Eastern Plays

This is the most honest Bulgarian movie made in the last 20 years. Bravo Itso, Kamen and the rest of the team! It is a movie that resonates on the same wave as the contemporary BG people. It shows the heart...and the really important things in life - hope, love, tolerance, dialogue, the continuity between the generations and freedom - the choice to live your life as you want and to be its real master... Well, it is difficult for me to come up with 10 lines for this movie (as the guidelines indicate) since this is a movie that needs to be seen coz it is a movie to be felt...because it is simple and that's why it is a work of genius!!! It's absolutely worth seeing!

This is probably the best Bulgarian film in a decade. There are a couple of things that must be said about it. 1. “Eastern Plays” is first and foremost a humane story. I cannot underestimate the importance of that fact given the long-standing tradition of Bulgarian movies (and European cinematography in general) to intimidate their characters and to dissect them with horrifying bluntness. 2. More than that, the film is a really, really good contemporary narrative. The story is told in a subtle, calm and compassionate manner. 3. This film is a rare display of the importance of each and every human existence. The idea is presented without the help of complex existential constructions or intellectual roundabouts.

This film is real, touchable; and at the same time poetic, touching! It reveals the condition of a lost soul of Sofia (the city), a young man who is leaving narcotics behind but there is nothing else in our modern life here to replace them. Boredom, inertia, dissatisfaction, pointlessness, emotional routine plague the souls in Sofia of all generations, young or old. Only love might give hope...

The character is looking for this one little piece of love, maybe hidden somewhere in his heel...

The film makes keen and exact observations at people, at the cityscape, at the relations in Bulgaria. Although it tells about drug addiction, about skinhead groups, it felt like it is coming from my own life! I could recognise friends, parents, the apartments i've lived in. The details are 100% there. The actor play is very very strong (with the exception of Stefan Danailov's student, maybe on purpose?). The young man is himself, not an actor. He is showing his own life, his guts, which makes 'Eastern plays' even more dramatic.

The camera work is incredible - its an art photographer's capture of Sofia. Some will say it is ugly, for me it is ravishingly beautiful, dignified. Sofia becomes a serene participant in the story. The music is a participant as well! 'Inject me love' was not composed for the film yet it fits it perfectly. Maybe the movie will put the "underground" Bulgarian electroacoustic group Nassekomix on the world stage?

Bulgarian cinema is witnessing a new resurgence after the demise of communism.This change can be seen in films made by new generation directors who are quick to observe realities around them and depict what they have personally experienced.Bulgarian director Kamen Kalev is a lucky person as not only he got a chance to study at prestigious French film school FEMIS at Paris but also got a lot of critical as well as commercial success with his first film "Eastern Plays" which was part of "Quinzaine Des Réalisateurs" section at Cannes International Film Festival 2009.It can be surmised that Kamen Kalev's film "Eastern Plays" has been a success as it looks at mundane issues haunting Bulgarian society albeit from an international perspective. It is true that all nations are plagued with problems like racism, skinheads and unemployment but there are very few films which are able to combine a local point of view with that of a much broader international dynamism.This is the reason why this film's lead players speak some of their dialogs in English.Although "Eastern Plays" is a film about tough themes,it is good that it has not ignored its lighter side.This is the reason why Kamen Kalev's film does not appear as a serious film preaching hard to follow moral values.Film critic Lalit Rao got a chance to see this film at 14th International film Festival of Kerala 2009.

It has been quite some time since a film genuinely moved me. This past week or so, I have sat through and enjoyed, to varying degrees, Scorsese's Shutter Island and Polanski's The Ghost Writer. Both were polished, well-made, clever films (the latter perhaps slightly more than the former), but I will soon forget them. I don't think I'm going to forget Eastern Plays anytime soon. This Bulgarian film by Kamen Kalev is, well - why beat around the bush ? - a great work of art. Superbly shot in a Sofia filled with graffiti-covered buildings and vacant lots, Eastern Plays tells the story of Itso, an addict on methadone who has to drink beer more or less constantly to dull his pain. Quite by chance, he intervenes when a family of Turkish tourists gets attacked and beaten by a gang of Neo-Fascist thugs (led by a terrifying Alexander "The Indian" Radanov). This gradually leads to a relationship between Itso and the breathtakingly beautiful Isil (Saadet Isil Askoy), whose innocent, optimistic spirituality gradually begins to lift Itso out of the painful doldrums of his beery existence. I don't know what to praise most about this film : its portrayal of a modern Bulgaria adrift between racist youth gangs and football hooligans, the parents completely out of touch with the world of their children ; the incredibly true-to-life performance by Christo Christov, who died of an overdose before the film was finished shooting ? I think finally it is the luminous presence of Saadet Isil Askoy, who brings a sincerity and optimism to the film's grim context, as she tells Itso that we are all living in a time where people are sick inside, but that she feels a change is coming. This is not just a film about contemporary Bulgaria, although it is that as well. It is a film that captures a certain Zeitgeist of the early 21st century, in which, especially in post-Communist Eastern Europe, a restless youth with nothing more to believe in attempts to fill the gap inside them as best they can : with drugs, alcohol, headbanger rock, neo-fascist thuggery, or, in a few precious, fragile cases, with art and music. I have not recently seen a more deeply moving scene in a film than the one is which a desperate Itso consults his psychiatrist : all he wants to do, he says, is find the goodness within himself. He wishes he could radiate light like a crystal, and love all human beings, but he does not know how.