Rogue River

I try not to compare films with others and just watch it based on its own merit. Having said that, I thought the film was not as bad as most reviews made it out to be. The story had potential and the actors were quite convincing in their role.

What lacked for me was the lead actress not being able to connect with the audience. I think one of the most important things that a protagonist has to do is to be able to establish some sort of rapport with the people watching the film, and this is something she failed to do with me. I thought most of her decisions were quite questionable, though I did like the ending.

On its own, the story lacked some character developments and seemed to be "hurried", as if the writer wanted to get into the "action" real quick. The result was that the suspense did not build enough to put me at the edge of my seat, so to speak. There were a lot of instances for this, but the writer and director failed to deliver on this aspect.

The cinematography is good though. Scenes were clear and the shots complimented the entire movie.

All in all, it's an okay movie to watch if there's nothing else, but I wouldn't go out of my way to recommend it to friends.

ROGUE RIVER is one of those low budget horror films that feels like it has big aspirations. It wants to be the next big fear flick, the sort of film to have crowds flocking to theatres to get caught up in a thrilling journey into hell. Unfortunately it's an entirely predictable and routine affair, one that slavishly copies the plot of a dozen other movies (such as the Aussie flick THE LOVED ONES) while remaining singularly unsatisfying throughout.

The best thing ROGUE RIVER has going for it are some surprisingly decent production values, and effective cinematography to boot. Jourdan McClure certainly knows how to make his film look good on a budget, and there's none of that dodgy shaky cam editing to spoil things. The acting isn't too bad either; Michelle Page is a relatively likable heroine (until she starts making dumb decisions, that is) and Bill Moseley and Lucinda Jenney are quietly effective as the mysterious homeowners.

Unfortunately what sinks this is the calibre of writing, which just isn't up to much. For once I would like to watch a low budget horror film that avoids clichés, but I wonder if it will ever happen. There's the usual excursion into torture porn territory here (although thankfully nothing too distasteful), along with some extremely dumb character decisions in the second half that will make you despise the characters. I think of such moments as plot holes, designed purely to string a lacking plot out just a bit further, and they make ROGUE RIVER a disappointment.

Riddled with implausibilities, Rogue River will not satisfy those who want to believe and its lack of character development those who want to care.

Although there are ideas which contain potential, they are swiftly brushed aside before being explored to make way for the next method of torment. Outside of these details is a tired and predictable plot, which has its lowest point towards the end, where the escapees make an irrational decision with a consequence so obvious a flashing subtitle would've done just as well.

Whilst the acting is not terrible, with little to flesh out but the usual hints at a trauma background leading to psychosis, very few of the characters' actions make much sense. The narrative is lazy even for those who are not deemed irrational.

It's hard not to assume that most of the budget went on the helicopter for the opening aerial shots, which do a great job explaining the distance and evoking the depth of a history. The landscape is in fact the most promising part of this movie, with the closing shot - a lengthy, low angle retreat - almost a masterpiece in comparison to what led us there. It gives you the impression that the director really wanted to make a different movie.

Rogue River is one of those films to watch whilst doing something else.

My spouse and I were suspicious of the plot quality within the first few minutes. A sheriff does not tow a car parked in the woods for a short time, especially without checking around for the owner who could be left stranded miles from anywhere. This wasn't a downtown no-parking zone. No audible tow truck noise? More to the point, there wouldn't even have been time to get a tow truck into this remote side road! So why wasn't Mara immediately concerned about Jon's phony story? Why wasn't she upset about her missing car and why it vanished? First things first. This is nonsense. We watched the whole thing but found ourselves wanting Mara to use her head and ask more questions from the start.

The film starts off innocently enough. A woman (Michelle Page) goes to the river to spread her father's ashes. When she goes to leave, her car is missing. Fortunately, Jon (Bill Moseley) is available to giver her a ride. You wonder why he is there, but whatever, he is there and takes her home to meet his wife Lea (Lucinda Jenney).

They convince her to stay the night instead of going to a motel, and that's when the fun begins.

These two are definitely psycho, and the bizarre behavior keeps intensifying. It gets really bizarre before it is over.

When it is over, you will be scratching your head.