A young trapeze artist must decide between her lust for Sergio, the Happy Clown, or her affection for Javier, the Sad Clown, both of whom are deeply disturbed.A young trapeze artist must decide between her lust for Sergio, the Happy Clown, or her affection for Javier, the Sad Clown, both of whom are deeply disturbed.A young trapeze artist must decide between her lust for Sergio, the Happy Clown, or her affection for Javier, the Sad Clown, both of whom are deeply disturbed.
- Director
- Writer
- Stars
- Awards
- 11 wins & 21 nominations total
Alejandro Tejerías
- Motorista-fantasma
- (as Alejandro Tejería)
Sasha Di Bendetto
- Javier (Niño 1937)
- (as Sasha Di Bendetto)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Wonderful, beautiful and tragic!
A magic tale of terror, dark humour and tragedy!! I think that this film is like a mix of Rodrigues, Jarmush and Kusturica... gripping and strong whilst dark, random and ghastly at the same time. Romantic and disgusting in one film. de la Iglesia beautifully makes the whole film look like a circus performance with all characters exaggerated to the point that even Franco looks like a clown. Though I appreciate that this film is probably not for everyone, I think that it's an original and interesting portrayal of, amongst other things, love and war during horrors of Spanish civil war - an interesting contrast to del Toro's "El Labiirinto del Fauno"!
Best film of 2010
After the really disappointing "Oxford murders", Álex de la Iglesia returns with not only his best film to date, but with one of the best films in the last years. "Balada Triste de Trompeta" is a romantic-over the top-violent melodrama which mixes Tarantino, Hitchcock, Fellini, Todd Browning and of course it also has a lot of previous Álex de la Iglesia films like "Acción Mutante" or "El día de la bestia". Two men, one good and one bad, fighting for the love of a beautiful blonde trapeze artist (the gorgeous Carolina Bang) in a downward spiral of love and madness that also serves as a historical recount of the last 75 years of Spanish history.
"Freaks" meets "Santa Sangre"
If you have seen any film by Alex de la Ingelsia, then you know that no two of his films are alike, that they contain a lot of humor and arresting images, and often a lot of graphic gores, and are the product of a very original mind. THE LAST CIRCUS is no exception. There are images in this film that will stay with you for years.
The settings are many and varied, beginning with the Spanish Civil War in 1937 and winding up in 1973 on a War Monument that includes a giant cross and statues for an ending that will bring to mind Hitchcock's NORTH BY NORTHWEST. Along the way there is a nightclub dedicated to Telly Savalas called Kojak!
Pedro Rodríguez has created two very different special effects makeups, one of a man who has self-mutilated his face with acid and a hot iron, and another by man who has had his face slashed with a grappling hook and then stitched back together by a veterinarian. Rodríguez is someone whose future work bears watching.
The setting for much of the action is a traveling circus reminiscent of FREAKS crossed with Alejandro Jodorowsky's SANTA SANGRE. Clowns have always been pretty creepy anyway, but you will never look at them the same after this film.
The settings are many and varied, beginning with the Spanish Civil War in 1937 and winding up in 1973 on a War Monument that includes a giant cross and statues for an ending that will bring to mind Hitchcock's NORTH BY NORTHWEST. Along the way there is a nightclub dedicated to Telly Savalas called Kojak!
Pedro Rodríguez has created two very different special effects makeups, one of a man who has self-mutilated his face with acid and a hot iron, and another by man who has had his face slashed with a grappling hook and then stitched back together by a veterinarian. Rodríguez is someone whose future work bears watching.
The setting for much of the action is a traveling circus reminiscent of FREAKS crossed with Alejandro Jodorowsky's SANTA SANGRE. Clowns have always been pretty creepy anyway, but you will never look at them the same after this film.
Outrageous film with odd characters , surreal imagery and twisted plot
Alex De la Iglesia is an excellent Spanish director . He had much success as "Accion Mutante" , " El Dia De la Bestia" , "Perlita Durango" and ¨La Comunidad¨ , among others . De la Iglesia is back with a tragical comedy about two Spanish clowns of the 70s . Here deals with a homage to dark humor and Spanish history from the Civil War until the 7os . In the film there are comedy, tongue in cheek, humor, horror, action, drama and is pretty entertaining . It's an exaggerated drama/comedy giving the perfect tone through the entire film , you can either follow it or just wander about the ridiculousness of every single minute . Some may regard this kind of dramatic comedy dull or dumb , but the truth is its the most simple, minimalistic, rawest, and pretentious comedy you will ever watch . As the shy Javier (Carlos Areces) and the violent Sergio (Antonio De La Torre) are two clowns who reach the heights of success with their circus show , but eerie events and an acrobat woman (Carolina Bang , partner is director Alex De Iglesia) turning them into deadly enemies . However, the hate between them grows as fast, and as much, as their horrible faces .
The picture blends thrills , suspense, tension as well as an intriguing script full of dark comedy , drama and exciting situations . Packed with scenes of absurd nature, this story is a fantastic farce, as we follow the ridiculous careers of a pair of clowns whose destination is dictated by a fateful love , rather than by their own decisions . The film works on various levels and is constantly reconfigured , however contains some embarrassing , contriving moments and also certain excess . Strong performance from three protagonists , Areces , Bang , De La Torre and excellent plethora of secondaries as Manuel Tejada , Gracia Olayo , Enrique Villen , Manuel Tallafe , all of them usual actors in ¨Pluton BRB Nero¨ series produced by Alex De Iglesia . Interesting screenplay Alex De La Iglesia who usually writes his films and bears remarkable resemblance to ¨Dying of laughter¨ or ¨Muertos de Risa¨ also with two comedians -Gran Wyoming and Santiago Segura , Alex's fetish actor- who reach the heights of success with their spectacle, becoming them into huge enemies . Atmospheric and dark cinematography by Kiko De La Rica with a good camera work . Suspenseful musical score by Roque Baños . The motion picture is well directed by De La Iglesia . He's a cool director has got much success as ¨Accion Mutante¨, ¨Crimen Ferpecto¨and ¨Oxford murders¨, and winner of several Goyas (Spanish Oscars), however his movies have not yet reached box office in USA, but he has strong followers . Nonsense, ridicule , laughters , absurdity , terror , disturbing scenes .. and many other issues ; you can find everything in this movie . The movie is a lot of fun, especially for those who know the historical period . This is without a doubt a thrilling and thought-provoking movie to be enjoyed for dark humor buffs and Alex De Iglesia fans.
The picture blends thrills , suspense, tension as well as an intriguing script full of dark comedy , drama and exciting situations . Packed with scenes of absurd nature, this story is a fantastic farce, as we follow the ridiculous careers of a pair of clowns whose destination is dictated by a fateful love , rather than by their own decisions . The film works on various levels and is constantly reconfigured , however contains some embarrassing , contriving moments and also certain excess . Strong performance from three protagonists , Areces , Bang , De La Torre and excellent plethora of secondaries as Manuel Tejada , Gracia Olayo , Enrique Villen , Manuel Tallafe , all of them usual actors in ¨Pluton BRB Nero¨ series produced by Alex De Iglesia . Interesting screenplay Alex De La Iglesia who usually writes his films and bears remarkable resemblance to ¨Dying of laughter¨ or ¨Muertos de Risa¨ also with two comedians -Gran Wyoming and Santiago Segura , Alex's fetish actor- who reach the heights of success with their spectacle, becoming them into huge enemies . Atmospheric and dark cinematography by Kiko De La Rica with a good camera work . Suspenseful musical score by Roque Baños . The motion picture is well directed by De La Iglesia . He's a cool director has got much success as ¨Accion Mutante¨, ¨Crimen Ferpecto¨and ¨Oxford murders¨, and winner of several Goyas (Spanish Oscars), however his movies have not yet reached box office in USA, but he has strong followers . Nonsense, ridicule , laughters , absurdity , terror , disturbing scenes .. and many other issues ; you can find everything in this movie . The movie is a lot of fun, especially for those who know the historical period . This is without a doubt a thrilling and thought-provoking movie to be enjoyed for dark humor buffs and Alex De Iglesia fans.
What happened to Alex de la Iglesia?
Several years ago I watched "El dia de la bestia". I recall I had fun. Then with "Crimen Ferpecto" I laughed several times. I watched it so many times. Then it was "las brujas..." and I could not believe what I had just witnessed. Then I learned he had done this before - I just watched it. My god! This was a terrible mess. I don't know which one is worse.
I bet Iglesia watched one night that clip of Rafael singing and thought "I should do something with clowns again! But creepy clowns! I need animals around! So I need maybe a circus...or a war? Maybe both! Who cares? BLOOD!!!!"
I can't decide what's worst: the acting or the editing. The kid at the start, Alejandro Tejerias and even the leading lady...they are B.A.D.!
Our director AND writer just needed blood and beautiful photography. If that's all you as audience need, there you go, this is your movie. If you need a good story or simply a story that makes sense, you will be fighting to remain sane.
Things I wrote down while suffering with this: -SPOILERS AHEAD- They are hiding in the shower from the jealous lover inside the trailer, then it's another day, how did they manage to escape? The guy is deformed by the vet...but he has to go outside in a completely different place to see his new face again? When the guy is running from the pig, sometimes we see the animal and sometimes we don't...I guess there was not enough money. How much time has passed? What did the other guy do while the clown was hiding in the woods and the others left the circus? A single guy with a small gun can stop several soldiers - soldiers that, by the way, can't shoot a damn thing! What was the point of having them there? Background noise from their bullets? What does Natalia want? Am I suppose to root for her? If she could run even with clown shoes, why didn't she do it sooner? Everybody is awful! Nobody reacts when a shotgun is near them. The police went inside before him but he finds the couple first?? What was the point of wasting screen time with "Motorista-fantasma"? Why?
I bet Iglesia watched one night that clip of Rafael singing and thought "I should do something with clowns again! But creepy clowns! I need animals around! So I need maybe a circus...or a war? Maybe both! Who cares? BLOOD!!!!"
I can't decide what's worst: the acting or the editing. The kid at the start, Alejandro Tejerias and even the leading lady...they are B.A.D.!
Our director AND writer just needed blood and beautiful photography. If that's all you as audience need, there you go, this is your movie. If you need a good story or simply a story that makes sense, you will be fighting to remain sane.
Things I wrote down while suffering with this: -SPOILERS AHEAD- They are hiding in the shower from the jealous lover inside the trailer, then it's another day, how did they manage to escape? The guy is deformed by the vet...but he has to go outside in a completely different place to see his new face again? When the guy is running from the pig, sometimes we see the animal and sometimes we don't...I guess there was not enough money. How much time has passed? What did the other guy do while the clown was hiding in the woods and the others left the circus? A single guy with a small gun can stop several soldiers - soldiers that, by the way, can't shoot a damn thing! What was the point of having them there? Background noise from their bullets? What does Natalia want? Am I suppose to root for her? If she could run even with clown shoes, why didn't she do it sooner? Everybody is awful! Nobody reacts when a shotgun is near them. The police went inside before him but he finds the couple first?? What was the point of wasting screen time with "Motorista-fantasma"? Why?
Did you know
- TriviaAccording with Álex de la Iglesia, Raphael watched the movie before the public premieres, and he didn't like voice acting of the actor who played him. De la Iglesia offered him to dub himself, and finally is Raphael's voice which is heard in the movie.
- GoofsWhen Andres is arrested, he says "maderos" to the policemen, but this word was not yet used at this time. He shoould have said "grises" (grey) because this is the color of the police uniform - only years later would it become brown. ("Madero" is log or piece of wood, which is why people called policemen "maderos").
- ConnectionsFeatured in Half in the Bag: Robot and The Last Circus (2011)
- SoundtracksTitles
Vocals by Manuel Tallafé
Performed by 'Banda de cornetas de la Fundacion Julian Santos'
2015 Melliam Music
- How long is The Last Circus?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Balada triste de trompeta
- Filming locations
- Barrio El Partidor, Alcoy, Alicante, Comunidad Valenciana, Spain(as Madrid's suburbs, circus exteriors)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €7,000,000 (estimated)
- Gross US & Canada
- $40,548
- Opening weekend US & Canada
- $4,757
- Aug 21, 2011
- Gross worldwide
- $3,604,598
- Runtime
- 1h 47m(107 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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