Prowl

I first saw this a decade ago on a dvd which I own. Revisited it recently. The film has enuff tension, moves at a good pace n the creature mayhem is scary but the shaky cam n poor lighting ruined it for me. The creatures r similar like the ones from 30 Days of Night. If only they wud have avoided the shaky cam man.

The plot - A young girl decides to leave her old life behind and move to the city after discovering that she was adopted. She asks her best friend to accompany her, and the road trip is eventually joined by a bunch of pals. Unfortunately, their car breaks down along the road and they take help from a truck driver. The group gets jittery when they discover hundreds of cartons of blood n the truck driver refuses to stop until he reaches an abandoned meat-packing plant that is infested with blood thirsty creatures.

Notable face is Bruce Payne as the truck driver.

One day, a young girl - let's call her 'Deep and Dependable' - wants to go on a road trip to get the plot moving. She decides to take along her five friends, 'Nerdy and Helpless, Slutty and Blonde, Macho and Ripped, Stoned and New-age and finally Rich and Unlikeable' (Token Ethnic was unfortunately not available to come with them as he was still working in the off license at the beginning of the movie).

However, their van breaks down within minutes of their journey beginning (Rich and Unlikeable even remarks, "Hey, I think I can see my house from here!"). Therefore the first thing they decide to do is hitch a ride with a truck driver who has come straight off the set of Deliverance. He, in turn, deposits them in an abandoned building filled with vampires. And, to make matters worse, they're not even the nice Twilighty vampires who are really well-preened and twinkle a bit in sunlight.

No, these vamps like nothing more than to feast on the flesh of one-dimensional clichés. And so the hunt begins... expect a mish-mash of From Dusk Till Dawn and 30 Days of Night. It's shot as if the cameraman is constantly bouncing up and down on a trampoline. By the end of the film I was shaking my head from side to side in an attempt at keeping up with the shaky camera movement.

It's not a long film. Stereotypes aren't natural fighters - they only have badly-written dialogue to fend of the ghouls with. Vamps have teeth. I know which one I had my money on.

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Essentially Prowl is another splatter flick... actually if there was no minimum review length that would pretty much summarize it.

The protagonist hitches a ride; her friends are there too because really, the film doesn't have enough substance to support just said protagonist trying to survive.

Actually most characters don't last long once the threat appears. That makes the earlier parts seem like padding, which explains why I can't remember much about these people. There was humor during the earlier parts but things quickly get bland.

In short, some quasi-vampires arrive and start killing everyone, naturally a couple of would-be victims escape. Then those people must figure out what's going on. Even with its short runtime things got boring toward the finale.

If you love watching horror movies then this will be fun to watch, Its not ranked up there with the classics, Salem's lot or The Exorcist, but its worth a watch. Only bad thing i can say about it was the ending, it was an anti climax but it does leave it open for a follow on sequel. If you are looking for scantly clad teenagers running around half naked then this is not for you, although the leading ladies are easy on the eye. Gore factor 6.5: Lots of blood in this & a few body parts flying around the movie set.

Scare factor: 6; One scene certainly had me jumping from my seat, but these are BOOM!! in your face flashes & not many off them.

En route to Chicago, a bunch of young friends experience engine trouble and stupidly accept a ride from a passing trucker. He traps them in his trailer. Stuff happens. There's some vampire/monster/creature thingies that attack them. Some of the teenagers die. Yadda, yadda, yadda...

I almost rated Prowl 1/10, not because it's particularly awful, but because I've had a gut-full of mediocre modern horror as of late, and this was very nearly the final straw that broke the camel's back—just another forgettable, bland, derivative scary flick with a pretty female protagonist, an unimaginative threat, lots of dreary and often shaky cinematography, predictable loud noises to make you jump, and a 'surprise' ending that's not all that surprising. It's been less than a day since I finished the film, and I cannot recall a single image that impressed me enough to bother retaining it in my mind.

To be fair, Prowl is probably worth a 4 or 5 out of 10 (although I'll err on the less generous side): it starts out promisingly, is technically proficient, the cast do a good job of looking terrified even if I sported an expression of abject boredom throughout, and there's also some pretty effective gore. But in this day and age where horrors proliferate, a film needs to be so much more in order to make a lasting impression.