Waiting for Superman

Yes, a 10. This movie is spectacular. I can't remember the last time I got so caught up in a documentary.

This movie seeks to do two things, 1) to show how bad bad public education in this country is and to suggest some of the reasons (the two teachers unions, the administrative bureaucracy, etc.); 2) to suggest a solution.

It does 1) in a devastatingly powerful fashion. There are other reasons for the poor quality of some American education that he does not broach, like the stupid training given by mediocre and bad schools of education, low teacher certification standards in some states, the danger of leaving it up to principals to hire teachers when some of them have no interest in or understanding of education, etc. But going into all of that would have made this movie hours and hours long. Still probably very interesting, but impractical as a commercial venture.

2) it does well also, but the viewer needs to sit back afterward and think through exactly what is being proposed as a solution. That solution is a certain sort of education now being offered in certain (not all, by any means) urban charter schools that function free of all the obstacles (bureaucracy, school boards, teachers unions, etc.) that block change in regular public schools. But the students in those charter schools are all there because their parents/guardians made the effort to get them there.

In other words, superlative teaching works with students who have support at home. This is wonderful, but it's not either a surprise or a miracle. It sounds like a magnificent way of educating the children of caring and concerned parents/guardians who can't flee the inner city to the better schools of the suburbs. But it does not address the problem of what is to be done with all the students who are children/wards of individuals who don't give a damn about their education.

That is probably the subject of another film.

This one, meanwhile, is magnificent, from first moment to last. The lottery scenes near the end are perhaps the most enthralling, but it is all very good.

I kid you not. Every American should have to see this movie.

P.S. I notice that there are some scathing reviews of this movie on here. Remember in reading them that WfS pulls no punches: it goes after the AFT and NEA with a vengeance, and those two organizations will no doubt do whatever they can to discredit this movie. Beware anything that comes from them, therefore. Bill Gates has long said that those two organizations are two of the biggest roadblocks to educational reform in this country. This movie documents that, and those unions won't take that lying down.

This movie flows in the same vein as the Oprah Winfrey Show, Fox news, CNN, and McDonald's. It's tasty, yet difficult to digest.

There are a few themes strung throughout this noose of a movie. One major theme is: win the lottery and you'll succeed. There are two lotteries in Waiting for Superman. One is the lottery that is played out in the gymnasiums of the schools, with numbered ping-pong balls and kids who make your heart ache. The other lottery is 500 billion dollars, the $$$ of the school system in America.

For students in this movie "win the lottery and you'll succeed" means they have to be lucky, or else the public school system will fail them. This may change though, as superman is on his way. Superman is not in the guise of an administrator or a teacher. Superman is a politician (and his sidekick an entrepreneur). The business of education is a lottery. Billions of dollars are to be had by superman if he and his sidekick can fix the lottery. Students must rely on luck concerning their lottery; yet, superman can supersede luck because he and his partner have a lot of money. But they want more.

The definition of "fix" is different for politicians and businessmen than for regular people. For most, fixing the education system means making it better for the majority of people involved. For superman and his partner, fixing the lottery means using his influence and wealth to enable a tiny percentage of the population to suck money from the education system. If superman fixes the lottery, he is much more likely to 'win' the cash that comes from the business of education in America.

There are many problems with education in North America. Inviting businessmen into the sphere of education in such a manner is not a path to improvement of the majority.

I may not be a teacher, but both my parents were, and I grew up going to public school and got many views of the educational system as a whole. I'm really surprised to see that some teachers went to this and were actually offended by what it offered.

This movie did not set out to blame the issues of this country's education on the teachers. It depicts the issues with the SYSTEM. It's a system that protects the teachers' needs over the students in some cases. We all are aware that teachers don't get paid very well, but there are many upsides to a career as a teacher, and some go into this field because they are gifted, but just as many aren't.

What this film attempted to say (in my opinion, successfully) is that we must put the child's needs above all. The system is BROKEN, and that's all the director wanted to say. Through the establishment of the abuses of the unions, the communication of the compelling stats, and the following of just a few examples of a larger populace of suffering students and their families, the director did a BEAUTIFUL job of bringing issues to the surface.

Teachers who are talented, work very hard, and are committed to pushing students and not cruising through should not take offense to this film. However, there are plenty of teachers out there who should find this film threatening, just as many departments of education should, because on the whole, American schools are failing, and we have a lot of work to do.

Because there are educators who are threatened by the message of this film, I say that is what makes it a success. What effective documentary doesn't shake up the system and strike fear in those whose system it threatens? I'm ready for more!!!

Waiting for 'Superman' is a documentary from Davis Guggenheim, the director of 2006's An Inconvenient Truth, that examines the faults and labyrinthine bureaucratics of America's educational government, a government more interested in protecting the jobs and pay salaries of lazy educators in public schools, rather than properly educating the average child.

The film isn't all that shocking. I admire the format, and the presentation of the film, but problems with the education of American children have been a highly publicized matter, especially a few of the points of which Guggenheim presents. At times it even feels like he's stating the obvious, and even repetitious in regards to sub-par school houses he points fingers at.

But the film's strongest impact comes from the case studies of five children, who show strong potential, but their parents struggle to set them up with the necessary education, placing them at the mercy of lotteries that determines the lucky few who get to attend successful charter schools. Their build-up is near impeccable, leading up to the film's emotionally powerful third act. A third act that, afterwards, is complimented perfectly by "Shine", a beautiful end credits song by John Legend, and overall one of the film year's very best original songs.

It isn't perfect, but I'm gonna give Waiting for 'Superman' *** out of ****

Waiting for Superman does one thing right above all else: it gets a conversation going. Then something else has to matter, which is how much the people who get to talking really know about the education system in America, which has been making students fall behind compared to others throughout the world (i.e. USA ranks 25th among students for math and reading, albeit we're #1 when it comes to confidence! yey we're #1!) David Guggenheim's documentary shifts between personal stories of (mostly) inner-city kids whose parents want their kids to do well but are doubtful for good reason about whether their kids will get the fair chance, and try ultimately to get them into charter-school systems that rely on a lottery system of picking who gets in and who doesn't.

This makes up the emotional core of the picture, and it's a good one. Where things get both interesting and tricky is when Guggenheim gets into the main issue at hand: what's wrong with our countries schools, especially in inner-city/urban ones like in Harlem and DC where there are "Drop-Out Factories" created in part by students in bad neighborhoods but more-so by teachers who just don't give a good-damn about teaching. Guggenheim rails against the teacher union's seemingly monolithic nature when it comes to sacking bad teachers (we learn about the "Lemon Dance" system done with teachers who are tenured who are just bad period). Meanwhile he paints a very rosy picture of the Charter/private schools, and why not? They show how the teachers do give a damn about the students, and the better attention paid - and as we see teaching is a kind of art form that one can master - the better the students.

But doing a little research before or after the film shows that Guggenheim, for all of his good (and they are good) intentions, omits or shallowly covers certain things, such as the Kipp charter schools (it's mentioned only briefly in the doc but 1 out of 5 Charter schools really work best at what they do, and not mentioned is how kids that don't keep up in the first couple of years just get kicked out, period), and about the nature of public school teachers. The call for reform is not unwarranted, and I became saddened by the DC Chancellor's idea of giving double to teachers who don't take tenure being shot down, not even addressed, by the NEA. At the same time that Guggenheim gives some strong attention to the flailing public school/public-school-union system, and to how good though competitive Kipp and schools like it are, little attention is paid to what the urban/inner-city neighborhoods are really like that kids like this are in. I question the statement a person interviewed makes about the school system negatively affecting the neighborhoods more than the other way around. To me it would appear to be a vicious cycle where both sides need reform for true change.

But Waiting for Superman, a film meant to rile up the audience into attention like Guggenheim's previous doc An Inconvenient Truth, is useful as a way to get people who have no idea what's going on what is going on, at least the cliff-notes version of it. It isn't the digging-deepest look at the subject, yet I did feel moved by how the people trying to get by with their kids are good people wanting the best for their kids. Probably the big irony that Guggenheim does, after giving so much positive hype for how charter schools work (i.e. 96% of students go on to college who attend), is showing the lottery system as the climax, and how very few spots there are in the schools. The doc could go even further with being an activist-style position trying to affect change, or give clearer facts; there's a lot of cute-quirky animation to bring along the information, though the interviewees selected are kind of cherry-picked for its ultimate effect.

It is, in short, a good documentary but not quite a great one, and will be a big upper or a big downer depending on who you are in the audience, if you have kids, if you're a teacher, or if you're in the "rubber room" in one of the NYC schools.