The Romantics

What starts out as a decent romantic comedy quickly devolves into a self-indulgent joke about whiny, privileged white kids who (gasp) don't know what to do with their lives! It wouldn't be so insulting if it didn't masquerade as a film about academia and intelligence, yet feature such astoundingly sophomoric scripting. Any juice that can be squeezed from the "post-college malaise" hokum is soured by cliché and archetype. And its pseudo hipster posing (the music and costumes shout indie cool as loud as they possibly can) don't cover up the fact that this movie has no substance to match its style.

Performances are fine, but not spectacular, apologies owed to the supporting actors who don't have characters to hang a portrayal around. Malin Akerman and Adam Brody stand out because of their jovial personalities and familiarity, but the rest of the cast struggles to stay afloat in a sea of underdevelopment.

The great conflict at the middle of the picture is a love triangle between Katie Holmes, Anna Paquin, and Josh Duhamel, but you care so little about these three people that you'd just as soon see them end up alone. As for realism and stakes, ask yourself this: have you ever thought of Josh Duhamel as a brooding academic?

In summation: a mainstream romantic dram-com dressed up like an indie film that sins thrice: it's boring, clichéd, and insignificant. A shame considering all of the young talent involved.

This movie is more drama than comedy. There really aren't enough comedic moments to put it in the comedy category. I wouldn't call it a romance either. My main issue with it is that nothing was resolved in the end. The rest of the movie was enjoyable enough, but the lack of resolution left me annoyed in the end.

Five former college friends travel for the wedding of the wealthy Lila Hayes (Anna Paquin) with Tom McDevon (Josh Duhamel) at her family's beach house. The maid of honor Laura Rosen (Katie Holmes) was the roommate of Lila in the college and the groom Tom was her boyfriend. Laura still misses Tom and the groom is not sure that he shall marry Lila. Along the eve of the wedding day, they have a dinner rehearsal and drink a lot of booze, and Tom and Laura get close to each other and rekindle their love.

"The Romantics" is a film about reunion and this there have produced solid movies and my favorites are "Peter's Friends" and "St. Elmo's Fire". Unfortunately "The Romantics" is dull, boring, characters with no chemistry and poorly developed in an awful screenplay and story. Summarizing, it is a dreadful film. Laura is a despicable characters and I do not understand why she goes to the wedding to be the maid of honor and spends the night with the groom and vomits her feelings to Lila ten minutes before the wedding. Tom is a weak and uncharismatic character. Candice Bergen seems to be constipated with her grimaces and the sexy Swedish Malin Akerman and her thighs are the best that his film can offer. My vote is two.

Title (Brazil): "O Casamento do Meu Ex" ("The Marriage of My Ex")

So, we had some time during Christmas '23 - the lineup of actors seems nice enough and a wedding movie is normally a good fit during the festive days.

But the plot, dialogue, and overall play wasn't as exciting as we hoped.

The pace of this movie is slow to the point where we were waiting for it to end. The premise of this movie is a group of friends coming together for a wedding, sadly, that is also the extent of the movie. There are no funny moments, no interesting dialogues, no fancy turns and twists during the course of the movie.

I think the fantastic group of actors was lost here, it could have been so much more...

I wanted to like this movie, I usually enjoy small character studies, but sadly this film was a disappointment. Maybe it was too much to expect Katie Holmes to carry the story. Unfortunately her lack of range and/or talent is obvious in this film. And, Anna Pacquin, who is so good and fiery in True Blood, is left with little to do except be a bitch. Malin Ackerman plays a riff on her 27 Dresses role. Candice Bergn is mostly absent in the film. Finally, Josh Duhamel stumbles through the movie with the same stunned look on his face for the whole film. It is hard to imagine either woman in this film would be attracted to him. Character driven films are only enjoyable when we learn and understand the motivation behind the characters, or when we watch them grow and evolve. In this film we learn little of the character's background story or motivations, and there certainly is no growth. Overall the film is a sad mess, and I will not be recommending it to my friends.