Ju-on: Black Ghost

There was a Ju-On film called White Ghost, and then Black Ghost came out the same year.

This one is a bit worse. The few creepy moments from the other short - but just feature-length - film aren't really matched here. Black Ghost isn't super creepy, outside that sound effect the demon makes, which is always iconic.

So, like White Ghost, I can say I'm thankful this one was a short watch. I've seen underwhelming horror films that waste a lot of time, and this wasn't one of them. But I also wouldn't really want to call it good.

I suppose it makes logical sense for the distributors here to combine both Ju-on: White Ghost and Black Ghost stories in 1 screening. After all, each is only 1 hour long, and narratively are somehow intertwined together quite loosely, with their production marking 10 years since Ju-on's cinematic premiere. Helmed by two different directors, we're given two direct-to-video productions, each with its own flavour and separate storyline dealing with the Ju-On Grudge curse, and frankly, with its limited production budget and consistent elements,

For those unfamiliar with the Ju-on mythos (like me), fret not, as the films are self- contained, so prior in-depth knowledge is not required to enjoy what's essentially one of the longer enduring J-horror franchises out there, which has been remade by Hollywood as always. For both tales, the story lines were done in non-linear fashion, which is supposed to make you work at piecing together its chronology, with an increased challenge in White Ghost being two separate timelines you have to make mental notes of.

Then there's the episodic cliffhanger that trails off each segment. On its own, the episodes within White Ghost and Black Ghost can be extremely short stories of their own, since each contains its own dedicated shock-scare moments, though White Ghost seemed to enjoy making it look so cheesy with its atmospheric jump scares, sudden appearances and the likes, and I admit it did get to me, especially with that old ugly woman with a penchant for holding onto a basketball (yes, all will be explained in due course) seem to have a fetish for charging towards her victim / screen.

Personally, between the two, I'd prefer White Ghost to Black Ghost, mainly because of the storyline which was more engaging and kept within its limits, save for a tangent in White Ghost for AV star Mihiro to appear in a needless scene that had most of her screen time being butchered for a screening here (no, my friend who has met her before, says there's nothing sexy about that segment, more of a violent treatment which was rather tame that the censors frowned upon). For Black Ghost, it went off into the hokeyness of a Japanese medium of sorts, probably to show off some snazzy looking CG-ed belly, and a tale that's less engaging.

For what it's worth, these stories did enough to pique my interest in the original Ju-on mythos, and I just might pick them up on DVD just to see how those got executed. For starters though, I have to get used to how "The Grudge" can be used as a plot device for ghouls to get created / passed on, as I felt White Ghost had it quite nailed down, and Black Ghost didn't exactly do a great job on that concept.

This film is not extraordinary in any way. With that said, I still believe it's worth checking out, especially if you're a fan of the Ju On series. While I understand that some might be a little disappointed that the surrounding lore of the series isn't very present at all in this film,I found it as something of a plus. As someone who has no history with this film series, coming into this one blind, I was afraid that this film would be heavily reliant on the surrounding lore of its universe. So I was happy to see that everything was easy to understand. While, of course, I would never, in good faith, recommend someone make their first foray into a film series by starting in the middle (save for the Star Wars series) I don't think this is necessarily a bad film to help introduce someone to this series.

This film isn't the scariest I've ever seen. There were only a couple moments which I thought were unsettling, but I can't match the sentiment of some other who have said that this is sillier than it is scary since I don't think there is much silliness in this film at all, but your mileage may vary. Humor and horror is all subjective so keep that in mind.

The performances are pretty good, especially the performance for Fukie. There is only one moment towards the end where I felt things got a little campy but for the vast majority of the film the acting if fine.

The film's run time is very short, and for western audiences it might feel too short as it is not even an hour long. But the film is surprisingly well-paced and the use of the short amount of time it takes up is surprisingly great. It does what it needs to do, there's hardly any filler, and it feels substantial-everything you're shown is important in some way.

The biggest issue with this film is that it simply doesn't leave too much of an impression. It's fun while watching it but you're not going to be thinking much of it shortly afterwards, and I think that's the biggest fault in this film. It exists, I think, mainly to give more Ju On content regardless of how little of it it might have to offer. I think that's why this film has such a middling reputation and I can't help but match the sentiment of that critique. It's not badly made, it's not offensive, it's not even bad, it's just a semi-forgettable romp that's only really engaging in the moment you're experiencing it.

Produced as a tribute to the series' tenth anniversary, "Ju-on: Kuroi shôjo" (2009) and "Ju-on: Shiroi rôjo" (2009) introduce new stories to the franchise's universe, similar to the initial V-Cinema films.

The film features raw and dark cinematography, analogous to the developments in the first two titles in the franchise, popularly known as "The Curse" duology. This return to the roots explores new Ju-on curses, without re-introducing the recurring characters of Kayako and Toshio, although the boy makes a brief appearance as a tribute. The focus on a new plot proved to be a positive point, although, as the acts progress, the plot becomes slightly repetitive and similar to previous episodes in the saga. The script by Takashi Shimizu and Mari Asato dares to present a fast-paced and uncompromising experience, working very well as another branch of the Ju-on universe, introducing new characters and stories. Overall, the highlight of the work is due to its photography, which captured part of the essence of the original works, pleasing longtime fans of the series.

Although it may not be as impressive as other films in the saga, "Ju-on: Kuroi shôjo" proved to be a valid tribute to the works of Takashi Shimizu, opening up new plot possibilities for future productions.

BLACK GHOST (when compared to WHITE GHOST) seems to be viewed as the lesser of the two, and I can see why. However I didn't think it was that bad, although if I had to choose it would be WHITE GHOST. Just like WHITE GHOST, this kicks off with the ending, as the narrative moves between characters, differing viewpoints and timelines. Nurse Yuko is left in charge of a young girl named Fukie, and begins to experience strange occurrences. A medical examination reveals that she has developed a cyst in her body. The hatred of an unborn child is feeding off the girl, and cursing the people around her. This is a curse of someone who couldn't be born. Could this cyst be something much more than what the doctor's initially thought?

Props for the unpredictable story going down a different path with the Ju-On curse concept, but it sure was less engaging and convoluted in trying to tie all the plot threads together. Tragedy always lingers in these somber storylines, but something about this one felt less personal therefore not as impactful and the performances are steady without making an impression. Heavy on plot mechanics, where sometimes it would take away from the unsettling ambiance to only confound and cramp up the varied chapters, yet there were a couple eerie, well delivered moments that do standout --- like the WTF moment when the little girl drops to the ground howling and definitely the exorcism scene in the hospital. As for the ghost itself, while that creepy gurgling sound resurfaces, the appearance of the black ghost, whose vengeful intentions bleeds throughout just didn't get under my skin like that of the White ghost in the previous film. There's almost a camp factor to its chills, not as disturbingly low-key and kind of going up a notch with louder frights and off-kilter effects. Still the execution of those moments are well done. Also Toshio makes another quick little cameo appearance.