Jinn

They give a simple but good intro and then, it goes all the tracks. Suddenly, the movie conflicts its own intro, the world must speak English even outside America, because well the whole world only uses English. (Unless in the intro, for a part) And I had even hopes because there are some actors I like in this one. There are things to like, but then skip the intro, I would say. Enjoy.

Jinn is a film which can't decide whether it's a horror flick, a sci-fi/ fantasy romp, or an origin story launch for an independent noir graphic novel hero (please note, I have no idea if Jinn is based off a comic, but they're obviously trying to force-start a franchise.) Like the film's protagonists who attempt to create a super amalgamation of Christianity, Islam, and Judaism, only to have it come across as vaguely anti-Muslim and awkward, (and the 'edgy' sound track choices which just end up being bafflingly bizarre,) this mix doesn't quite work, and the film would have been better served choosing one genre, and doing it well, instead of all and fumbling through it. There are some genuinely creepy moments, which are ruined by the comedy, and the comedy is in turn ruined by the complete, posturing cheesiness of some of characters and dialogs. Several plot devices could have come straight from their TVTropes.com pages, and certain scenes feel almost as if they were lifted from famous, better-made, movies.

The production value is very high, which helps and hinders. There are many actors with recognizable faces doing the very best they can; some extremely expensive camera shots; well-done (and plentiful) effects; fighting and driving stunts; and seriously, what is the point of the sports car? The high production values prevent the film from be a crappy delight, but make the confusing plot bearable to watch. Watching Jinn, you'll wonder who in the world would pour so much money into a movie who's plot and screen play feel more like a made-for-TV film you stumble onto after midnight on the Sifi channel than the big budget blockbuster it longs to be.

If you like films like "Season of the Witch," "Outlander," or random, independent movies from Red Box, you'll probably like Jinn, but otherwise, this is a film to watch with a bunch of drunk friends and make fun of, though there are other, better, choices for that.

I just got back from seeing "Jinn". To be honest, I hadn't even heard of it before. I saw it in the theater listings, looked up the movie, and saw it was filmed in Michigan, where I'm from, so I gave it a shot.

I really enjoyed this movie. The story was engaging and unique, and the acting was solid all around. It was a bit slow to get moving, but the final third of the movie and the ending were amazing. I loved the look and style of the movie. I LOVED the integration of aspects of the different Abrahamic spiritual traditions while still keeping the emphasis on Arabic/Muslim folklore. It's making me want to read up on some of that folklore myself, since I am unfamiliar with it. "Jinn" is only rated PG-13, but it's not a kids movie; it's just smarter and deeper than your average jump-scare torture porn with naked chicks types of "horror" movies.

As far as negatives go, I think the movie was a little schizophrenic in tone at times. It's not what I would call a pure horror movie, more of a horror plus supernatural action plus an unfortunate touch of "Fast and Furious". The overemphasis on the car was a huge distraction, and the connection between the filmmakers and the car is really strange. I guess they designed it specifically for this film and you can buy one? So you can continue the film experience in your real life? It is a cool looking car, but every time I saw it, it pulled me out of the narrative because I felt like I was watching a car commercial. Thankfully, it was only in a few scenes.

I definitely enjoyed "Jinn" and would recommend it to anyone looking for a more intellectual horror movie from a non-western perspective. Just try to ignore the car.

P.S. There is a brief scene at the end of the credits; I don't mean the scene in the church but later at the very end.

I got a free ticket to see this, and spent too much. The credits did not appear until the end of the movie, and that made it much clearer what was going on: There were a few names and surnames repeated several times in the credits, none of them well known as filmmakers. The director was listed as a main designer for the car that was featured, at length -- not that it was particularly interesting as a car. Or a movie; the whole thing is padded absurdly. There might be a decent half-hour TV show buried in this mess, but the fact that there's almost a half hour of setup before anything really happens is a giveaway of the pace of this thing. And once things start happening, they look like something from the 80's -- at best. Nothing happens fast, and almost nothing happens only once; the director liked some of his shots so much we see them several times. Even the scene after the credits is pointless.

Don't get me wrong -- I like outsider films. The original Gone in 60 Seconds, for example, is a classic. This has none of the pacing or wit of that movie, or any other decent one.

This is a standard "looks like a pilot for a series" movie. It is quite Jinneric.

The grandfather, Jehangir Amin (Dominic Rains), thinks the only good Jinn is a dead Jinn and, in an attempt, to recover his girl, the ancient Indian Jehangir upsets a Jinn that just wants the earth back from those clay made humans.

So, the Jinn in retaliation decides to disrupt the lives of all of Jehangir Amin's decedents which just happens to include the unsuspecting Shawn Walker (also Dominic Rains.) but Shawn does not believe he is the toughie that will save the world and future offspring from the Jinn? Or will we have to suffer through a series?

This is more of a Jinn fizzle.