent D'Onofrio end up feeling like the only ones who get real characters to play and the script actually capitalises on their potential. The energy of the whole film just shoots up every time they're on screen and a development surrounding those two characters raised the third act up quite a bit higher for me.
While not perfect the first half is where the movie most captivated me. It really does effectively put you in this period and it's where the chemistry between Butler and Kravitz is on full display and the film is all the better for it. It's got a lot of that signature Aronofsky griminess and the violence is a lot more effective than I expected it to be. But as soon as it's revealed what all these characters are fighting over it just never truly regained my interest. The pacing slows down as the few characters I like have their appearances cut down and there's very few surprises. It's well directed but the visuals are surprisingly flat and the pacing just lagged on more and more as the runtime went on.
Caught Stealing isn't a bad movie but it's middling in the most disappointing ways and sometimes that's so much worse. I kept waiting for the movie to do anything to set its self apart and not only did it never come but the more it went on the more surprised I was to see this many people of this calibre attached to something so without its own identity. I don't mind familiar beats but this film doesn't do anything interesting with them and nothing about the craft on display improves the final product. A departure for Aronofsky without a doubt but not a satisfying one.
Because I kept waiting for the film to come into its own and give me a hint as to why Aronofsky was drawn to this story and it honestly just never came. Every new character feels increasingly more one-noted and the whole plot that the Austin Butler character gets dragged into is disappointingly straight forward. Austin Butler is great and I liked the fact that the movie never lost sight of this being a truly normal character totally out of his depth and they never took a convoluted jump with his skill set which I appreciated. He has a self destructive nature that I never really felt came to ahead and where they leave him off didn't really feel that set up to be a satisfying conclusion Honestly it felt like it was trying to set up a sequel that I doubt is ever going to happen.
It's a really stacked cast over all but the colourful characters the trailers teased never really come about on screen and ended up feeling like a massive waste of some amazing talent. Zoe Kravitz has great chemistry with Butler but her character just fizzles out of the narrative after a while and she just ends up feeling like the standard girlfriend archetype. Matt Smith doesn't get much to do after an intriguing set up and Regina King is let down by the writing of a character who feels like she belongs in a different movie. Liev Schreiber and Vincent D'Onofrio end up feeling like the only ones who get real characters to play and the script actually capitalises on their potential. The energy of the whole film just shoots up every time they're on screen and a development surrounding those two characters raised the third act up quite a bit higher for me.
While not perfect the first half is where the movie most captivated me. It really does effectively put you in this period and it's where the chemistry between Butler and Kravitz is on full display and the film is all the better for it. It's got a lot of that signature Aronofsky griminess and the violence is a lot more effective than I expected it to be. But as soon as it's revealed what all these characters are fighting over it just never truly regained my interest. The pacing slows down as the few characters I like have their appearances cut down and there's very few surprises. It's well directed but the visuals are surprisingly flat and the pacing just lagged on more and more as the runtime went on.
Caught Stealing isn't a bad movie but it's middling in the most disappointing ways and sometimes that's so much worse. I kept waiting for the movie to do anything to set its self apart and not only did it never come but the more it went on the more surprised I was to see this many people of this calibre attached to something so without its own identity. I don't mind familiar beats but this film doesn't do anything interesting with them and nothing about the craft on display improves the final product. A departure for Aronofsky without a doubt but not a satisfying one.
Definitely Not A Comedy
Who decided this was a dark comedy/comedy? Despite the trailer appearing to show several humorous scenes, the actual movie had very little humor or comedy. That's not a complaint just a little unexpected observation after seeing the trailer. I thoroughly enjoyed this movie, and Austin Butler is a very capable actor expertly handling the fast paced action and violence, as well as the more emotional scenes. There were the occasional obvious scenarios played out, but it had enough twists and turns to keep me entertained to the closing credits. Speaking of which don't get up and leave after the initial credits as there are another couple of short scenes.
Well done
Saw this in theaters in France, movie came out earlier there.
A good crime thriller! Personally it's not something we haven't seen before, there are tons of good crime movies, but honestly the characters, cinematography and the humor, not forget the performances make this movie stand out.
It's extremely violent tho, gritty and darker than advertised, and if you're fan of Aronofsky's work, this will certainly not disappoint you. It's an amazing film and he really captures his own style. No matter the genre.
For me the best crime we've gotten this year.
A good crime thriller! Personally it's not something we haven't seen before, there are tons of good crime movies, but honestly the characters, cinematography and the humor, not forget the performances make this movie stand out.
It's extremely violent tho, gritty and darker than advertised, and if you're fan of Aronofsky's work, this will certainly not disappoint you. It's an amazing film and he really captures his own style. No matter the genre.
For me the best crime we've gotten this year.
Sad world.
Sneakly and unexpectedly one of the most entertaining films of the year. Good Time mixed with Pi and After Hours, with a touch of Guy Ritchie was a combination that crafted a film as interesting as all these other works mentioned. The script may be simple and lack certain depth, but the movie makes it up for it with personality. The atmosphere of 1990s New York is striking, and the cinematography was excellent, greatly utilizing color and the photographed spaces to create captivating settings. I really enjoyed the culture clash between the characters, who, due to their different nationalities and religions, have different personalities, methods, and approaches to dealing with the film's central situation, especially the dynamic between Hank, a small-town American, and Russ, a British punk. The dialogue is quite engaging.
Not his best, but a memorable entry in aronosfky's filmography.
Not his best, but a memorable entry in aronosfky's filmography.
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
These big screen releases can now be watched from the comfort of your couch.
Did you know
- TriviaHank (Austin Butler) walks past Kim's Video. This now-defunct shop was once a thriving New York movie-rental business, and was made famous (or infamous) in the documentary Kim's Video (2023).
- GoofsHank is unable to play professional baseball because of a damaged knee, and is then beaten so badly that he has to have a kidney removed, but this appears to have no effect on his ability to run, jump, climb or fight, and he hardly ever evinces pain from his kidney wound.
- Crazy creditsThe scrolling credits change direction (bottom to top, side to side, sideways) in sync with the credits song.
- ConnectionsFeatures SportsCenter (1979)
- SoundtracksDoom
Written and Performed by Idles
Produced by Mark Bowen and Joe Talbot (as Joseph Talbot)
Idles appear courtesy of Partisan Records
The Year in Posters
The Year in Posters
From Hurry Up Tomorrow to Highest 2 Lowest, take a look back at some of our favorite posters of 2025.
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Đồng Phạm Bất Đắc Dĩ
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $19,005,242
- Opening weekend US & Canada
- $7,803,925
- Aug 31, 2025
- Gross worldwide
- $32,703,294
- Runtime
- 1h 47m(107 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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