Stone

I have never heard of this movie until it came to my local theater. With a A-list star line up such as DeNiro, Norton and Jovovich how could this movie miss. I was wrong. It did. Those who appreciate great acting in a movie won't be disappointed. (Did you ever see a movie Edward Norton was in that he wasn't absolutely great..well, maybe a couple that he may have did for the just the money..lol. His absolute best was "American History X") The movie itself moved along a pace that one keeps looking at his/her watch waiting for the ending. And the ending, again, is the latest Hollywood type...it sucks. Storyline was interesting but never got you interested to a point where one found it entertaining. This was a 98% dialog movie. You could be listening to this entire movie and never watch the video portion and understand the entire script. I am a big fan of Norton and Jovovich but this movie I could have passed on.

How do we make sense of our lives and keep going despite all the bad things that happen to us? Most people find the answers to those questions in religion, and the characters in this film line up like a rainbow of answers: Jack (DeNiro), a prison bureaucrat, is agnostic; his wife Madylyn (Conroy) is a mainline Protestant; Stone (Norton) is a convict but also a seeker who finds his answers in a New Age religion; his wife (Jovovich) is an unabashed atheist. Throughout the film, evangelical radio frequently plays in the background, another stripe in the religious rainbow.

As a miserable young Madylyn hints to the viewers in the first scene of the film, the prison setting is a metaphor of the dungeon of the soul. For these four characters, loveless marriages, life work that seems futile, and memories of violence are their dungeon walls. Jack, Madylyn, and Stone all struggle with depression. Stone's is so deep that he edges toward suicide, but he searches for answers among the religious readings in the prison library and finds one that makes sense, especially after he witnesses a brutal stabbing at a range so close that the blood spatters his own face and he sees the murdered man eye to eye.

Jack seeks pastoral counseling after church one Sunday, admitting finally that the Episcopal framework of his life has never made sense. The minister quotes the Bible to him, "Be still and know that I am God," that is, listen for the answers that God provides. Oddly, that is exactly the prescription that Stone gets from his new religion too. It teaches that "God" or Truth speaks to us through everyday noises – insects buzzing, the voices of a prison exercise yard, talk radio, or a spoken mantra – if we just listen to the universe.

Stone does listen, and he begins to change. His new hairstyle, speech, and demeanor all signal to the viewer that he is a man reborn. The prison walls within Stone's mind fall away so that by the time his parole is finally granted, it hardly matters to him anymore.

Jack, meanwhile, hears nothing in the noise of his troubled life, nor can he makes sense of what Stone tries to share with him. As his retirement nears, he grows more and more reckless. Blind to the transformation that Stone has undergone, Jack suspects that he is being played. To the end, Jack remains suspicious and fearful of Stone who has come to terms with this past and feels only gratitude toward the aging jailer.

If you are looking for a conventional action flick with good guys and bad guys, this is not it. If you want an intelligent film about how desperate people search for faith and solace, you will not be disappointed.

Filmmaking 101 has a rule; wait, Art 101 has a rule: Know your genre. A drama can have comic relief, but that works only in the framework of the genre that's been established. Comedies can have their dramatic, emotional moments, but if they then turn into dramas, audiences are confused and disappointed. If a screenwriter and director can't even tell their story competently within the confines of the genre they first set up, their movie will fail.

Yes, Stone is well acted. So what? Do you go to the movies to see good acting class exercises? If so, check this movie out. Norton and De Niro are entertaining, early on at least, and there's sharp dialog they have to work with (how else could they do their jobs? Don't you love people who praise the acting without acknowledging the script?)

But the story – the real reason most of us venture out to see a film – in Stoner is a mess. The movie starts off essentially as a thriller. The plot sets up a con working a con, with his sexy wife, on a prison case officer. But after putting the movie is thriller mode the movie then tries to be a drama about the meaning of life and presence of God. The movie tries to turn its main plot with the wife into a subplot, and then pretend that fun, salacious venture wasn't really what the movie wanted to deal with. No, let's talk about the meaning of life.

Stone, then, is a disappointment. Even as a drama it fails: the story dissipates into ambiguity with regard to the final action. POVs have jumped around all throughout the movie but in not showing us the final resolution between Stone and his wife, the whole fulcrum of the movie is left blank. As for the transformation of Stone – something Norton tries to act by occasionally calming his voice and widening his eyes – it's unbelievable, not fully formed or demonstrated and, like the rest of the movie, a pretentious attempt to take a fun dime-store novel's story and make it profound.

Don't waste your time or money with this one. If you have to see it, wait for video. The movie is shot in TV-like close-ups for the most part and it will play just as well there.

This film is about a parole officer who is about to retire. He works on whether an arsonist should be released or not, which leads to undesired consequences.

"Stone" sounds like a crime thriller on paper, but it just what it is not. It is so slow moving, that the first seduction by Milla Jovovich happens forty minutes into the film. Just when the seduction subplot starts to pick up, suddenly the film becomes religious. Then suddenly the wife has gone crazy. The plot is all over the place, lacking in focus and clarity. It cannot decide whether it wants to be a thriller or drama. As a result, "Stone" is so boring, literally making my eyelids as heavy as stones.

Deniro and Norton, back together again. Stone's first two acts are great. You're intrigued, it's unpredictable, and interesting. But the third act leaves you confused and almost unaffected by the story at the end. Stone (norton) is up for parole and wants to get out. Why not throw his sex-crazed wife (jocovich) in front of Jack's (Deniro) feet. But one of these three is starting to see life under a new life. How will this play out? Norton was great but nothing spectacular. Will remind you of his primal fear days. But what makes his performance so good is how he makes his character so likable considering the ridiculous offensive lines that come out of his mouth.

I don't think they went far enough with Deniro's character. It wasn't written well enough. It starts off with a flashback on his broken relationship with his wife and what extremes he goes to keep her. But this ins't really paid off well in the film.

Interesting film. Not predictable. Good performances. Less than mediocre writing.

My verdict B/C