IMDb RATING
6.3/10
7.1K
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An identity crisis comedy centred on Mahmud Nasir, successful business owner, and salt of the earth East End Muslim who discovers that he's adopted - and Jewish.An identity crisis comedy centred on Mahmud Nasir, successful business owner, and salt of the earth East End Muslim who discovers that he's adopted - and Jewish.An identity crisis comedy centred on Mahmud Nasir, successful business owner, and salt of the earth East End Muslim who discovers that he's adopted - and Jewish.
- Awards
- 1 win & 2 nominations total
James Krishna Floyd
- Gary Page
- (as James Floyd)
Ravin J. Ganatra
- Fahad
- (as Ravin Ganatra)
Chris Wilson
- Security Guard
- (as Karl Wilson)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Having not heard very much at all about this film I was still cautiously optimistic about the prospect of it. The film centres around casual Muslim Mahmud Nasir (Omid Djalili) who by chance finds out he was adopted and born a Jew with his real name being Solly Schimshillewitz. He opts to get the advice of American taxi driver Lenny in how to be Jewish so he can see his biological father before he dies. All the while his son is wishing to marry the stepdaughter of a Muslim cleric whom Mahmud must gain blessing from. The premise sounds reasonable doesn't it?
However the problem in my eyes is that it is not really suited to a 1 hour 45 minute film and more like a TV series where it would not be as rushed in terms of plot and character development. (although admittedly I would be a little sceptical at a TV series to be honest). Another (albeit minor) problem is Djalili himself where I think he doesn't lead a film as well as he does fit into smaller roles. Don't get me wrong I am a fan and I think he is hilarious in his stand up role but I feel he just wasn't perfect in this. In spite of these negatives the film itself is still decent and while it doesn't produce any genuine laugh out loud moments it is still quite funny.
In my mind undoubtedly Richard Schiff stole the show where his screen time with Djalili was pretty funny. Of course their best interaction comes in the form of a montage, the most predictable method. I bring back the TV series factor here where I really think their interaction would have been best utilised. To conclude the film is reasonably funny but it would really give you anything more than a few laughs at awkward situations. That said if you get an opportunity check it out there's much worse out there.
However the problem in my eyes is that it is not really suited to a 1 hour 45 minute film and more like a TV series where it would not be as rushed in terms of plot and character development. (although admittedly I would be a little sceptical at a TV series to be honest). Another (albeit minor) problem is Djalili himself where I think he doesn't lead a film as well as he does fit into smaller roles. Don't get me wrong I am a fan and I think he is hilarious in his stand up role but I feel he just wasn't perfect in this. In spite of these negatives the film itself is still decent and while it doesn't produce any genuine laugh out loud moments it is still quite funny.
In my mind undoubtedly Richard Schiff stole the show where his screen time with Djalili was pretty funny. Of course their best interaction comes in the form of a montage, the most predictable method. I bring back the TV series factor here where I really think their interaction would have been best utilised. To conclude the film is reasonably funny but it would really give you anything more than a few laughs at awkward situations. That said if you get an opportunity check it out there's much worse out there.
After a long time, I get the chance to see another charming little British comedy in the form of David Baddiel's 'The Infidel'. In times like this, when there is so much tension in the world between people of different religious backgrounds, 'The Infidel' has come at the right time. But while the film has a relevant message addressing the tension between Muslims and Jews, at heart, it's a comedy. There are plenty of laugh out loud moments and the cultural and religious clashes are hilariously depicted. Directorially Josh Apignanessi has done a fine. Baddiel's writing is sharp and his original story is well displayed on screen. Omid Djalili is remarkable as Mahmud, the Muslim who doesn't pray fives times a day, who doesn't fast every day of Ramadan and who occasionally has a(n alcoholic) drink, but whose world is shattered when he discovers that his biological parents are Jews. Archie Punjabi looks a little too young to play the mother of a twenty-something young man. Otherwise she is terrific with a laidback performance as Mahmud's wife. Richard Schiff is hilarious as he once again depicts his flair for dry humour.
'The Infidel' gets a little dramatic in the pre-ending sequences. Sometimes it's a tad too preachy. However, there are plenty of laugh out loud moments to keep one thoroughly entertained. Cleverly written, well directed, wonderfully acted, 'The Infidel' is tickling entertainment.
'The Infidel' gets a little dramatic in the pre-ending sequences. Sometimes it's a tad too preachy. However, there are plenty of laugh out loud moments to keep one thoroughly entertained. Cleverly written, well directed, wonderfully acted, 'The Infidel' is tickling entertainment.
There's no denying that "The Infidel" treads tough ground, one that doesn't need much reminding in this day and age. And to be fair, "The Infidel" is one of the more amusing films centred around Muslim/Jewish hostilities in years. Anchored by a hearty performance by stand-up Omid Djalili, who's made funny, incisive observations in his act about his culture and background in relation to English society and also, about the way they talk and behave and what tends to go unsaid in his presence. He has a fun time filling in the nuances of his role here with this keen understanding and terrific comic timing.
Djalili plays Mahmud Nasir, a moderate Muslim father and business-owner in England who finds out that he was born Solomon (Solly) Shimshillewitz and was adopted by Muslim parents. Understandably upset by the threat this weight of truth might bring to his normalcy, Mahmud hides the truth from his impossibly attractive wife (Archie Punjabi), a young daughter who spouts insanely ridiculous stereotypes and from a son who's about to marry the step-daughter of a radical Pakistani cleric. Rocked with an identity crisis, Mahmud enlists the help of a grumpy native New York Jew, Lenny Goldberg played with quick-fire efficiency by Emmy-winner Richard Schiff.
Djalili and Schiff pair well together. Frequently, the best scenes in the film coalesce around them as they traverse new ground – as Mahmud discovers a heritage he never knew and Lenny finds respect for a culture he's spent valuable time opposing. The moral of the story is clear: We're all the same. It's a trite notion but delivered with enough heart and equal opportunity offending on both sides.
This is a high-concept comedy with middle-brow ambitions, setting up substantial questions on ethnicity and religion but leave them hanging. It wants to co-opt the serious issues at play but not address them. At first glance, it's got a premise that brings humour right to the table but even with the best Djalili's got to give, the film lumbers along until a final third that just breaks down in hysterics and plain narrative tedium.
Djalili plays Mahmud Nasir, a moderate Muslim father and business-owner in England who finds out that he was born Solomon (Solly) Shimshillewitz and was adopted by Muslim parents. Understandably upset by the threat this weight of truth might bring to his normalcy, Mahmud hides the truth from his impossibly attractive wife (Archie Punjabi), a young daughter who spouts insanely ridiculous stereotypes and from a son who's about to marry the step-daughter of a radical Pakistani cleric. Rocked with an identity crisis, Mahmud enlists the help of a grumpy native New York Jew, Lenny Goldberg played with quick-fire efficiency by Emmy-winner Richard Schiff.
Djalili and Schiff pair well together. Frequently, the best scenes in the film coalesce around them as they traverse new ground – as Mahmud discovers a heritage he never knew and Lenny finds respect for a culture he's spent valuable time opposing. The moral of the story is clear: We're all the same. It's a trite notion but delivered with enough heart and equal opportunity offending on both sides.
This is a high-concept comedy with middle-brow ambitions, setting up substantial questions on ethnicity and religion but leave them hanging. It wants to co-opt the serious issues at play but not address them. At first glance, it's got a premise that brings humour right to the table but even with the best Djalili's got to give, the film lumbers along until a final third that just breaks down in hysterics and plain narrative tedium.
- www.moviexclusive.com
I've just returned from what the organizers dubbed as "The World Premier" of 'The Infidel' at the Hammersmith Apollo, and the mere fact that the first thing on my mind is to review it should say something about this strategically mastered movie written by David Baddiel, who to my surprise can deliver an equally hilarious stand up performance.
The movie takes place in East London and it revolves around the life the Mahmud Nasir a semi-liberal Muslim family man minicab driver whose world gets disrupted by his mother's death and goes into an emotional period compounded by his son's recent engagement to a Pakistani "hate cleric's" step daughter. Mahmud uncovers his birth certificate while cleaning out his mother's stuff and eventually discovers that he is adopted and his original parents are Jewish.
As Mahmud's world swivels in a state of disarray he turns to the only Jewish person he knows, semi-alcoholic recently divorced clinically depressed Lenny (Richard Schiff from The West Wing), who takes it upon himself to teach now 'Solly Shimshillewitz' Jewishness! The two embark on a journey of "oy vey" rehearsals and 'Fiddler on the Roof' reaction sessions as Lenny shows Mahmud the difference between the various types of London Jews. Mahmud's life takes a turn for the worse when he accidentally uncovers wearing a yarmulke at a pro-Palestine rally to which he reacts and subsequently becomes blessed by the "hate cleric".
During this period Mahmud questions his identity and goes into a cathartic phase where logic prevails and he reaches a firm conclusion of who he is and what it means to be Mahmud Nasir.
This tactically mastered comedy touches on subjects regarded as taboo in the film industry and attempts to portray logical religious soundness at a time when religious righteousness is synonymous with hate. A well delivered comedy filled with laugh out loud moments entertains, educates and surprises with a performance by Omid Djalili that can only be described as "joyfully expected".
The movie takes place in East London and it revolves around the life the Mahmud Nasir a semi-liberal Muslim family man minicab driver whose world gets disrupted by his mother's death and goes into an emotional period compounded by his son's recent engagement to a Pakistani "hate cleric's" step daughter. Mahmud uncovers his birth certificate while cleaning out his mother's stuff and eventually discovers that he is adopted and his original parents are Jewish.
As Mahmud's world swivels in a state of disarray he turns to the only Jewish person he knows, semi-alcoholic recently divorced clinically depressed Lenny (Richard Schiff from The West Wing), who takes it upon himself to teach now 'Solly Shimshillewitz' Jewishness! The two embark on a journey of "oy vey" rehearsals and 'Fiddler on the Roof' reaction sessions as Lenny shows Mahmud the difference between the various types of London Jews. Mahmud's life takes a turn for the worse when he accidentally uncovers wearing a yarmulke at a pro-Palestine rally to which he reacts and subsequently becomes blessed by the "hate cleric".
During this period Mahmud questions his identity and goes into a cathartic phase where logic prevails and he reaches a firm conclusion of who he is and what it means to be Mahmud Nasir.
This tactically mastered comedy touches on subjects regarded as taboo in the film industry and attempts to portray logical religious soundness at a time when religious righteousness is synonymous with hate. A well delivered comedy filled with laugh out loud moments entertains, educates and surprises with a performance by Omid Djalili that can only be described as "joyfully expected".
10anam006
This movie had me laughing right from the start! It's set around a Muslim man who doesn't care too much about religion until he finds out he's adopted.. and Jewish.
Omid Djalili gave an unsurprising great comedic delivery. He was so convincing as the typical Muslim man who doesn't pray all the time, fast every single day of Ramadan, or always abstain from alcohol. Yet he finds a reason to form a closeness with religion after he finds out shocking and upsetting news that he was born Jewish.
Every single scene in this movie will have you laughing in tears at the ridiculousness of the culture people have created in regards to religion. The plot is a little bit more complex but I don't want to give away too much. If you're Muslim or Jewish, you should definitely watch this movie because I know you'll love this film and want to recommend it to all your friends and family.
Omid Djalili gave an unsurprising great comedic delivery. He was so convincing as the typical Muslim man who doesn't pray all the time, fast every single day of Ramadan, or always abstain from alcohol. Yet he finds a reason to form a closeness with religion after he finds out shocking and upsetting news that he was born Jewish.
Every single scene in this movie will have you laughing in tears at the ridiculousness of the culture people have created in regards to religion. The plot is a little bit more complex but I don't want to give away too much. If you're Muslim or Jewish, you should definitely watch this movie because I know you'll love this film and want to recommend it to all your friends and family.
Did you know
- TriviaDavid Baddiel: The movie's writer can be seen on the TV show The Wright Stuff (2000), which Mahmud watches.
- GoofsAfter Mahmud sees that Lenny has parked his taxi cab on his parking cones, he begins to walk over to Lenny's house to confront him about it. On the way, he walks past a car and the camera crew is reflected in its side.
- Quotes
[Mahmud tells Lenny his real name]
Lenny Goldberg: Solly Shimshillewitz? Why didn't they just call you "Jewe-jew-jew-jew-jew" and be done with it?
- Alternate versionsMahmud's road-rage scene from the outset has been sound-dubbed for strong language (UK video version), with the C-word being uttered only once. In the UK cinema print, Mahmud shouts the C-word many times towards the taxi driver.
- ConnectionsFeatured in Breakfast: Episode dated 6 April 2010 (2010)
- SoundtracksClose Your Eyes
Performed by Joel Freedman
Written by David Gavurin & Harriet Wheeler
Produced by Howie B.
Engineered by Ben Thackeray'
Published by Warner Chappell Music Limited
- How long is The Infidel?Powered by Alexa
Details
Box office
- Gross worldwide
- $2,817,080
- Runtime
- 1h 45m(105 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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