IMDb RATING
5.8/10
2.7K
YOUR RATING
Akane begins seeing visions of a female ghost wearing the same yellow hat and red satchel she wore as a school child.Akane begins seeing visions of a female ghost wearing the same yellow hat and red satchel she wore as a school child.Akane begins seeing visions of a female ghost wearing the same yellow hat and red satchel she wore as a school child.
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Chikako Isomura
- Old Lady in White
- (uncredited)
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Featured reviews
This film is about a series of interconnected events, that tie a number of people- and the tragedies that surround them- together.
As we follow a curse, as it passes from one person to another, leaving death and destruction in it's wake.
It's a bit hard to follow, at first...due to the fact that it jumps back and forth from person to person, on various different timelines.
But it all comes around in the end.
And, man...is it ever twisted.
It all begins when things go awry for a young man, who is sent to deliver a Christmas cake to a house, that seems empty at first...but turns out to be very, very haunted.
As a number of brutal killings had very recently taken place there.
Leaving him to walk in on the aftermath of a massacre.
And, thus, inherit "the curse".
That is, however, only the beginning of how the plague of this curse will spread across the town.
Because it is also transferred to a taxi driver...who gives the killer a ride to the place where he will commit suicide, after the fact.
He goes missing shortly after dropping his young daughter off at school.
Though...not before she puts her hand in some ectoplasm like goo, left behind by a bag carrying the decapitated head of the niece of the demonically stricken killer- a girl he had been molesting, prior to his murderous outburst- who happens to be her best friend.
Fast forward to her teenage years...when some of her friends ask her to participate in a ouija-like game...because she has "special abilities" (that allow her to see and hear the dead).
It is through this "game", that she taps into the supernatural realm, which enables her to connect with the ghost of her deceased friend...who shows her how the curse was, inevitably, passed down to her father.
Thus providing us, as viewers, with the backstory we need to put the previous pieces of the puzzle together.
While watching how the curse has affected the others who have also come in contact with it.
And the aftermath that ensues, from thereon out.
It's all rather creepy, and convoluted.
Both of which play into the air of mystery the film exudes.
This could make things confusing for less attentive viewers.
But it does make sense, in the end, if you are able to reflect upon it.
You've got to commend writer/director Ryûta Miyake for constructing a rather complex storyline and plot structure...that works so well...in a film that is, quite literally, only an hour long.
It doesn't give you a whole lot of time to mess about.
And he makes every second count.
Tying up a majority of the loose ends.
While strategically leaving one part of the storyline open-ended, so as to leave room for a continuation of the series.
I'm, personally, not super knowledgeable about the whole Ju-On universe...however...I imagine the house- in which the curse originates here- ties back to one of the other Ju-On prequels or sequels.
This wouldn't surprise me at all.
And would make it an even more impressing endeavour than it already is.
I am aware that it ties in with it's counterpart Ju-On: Black Ghost...which, I'm hoping, will provide context for the only thing I didn't understand in this film...that being the shot of the ghost boy meowing at the dog toy.
That being said, White Ghost is a very solid- and extremely creepy- sequel, that greatly exceeded the expectations I had going into it.
And, thus, is an excellent addition to the Ju-On series (which I should definitely go back and watch more of, after this).
7.5 out of 10.
As we follow a curse, as it passes from one person to another, leaving death and destruction in it's wake.
It's a bit hard to follow, at first...due to the fact that it jumps back and forth from person to person, on various different timelines.
But it all comes around in the end.
And, man...is it ever twisted.
It all begins when things go awry for a young man, who is sent to deliver a Christmas cake to a house, that seems empty at first...but turns out to be very, very haunted.
As a number of brutal killings had very recently taken place there.
Leaving him to walk in on the aftermath of a massacre.
And, thus, inherit "the curse".
That is, however, only the beginning of how the plague of this curse will spread across the town.
Because it is also transferred to a taxi driver...who gives the killer a ride to the place where he will commit suicide, after the fact.
He goes missing shortly after dropping his young daughter off at school.
Though...not before she puts her hand in some ectoplasm like goo, left behind by a bag carrying the decapitated head of the niece of the demonically stricken killer- a girl he had been molesting, prior to his murderous outburst- who happens to be her best friend.
Fast forward to her teenage years...when some of her friends ask her to participate in a ouija-like game...because she has "special abilities" (that allow her to see and hear the dead).
It is through this "game", that she taps into the supernatural realm, which enables her to connect with the ghost of her deceased friend...who shows her how the curse was, inevitably, passed down to her father.
Thus providing us, as viewers, with the backstory we need to put the previous pieces of the puzzle together.
While watching how the curse has affected the others who have also come in contact with it.
And the aftermath that ensues, from thereon out.
It's all rather creepy, and convoluted.
Both of which play into the air of mystery the film exudes.
This could make things confusing for less attentive viewers.
But it does make sense, in the end, if you are able to reflect upon it.
You've got to commend writer/director Ryûta Miyake for constructing a rather complex storyline and plot structure...that works so well...in a film that is, quite literally, only an hour long.
It doesn't give you a whole lot of time to mess about.
And he makes every second count.
Tying up a majority of the loose ends.
While strategically leaving one part of the storyline open-ended, so as to leave room for a continuation of the series.
I'm, personally, not super knowledgeable about the whole Ju-On universe...however...I imagine the house- in which the curse originates here- ties back to one of the other Ju-On prequels or sequels.
This wouldn't surprise me at all.
And would make it an even more impressing endeavour than it already is.
I am aware that it ties in with it's counterpart Ju-On: Black Ghost...which, I'm hoping, will provide context for the only thing I didn't understand in this film...that being the shot of the ghost boy meowing at the dog toy.
That being said, White Ghost is a very solid- and extremely creepy- sequel, that greatly exceeded the expectations I had going into it.
And, thus, is an excellent addition to the Ju-On series (which I should definitely go back and watch more of, after this).
7.5 out of 10.
The only Ju-on movie I've watched so far, I think this one is okay. There are a lot of scary and brutal moments at the beginning, but one of the worst things about it is that the final 20 minutes aren't really that scary. I hope to give Black Ghost a try soon.
Format: Amazon Prime - Language: Japanese (English Subtitled)
Released: 2009
Director: Ryut Miyake
Starring: Hiroki Suzuki, Ichirota Miyakawa, Naysuki Kasa
Where to start? Well it's short, which is a blessing!
To be strictly fair to the film it does start out well enough, with the initial building up of tension that I have come to expect from Japanese horror films; then sadly, rather then building on the initial success, the whole thing falls apart.
Ju-On: White Ghost is the story of a house that was the location of a brutal mass murder. The film consists of a series of short segments, each one showcasing the history of a different character and setting out why they eventually come to their various unfortunate ends, as well as giving the background to the murders.
As a direct to DVD film it is very low budget and it shows, badly. Yet for all the appallingly bad and cringe-worthy acting there are occasional moments of great, outstanding performance; for all the unbelievably poor stories there are some strong, genuinely creepy tales.
At an hour long it is worth sitting though the rubbish mainly because when this film gets it right, even with the cringe fest that some of the actors put us through, it delivers some genuine scares. It just unfortunate that director, Ryuta Miyake, comes across as not having the slightest clue about how to make/direct a film.
Like this film this is really all I can think of to say on the matter, short and pretty much lacking in any direction.
Released: 2009
Director: Ryut Miyake
Starring: Hiroki Suzuki, Ichirota Miyakawa, Naysuki Kasa
Where to start? Well it's short, which is a blessing!
To be strictly fair to the film it does start out well enough, with the initial building up of tension that I have come to expect from Japanese horror films; then sadly, rather then building on the initial success, the whole thing falls apart.
Ju-On: White Ghost is the story of a house that was the location of a brutal mass murder. The film consists of a series of short segments, each one showcasing the history of a different character and setting out why they eventually come to their various unfortunate ends, as well as giving the background to the murders.
As a direct to DVD film it is very low budget and it shows, badly. Yet for all the appallingly bad and cringe-worthy acting there are occasional moments of great, outstanding performance; for all the unbelievably poor stories there are some strong, genuinely creepy tales.
At an hour long it is worth sitting though the rubbish mainly because when this film gets it right, even with the cringe fest that some of the actors put us through, it delivers some genuine scares. It just unfortunate that director, Ryuta Miyake, comes across as not having the slightest clue about how to make/direct a film.
Like this film this is really all I can think of to say on the matter, short and pretty much lacking in any direction.
Normally I am very fond of Japanese horror movies, and in overall then the "Ju-On" series have been adequate; the Japanese originals of course, not the abysmal Hollywood cash-in on the success of the Japanese movies.
However, this 2009 installment in the franchise was a swing and a miss.
First of all, the production level of the entire movie feels like something I could have done myself as an audience. It just lacks proper production value to be a proper movie.
The story was fragmented and a scrambled mess of a story, that made very little coherent sense.
The acting in the movie was adequate, although the actors and actresses had nothing to work with.
"Ju-on: Shiroi rôjo" had fair special effects, but they were far from being great mind you.
There was nothing scary about the movie at all, which made it a very dull and pointless experience to sit through. Especially if you compare it to the previous installments in the franchise.
This is definitely not a Japanese horror movie that you should rush out to invest your time or money in.
However, this 2009 installment in the franchise was a swing and a miss.
First of all, the production level of the entire movie feels like something I could have done myself as an audience. It just lacks proper production value to be a proper movie.
The story was fragmented and a scrambled mess of a story, that made very little coherent sense.
The acting in the movie was adequate, although the actors and actresses had nothing to work with.
"Ju-on: Shiroi rôjo" had fair special effects, but they were far from being great mind you.
There was nothing scary about the movie at all, which made it a very dull and pointless experience to sit through. Especially if you compare it to the previous installments in the franchise.
This is definitely not a Japanese horror movie that you should rush out to invest your time or money in.
The Japanese short (1 hr) horror films Ju-On: White Ghost and Ju: On Black Ghost were released together on 27th June 2009, to commemorate the tenth anniversary of the start of the Ju-On (Grudge) horror franchise. White Ghost was directed by Ryuta Miyake and Black Ghost by Mari Asato. Each film deals with the massacre of a family by what turns out to be supernatural means (the events of White Ghost are fleetingly referenced at the beginning of Black Ghost), but other than that they are unrelated. And be warned - they are in that trademark Ju-On non-linear style of storytelling, so piecing together what happens can be a challenge if you fancy it (or just look at the Wikipedia entries for each film - they summarise the events for both chronologically).
White Ghost is easily the better of the two. The story's actually pretty deep, and deals with (amongst other things) the sexual abuse of a child. It also has a fantastic and gory third act and one of the creepiest openings ever for a haunted house movie (the cake delivery).
Black Ghost starts off well but never really achieves the level of creepiness of White Ghost. It also doesn't help that some of the adult female characters look so similar (it does, however, have the stunning Kana Tsugihara in a small role near the beginning).
White Ghost and Black Ghost both have some well-shot and atmospheric scenes, but White Ghost utilises them better - and has a much better payoff.
White Ghost -- 8/10, Black Ghost -- 6/10.
White Ghost is easily the better of the two. The story's actually pretty deep, and deals with (amongst other things) the sexual abuse of a child. It also has a fantastic and gory third act and one of the creepiest openings ever for a haunted house movie (the cake delivery).
Black Ghost starts off well but never really achieves the level of creepiness of White Ghost. It also doesn't help that some of the adult female characters look so similar (it does, however, have the stunning Kana Tsugihara in a small role near the beginning).
White Ghost and Black Ghost both have some well-shot and atmospheric scenes, but White Ghost utilises them better - and has a much better payoff.
White Ghost -- 8/10, Black Ghost -- 6/10.
Did you know
- TriviaChikako Isomura played Sachie in the original Ju-on: The Grudge (2002). She had passed away long before film production began, so her likeness was used In this film as a tribute to the original film.
- ConnectionsFollowed by Ju-on: The Beginning of the End (2014)
- How long is Ju-on: White Ghost?Powered by Alexa
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- Ju-On: White Ghost
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- See more company credits at IMDbPro
Box office
- Gross worldwide
- $1,971,714
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