Winnie Mandela

It is a week since the death of Mandela that I decided to have a marathon of all things biographical of the great man. I started with Winnie and was not disappointed but was not all that thrilled. If you are looking for something to match Richard Attenborough's 'Cry Freedom' perhaps this is not one, but it sure makes a good start. I'd hoped it would match Luc Besson's 'The Lady', in its execution I guess it does but not so much on the script. Everything is only lightly and briefly touched; Winnie's childhood, her time in Jan Hofmeyer School, her courtship with Madiba, her struggle while incarcerated.

This movie does not really talk about the struggles of the couple and little light is shed on Winnie's role as a mother and her contribution within the family unit itself. If anything the movie a great reminder that behind a great man, there is always that crazy woman who makes sure all is taken care of.

One scene that makes most impact on me personally is the time when the policemen raided her house after the wedding and ruined the piece of wedding cake she had saved. Nothing is introduced on the reason why the piece is saved; whether this is customary or for any sentimental value.

Yet 7/10 must be given solely for the spectacular performances of the actors, each bringing great life to the, otherwise flat, story. The makeup team had done an amazing job trying to match both Jennifer Hudson's and Terrence Howard's appearances to match the figures they are portraying. Hat's off to the production team.

Winnie Mandela (Jennifer Hudson) is the sixth daughter to a disappointed father hoping for a son. She tries to prove her worth chaffing at the paternalistic culture. Her father is the son of the chief and a ground breaking teacher. She studies to be a social worker and excels. She is fascinated by Nelson Mandela (Terrence Howard) and catches his eye. They are soon married but they are always hounded by the cruel De Vries (Elias Koteas). Mary Botha (Wendy Crewson) hires her despite the troubles and becomes her supporter.

This is such a bland uninteresting biopic. With such an amazing complicated subject, this has no intensity. It has no life. The story has been simplified into a paint-by-number biopic. It's as if it's boiled down to highlights of a compelling life. It uses way too many montages. Terrence Howard is especially hamstrung by the script while Jennifer Hudson takes a backward step with her performance. Elias Koteas is a great actor but the movie appears to suggest that all of Mandela's problems stem from an over-zealous persecutor. Winnie is one of the most compelling characters in our modern history and this treats it all like a melodrama. I'm left a little uncertain about Hudson's skills after this. However I put most of it down to a bad script.

After watching movie Winnie Madikizela Mandela, I wondered how much Winnie, the main character, narrated on this movie about herself. Winnie was referred to as the Mother of the Nation, she was statues and beautiful, very intelligent and warrior spirited. Yet so much was left out about her diplomacy, about how she traveled around the world from country to country to gain world support for the release of her husband Nelson Mandela. The greatness of the woman was laminated to half her greatness in this movie. I remember when Winnie came to United States to meet to appeal the world be aware of apartheid and unjust imprisonment of many South Africans under apartheid. People were naming their children after Winnie and Nelson because of her image, which I must mention was distained. The population of South Africa including Nelson are under the influence of apartheid also Stokholm AND Helsinki syndromes.

Upon entering the theater I knew that I was coming to see a 2 hour movie which in no way, shape or form could capture every epic detail and nuance (historical and personal) over a 50 year period of Winnie Mandela's life story. What amazes me is the amount of negative criticism and unrealistic expectations that this film has received. Those types of lofty goals could only be accomplished in an 8 part miniseries not a 2 hour film.

Keeping an open mind, I sat down not knowing what to expect. What I received was the privilege of witnessing a captivating film with outstanding performances. Ms. Hudson pleasantly surprises with her depth of character as Winnie Mandela (not the smirks, attitude and singing which won her an Oscar in Dreamgirls)... she was able to go there. Furthermore, I appreciate the fact that the film does not attempt to "sugarcoat" Winnie's journey. Mr. Howard was a brilliant choice to portray Nelson Mandela... he possessed both the strength and elegance of the icon. Supporting cast performances were also excellent.

As the credits rolled the audience sat quietly almost as if glued to their seats. After the final credit rolled my experience was summed up by a fellow audience member who stood, stretched and said... WOW! I walked away from that theater in astonishment... they actually pulled it off! I see Oscar nods for both Howard and Hudson and possibly Mr. Koteas. The only thing working against this film and possible nominations is that it is not part of the "Hollywood Machine" which force feeds movies, reviews and awards. I truly hope that this lovely film does not fall victim to the "Hollywood Monster" lurking over it. Disregard the reviews... go see this movie, you'll be pleasantly surprised!

I was surprised at the negative tone of other reviews. I thought this was an excellent piece of work --- acting --- production --- accuracy. I wondered whether it was going to glamourize Mandella with an unrealistically positive spin. But no, it does a good job of illustrating the unfortunate turn her life took in the later years of the South African struggle. She ended up as a vindictive,foul mouthed, autocratic drunk. But you understand how that came to be after her long ordeal, which was powerfully portrayed. I also was surprised to find that this was largely a Canadian production. It had none of the pretentious unoriginality that marks so many Canadian films, especially those done for Canadian cable television. It was believable, watchable and informative!