Burning Man

We didn't stick around to find out what was eating Jessica Chastain in "Eleanor Rigby," but in "Burning Man," the big reveal isn't delayed too long, and the opening barrage of short, very intense, non-sequential flashbacks—a car crash, a dreary sex scene, a rugby game colliding with a kid's birthday cake—really got our attention. These memories belong to Tom Keaton (Matthew Goode), a tightly wrapped Sydney chef who's blocked out the unbearable crucial fact of his life, so it takes awhile to figure out what's really going on. Even before that though, we were riveted.

Despite its tricky, timeshifting structure, the film's perfectly paced, and after the storyline levels out, "Burning Man" gets to the heart of things in an affecting, unsentimental way. Great cast — good work by MG and lovely Bojana Novakovic (Frank Gallagher's latest paramour on "Shameless"!); too bad Rachel Griffiths was only available for a day's shooting, or so it seems.

This one reminded me of another Aussie film, "Adore," which also could have come off as gimmicky and contrived but had real dramatic impact. "Burning Man" provides a fine emotional workout, though there are a couple of rowdy comic scenes as well—including an haute cuisine version of the french toast bit from "Road Trip." Great soundtrack ("ethereal singing," the CC calls it) by Lisa Gerrard of Dead Can Dance fame.

Tom Keaton (Matthew Goode) is struggling with a mess of sexual encounters with various women after the death of his wife Sarah. He is estranged from his son Oscar. He's a top chef in a chic restaurant.

The acting is good here. The reason for his dysfunction is compelling. However, many movies nowadays think they need the added tension of shredding the time line. They think they need to confuse the viewers so they have the added tension of trying to figure out the storyline. Instead, they should have the confidence in the story to allow it to unfold. Sure flashbacks may be preferable to a strictly linear time line but there's no need to put the film thru a blender.

Burning Man – CATCH IT (A-) The Australian BURNING MAN is a reckless, sexy, funny, moving and ultimately life-affirming story of Tom (Matthew Goode), a British chef in a Bondi restaurant, who seems to have decided there are no longer any rules he needs to obey. The movie follows Tom's life as he descends into darkness and fragments of a different story begin to emerge. It shows different kind of women in Tom's life who are trying to put him back together. Burning man is a beautiful movie about love, lose, anger and grief. Jonathan Teplitzky has chosen a beautiful story and presented in a beautiful slightly reverse chronological manner. There are various moments in the movie which will simply leave you speechless. The movie is fragments of short scenes, which sometimes is really hard to compile in head in chronological manner. The Grey shades into Matthew Goode's character allowed him to act tremendously well. It won't be wrong to say that "Burning Man" is Matthew Goode's best and sexiest performance till date. Bojana Novakovic is stunningly beautiful. Her performance as sickening women unwilling to die is simply amazing. Essie Davis is impressive. Rachel Griffiths and Jack Heanly are fine. Burning man is amazing Australian movie which leaves a strong impact once it's over. The cinematography and color combination in scenes are simply brilliant. The movie has everything except its little too long, more than 2hrs. still its worth watching and Highly recommended.

Initially I was dazzled. I didn't mind that I was being toyed with, because watching this brilliant piece of manufactured cinema-conjuring was exciting. I was always aware that I was watching a clever movie, rather than being immersed in an emotional experience. But once I'd worked out what was going on and who was who I become tired of the repetitive backwards/forwards structure, and the lack of anything to say, apart from the fact that the smarty-pants hero finds grieving a tough call. The central character - played with about three expressions by Matthew Goode - suffers a tragedy and tries to cope by behaving like an adolescent on a bender, which, I assume, is supposed to be endearing, but is mostly tedious and repetitive. He and his beloved wife are well suited, as she is equally pleased with herself. Their son, the only character I really cared about is worth watching; as is Essie Davis, as his aunt. There are a few touching moments, but they are far outweighed by scenes that you've seen before, in better and worse dramas on TV and in other movies, and even already in this film... on and on and on with no progression. The Script Editors should re-train. This would make a terrific short; unfortunately it's a long.

this is a great movie. One of the best portrayals I have seen of a man experiencing loss and grief. The burn he is acting and the way it is expressed is portrayed in a realistic way. Men can grieve in the arms of others and to the soft well intentioned actions and ministrations of those around them. I find most men do work through the issues with space to brew and rage, talk is important but space to work it out is better.Sitting on the kitchen floor with a bottle of red wine at 2 in the morning nutting it out with someone who cares is where the healing starts. A real visceral portrayal...thank God the only therapist in sight was an ex-shag. The redemption of this guys sad state is due to something greater then himself, his son and the need to carry on. OK, there are a few tears to be had.