The Tree

Well. I had read reviews of this, and was looking forward to something good. What we got was - well - mediocre, really.

Charlotte Gainsbourg has been playing fragile, tense characters for a while, now. Don't get me wrong, she's good at it, but in this film she seems to have been either left without constraints to overact at will, or, worse still, TOLD to act like a gibbering, self centred wreck. (And, yes, I KNOW bereavement is tough, is excruciating, but she just gives up, then goes out to attach herself to another man).

On the other hand, Morgana Davies is just amazing. The most natural, real child actress I've seen in years, since Catinca Untaru in The Fall (2006). Just stunningly, amazingly well done.

OK, the film is about bereavement, and loss, and as a principle, and as a core and theme, this is certainly carried through, but on the one hand badly, and on the other brilliantly.

As to the other characters? Pretty well all of them two dimensional.

And, hey, if you can move houses like that, why not move the damn house a few metres down the hill and be done with it?

Morgana Davies. One to watch. Definitely.

Peter O'Neil dies suddenly in front of his family. His wife Dawn (Charlotte Gainsbourg) is devastated and she's left with four kids to care for in the outbacks of Australia. The girl Simone starts talking to the giant tree next to their home. Its roots are getting into the pipe and a giant branch crashes into the home. She gets a job at the plumbing supply store and starts a relationship with owner George. Her neighbors want her to cut down the tree before the roots get into their pipes. Simone defends the tree against George claiming to hear her father.

This is a slower, meandering story like a tree slowly strangling the house. It has a dreamy feel. Some of it looks beautiful but some of it gently rocks the audience to sleep. It has some appeal but mostly, it's a low intensity tale. The neighbors could have given more tension. In the end, the storm is a convenient way to blow all the story branches away.

A strong, layered second film by Julie Bertocelli, one which probably deserves more recognition that it has been given by most critics. I found it difficult to take my eyes off of Charlotte Gainsbourg, who gave a sensitive and complex portrayal of a woman grieving her husband's passing. While the film may have been compared to WALKABOUT, given the cinematic opportunities of the outback, the spiritual nature of the environment paves way for specific beautiful and endearing unexpected visual delights which compliment the narrative in obvious ways, but perhaps not offensively so. The film is quite focused. It is kept simple and unfolds nicely. I found it much more pleasing to sit through than TREE OF LIFE. Bertocelli's film is much more tightly woven and traditional in form, not necessarily any less authentic or profound. Moments were delightful, not excruciatingly painful in the sense of wallowing, allowing the occasional irritation from the daughter to seep into the point where you just want Dawn to slap her across the face. May make more of an interesting comparison the that tree scene in Poltergeist or the horror film about the WOODS. Definitely underrated on here, a film well worth checking out.

The universal theme of suffering after the abrupt death of a dear one, with the necessity for those who remain to go on with life, is here presented in a very serene way. No melodrama, no anxiety, no exaggeration in sensitivity, but solid realism, with a touch of the magic of this tree, heart of the family and of the movie. It's a movie which follows the pace and the inner development of the single characters, mainly of Dawn, the mother, and Simone, the daughter, both wonderfully interpreted by a high-talented Charlotte Gainsbourg, and by a surprisingly mature little girl. It's a movie about the need to go on, to accept the strokes of life with the force and dignity that, let me say it, sometimes only women have, with no sentimentalism, no pathetic indulgence, but with sober realism and a strong feeling for human courage. Another movie that unfortunately will not reach the great distribution, but we know that the phantasmagoric magic of Harry Potter attracts more public and brings more money than the humble magic of a fig tree. However, a truly valid picture.

I wanted to yank the stupid out of Dawn (Charlotte Gainsbourg). As a mother and a wife she needed to step the hell up and get her life together. As an actress, was Charlotte on drugs? It seemed that at each scene she was so detached that we weren't sure if she forgot her lines, or what.

It's about time we here in the US get to see some "real" Aussies instead of Jackman and Kidman prancing about. Marton (Csokas) has been up and down the block but still refreshing.

I would have rated this lower but I really enjoyed the overall story. Worth a watch but not a buy.

Ciao, babies.