Mumbai Diaries

"Mumbai Diaries" is a very, very unusual Indian film. For those familiar with Bollywood films, you might expect a lot different movie than you get. There are no song and dance numbers. There are no film clichés or formulas. And, there is no real resolution to the characters and their problems. This is NOT a complaint--I liked the film--but I just want you to understand that "Omkara" is not what you are probably expecting.

The film, not surprisingly, is set in Mumbai (Bombay). The story is about four people who are, in their own way, alienated. One is an artist who is afraid of commitment, another is a slightly out of touch American of Indian descent, another is a very poor man and the final one is a woman on videotapes--and you never actually get to see her live in the film. I could say a lot more about it, but frankly it's best to just watch the film and see it unfold. Because of excellent acting, the vague script manages to satisfy. Well worth seeing.

First of all this movie will not appeal the regular Hindi movie audiences who would like to see a hero and a heroine and a romanticism growing with elements of beautiful songs and music. Sorry guys, this is not for you. It will appear tremendously boring for those (Most of the reviews will tell the story).

Just change the setting and location, this movie will become a Hollywood movie (Art Type). There is no hero or heroine in the movie. It is a tale of 4 people, their lifestyle, and Mumbai's rapidly disappearing living history. The idea of the movie is little ahead of the regular audiences.

If you are into Art Films, watch this and enjoy every bits and pieces. If you do not understand art, please never try to watch this movie.

I'm not myself such a big fan of this kind of film, I don't plan on buying the Dhobi Ghat DVD, but I nevertheless give a 9/10 because the movie deserves it. There are writing and technical achievements that you can't take away from the film, even if it didn't appeal to you.

The first great achievement of this film is its screenplay, written by Kiran Rao. The danger for a mosaic movie is to have its story drift endlessly or split in too many branches. It's not the case in Dhobi Ghat, and on the contrary it keeps a strong core around which the various characters and stories revolve. What is this core? The city of Mumbai of course, the 5th character of the movie, as the director claims... but not only.

The English title of the movie, Mumbai Diaries, could also have been "Mumbai Visions". Yasmin makes video recordings of Mumbai as she discovers the city. Shai wants to photograph the real Mumbai. Munna creates another self through Shai's camera, to reach the filmi scene of Mumbai. Arun gets his inspiration by watching the city, or watching the city as seen by Yasmin. One scene I really appreciated is Shai unnoticed taking pictures of Arun watching Yasmin's recordings. So, instead of just having the characters wander in Mumbai, the core of the movie is the sights the city impresses on its inhabitants and our protagonists.

The next achievement of Dhobi Ghat is its direction: refined, subtle, it delivers sights of Mumbai in a very intimate way. It's completely appropriate for the screenplay (well, logical, since both story and shooting are from Kiran Rao), and probably helps us rapidly feel close to the characters. I particularly liked all the scenes recorded by Yasmin, featuring small everyday events, but yet really meaningful and emotional. But it's also a strong technical direction, as is enough to prove it that scene where Munna runs in the middle of Mumbai chaotic traffic. A real moment of cinema.

To finish, the third good point of the film is its cast. Aamir Khan is flawless, as usual, though in the rather unusual role for him of a loner (he's done that kind of roles before, but not very often). Kriti Malhotra is a particularly moving and very beautiful Yasmin, Prateik Babbar excels in the role of the shy Munna, and Monica Dogra plays very naturally the modern American-Indian Shai.

The only thing I liked less in Dhobi Ghat is its end, a bit too open to my taste. But that's very subjective and on the whole the film deserves praise for its coherence, its sensibility and its artistic direction. I would call it a must-see.

P.S: People who hated it must only be used to watching Masala stuff. Seriously, the movie can appeal to a large audience, it's not AT ALL an obscure art movie that could appeal only to a very small fringe of audience...

What prompted me to write this review is the kind of negativity this movie has received from reviewers on IMDb. I understand that every review written here is an honest opinion, but the number of 1 out of 10 scores I have come across from people who also had time to write a review amazes me. I have taken time to read most of the reviews and I see that they were all disappointed with the movie not featuring Aamir over other actors. I have one thing to say to all of them, THIS MOVIE IS NOT ABOUT AAMIR KHAN!!! There is much more this movie has to offer than Aamir and don't downvote the movie for such a silly reason.

I once watched a movie called "Adrift in Manhattan", was reminded a lot about it while watching Dhobi Ghat. Yes, the concept of Dhobi Ghat isn't fresh if you have seen many American Independent (Indie) flicks, but it was a courageous attempt if we are talking about Indian Cinema where mass masala has become the recipe for success again. The major thing about this style of directing is that you are either a fan of it or you aren't.

This movie does not focus on a burning controversy, nor does it focus on a love couple and certainly does not focus on a one man army daring to bring down the corrupt government. It focuses on 4 common individuals and the common events that happen over a span of few days in their lives. Nothing out of the ordinary happens, just some interesting encounters with people and places which is what the movie is all about. The beauty of the movie lies in how beautifully the writer/director allows the characters to develop based on day to day events. It is so fresh to see this in Indian cinema, I cannot believe such a thing isn't being appreciated.

Another major reason this movie is under-appreciated is the fact that you aren't escaping into alternate reality by watching the characters of this movie. The average movie goers, no matter what the nationality is, wants to imagine himself as a guy making beautiful girls fall for him or acquire power or even be an agent of chaos. Watching movies has been the best tool for such a thing, but in this movie, most of the Indian populace would feel like looking into their own lifestyles. Does not sit well with average movie fans, which is why even in Hollywood, movies such as Taxi Driver and The Machinist are critically acclaimed, but not well reviewed by general audience. Of course, over time once the movies age like fine wine, people will realize the kind of masterpiece of Indian Cinema this movie is, like the world appreciated aforementioned Hollywood flicks.

I don't know why people are disappointed with Aamir Khan. Does his presence mean his character is supposed to do something extraordinary? For the character he was asked to portray, which I admit could have been pulled off with ease by several others, Aamir did perfect justice. What else is left to complain about? Aamir was fresh as ever to me, and the new faces added to my delight. Really talented bunch that pulled an easy job effortlessly. Overall, I would not suggest this movie to the casual audience, by casual I mean the ones mostly into blockbusters. This movie is more for serious movie goers who mainly are accustomed to the independent Hollywood flicks which really introduced to us great actors such as Christian Bale, Edward Norton and Ryan Gosling in recent years.

Let me start by saying that if you were expecting Transformers, this movie is not for you. If instead, you find yourself in a quiet room with the patience to watch something intelligent, then this would be your cup of masala chai :) Anything I say about this movie will not be enough to praise its quality. I have to go back and watch it a couple more times, before I have anything insightful to say. But I must say something, because of the way in which this movie has touched me.

I had grown jaded over the past few years, looking at the quality of movies being released in Bollywood. I would start a movie only to find myself bored by the same age-old clichés. So my expectations weren't very high when I started this one. But by the end of it I was sitting up straight, with my hands in a praying pose, watching with the utmost concentration. I guess I see a little bit of myself in Arun and Shai. I also sometimes think about the people that we the privileged don't see in our daily lives. The builders who build skyscrapers, yet have no place to call home. The dhobis who clean other people's clothes, yet hardly have any themselves. Kiran Rao does an amazing job of taking all these elements and representing them in the form of video, photography, art and music. There are coincidences and small clichés, but they aren't as blatantly idiotic as in other movies.

There is poetry in this movie about the privileged, the loved, the lost and the city that is Mumbai. One of my favorite movies of all time. I'm definitely going to keep an eye out for Kiran Rao and Aamir Khan productions.