A young trapeze artist must decide between her lust for Sergio, the Happy Clown, or her affection for Javier, the Sad Clown, both of whom are deeply disturbed.A young trapeze artist must decide between her lust for Sergio, the Happy Clown, or her affection for Javier, the Sad Clown, both of whom are deeply disturbed.A young trapeze artist must decide between her lust for Sergio, the Happy Clown, or her affection for Javier, the Sad Clown, both of whom are deeply disturbed.
- Director
- Writer
- Stars
- Awards
- 11 wins & 21 nominations total
Alejandro Tejerías
- Motorista-fantasma
- (as Alejandro Tejería)
Sasha Di Bendetto
- Javier (Niño 1937)
- (as Sasha Di Bendetto)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Best film of 2010
After the really disappointing "Oxford murders", Álex de la Iglesia returns with not only his best film to date, but with one of the best films in the last years. "Balada Triste de Trompeta" is a romantic-over the top-violent melodrama which mixes Tarantino, Hitchcock, Fellini, Todd Browning and of course it also has a lot of previous Álex de la Iglesia films like "Acción Mutante" or "El día de la bestia". Two men, one good and one bad, fighting for the love of a beautiful blonde trapeze artist (the gorgeous Carolina Bang) in a downward spiral of love and madness that also serves as a historical recount of the last 75 years of Spanish history.
Wonderful, beautiful and tragic!
A magic tale of terror, dark humour and tragedy!! I think that this film is like a mix of Rodrigues, Jarmush and Kusturica... gripping and strong whilst dark, random and ghastly at the same time. Romantic and disgusting in one film. de la Iglesia beautifully makes the whole film look like a circus performance with all characters exaggerated to the point that even Franco looks like a clown. Though I appreciate that this film is probably not for everyone, I think that it's an original and interesting portrayal of, amongst other things, love and war during horrors of Spanish civil war - an interesting contrast to del Toro's "El Labiirinto del Fauno"!
After a beautiful 1st hour, the remaining ¾ hour disappointed completely
I saw this film as part of the "Imagine" film festival 2011 in Amsterdam. It made a promising start with a good exposition of the main characters involved, the setting in which they lived (circus, civil war, etc), and personal motives behind dramatic developments later on. Actors did a great job, pictures well shot, and a perfectly fitting musical score supported the events on screen. I was fully in the mood to watch the remainder of a perfect movie. All necessary ingredients were there.
However, after an hour my appreciation changed 180 degrees. There were too many improbable situations, unrealistic events, and several inconsistencies in the story line. Apart from that, the overload of self inflicted injuries and mutual violence started to annoy me. Equally dramatic developments might have been possible with much less blood. On top of that, the finale disappointed grossly. It was obviously intended to be spectacular, but it completely failed in that respect. I did not expect a happy ending for most of the main characters, but such a massive amount of deaths and severe injuries is uncalled for.
When leaving the theater, I nevertheless gave a "satisfactory" score for the public prize competition, compensating the bad parts in the last ¾ hour with the good parts that made up the first hour. These film makers can do it, apparently, when they avoid their inclination to impress us with spectacular settings and special effects. I certainly hope they will in their next production.
However, after an hour my appreciation changed 180 degrees. There were too many improbable situations, unrealistic events, and several inconsistencies in the story line. Apart from that, the overload of self inflicted injuries and mutual violence started to annoy me. Equally dramatic developments might have been possible with much less blood. On top of that, the finale disappointed grossly. It was obviously intended to be spectacular, but it completely failed in that respect. I did not expect a happy ending for most of the main characters, but such a massive amount of deaths and severe injuries is uncalled for.
When leaving the theater, I nevertheless gave a "satisfactory" score for the public prize competition, compensating the bad parts in the last ¾ hour with the good parts that made up the first hour. These film makers can do it, apparently, when they avoid their inclination to impress us with spectacular settings and special effects. I certainly hope they will in their next production.
Alex de la Iglesia, the Spanish Fellini.
To watch this movie and enjoy it one must suspend all judgment.
It doesn't pretend to show us scenes of everyday living, or the girl next door shopping at the supermarket.
It deals with the same magic world that García Márquez deals with in his exotic novels. Marvellously created world. As thrilling as any Fellini movie. The circus world is the perfect setting for developing this view, between fantasy, nightmares and awful reality.
The pacing is relentless, a thousand things happening during the 120 minutes or so, all of them linked within the main story and showing a whole range of human emotions among the three main characters: The Smiling Clown, The Sad Clown (his sidekick) and the beautiful trapeze girl, the object of jealousy, fury, rancor between the two clowns.
Every scene is visually baroque in essence, since action takes place in the foreground but also in the background, with secondary characters.
There is a full color palette, dazzling as an old kaleidoscope making all sorts of beautiful patterns that change in front of our eyes delighting us continuously.
The acting is superb, from the principal actors to the last extra. The delivery of the lines in Spanish is done at full speed, clean as a whistle and sharp as a cracking whip by all the actors.
The digital effects perfect. Top entertainment from beginning to end. What a SEN-SA-TION-AL movie!!!
It doesn't pretend to show us scenes of everyday living, or the girl next door shopping at the supermarket.
It deals with the same magic world that García Márquez deals with in his exotic novels. Marvellously created world. As thrilling as any Fellini movie. The circus world is the perfect setting for developing this view, between fantasy, nightmares and awful reality.
The pacing is relentless, a thousand things happening during the 120 minutes or so, all of them linked within the main story and showing a whole range of human emotions among the three main characters: The Smiling Clown, The Sad Clown (his sidekick) and the beautiful trapeze girl, the object of jealousy, fury, rancor between the two clowns.
Every scene is visually baroque in essence, since action takes place in the foreground but also in the background, with secondary characters.
There is a full color palette, dazzling as an old kaleidoscope making all sorts of beautiful patterns that change in front of our eyes delighting us continuously.
The acting is superb, from the principal actors to the last extra. The delivery of the lines in Spanish is done at full speed, clean as a whistle and sharp as a cracking whip by all the actors.
The digital effects perfect. Top entertainment from beginning to end. What a SEN-SA-TION-AL movie!!!
What happened to Alex de la Iglesia?
Several years ago I watched "El dia de la bestia". I recall I had fun. Then with "Crimen Ferpecto" I laughed several times. I watched it so many times. Then it was "las brujas..." and I could not believe what I had just witnessed. Then I learned he had done this before - I just watched it. My god! This was a terrible mess. I don't know which one is worse.
I bet Iglesia watched one night that clip of Rafael singing and thought "I should do something with clowns again! But creepy clowns! I need animals around! So I need maybe a circus...or a war? Maybe both! Who cares? BLOOD!!!!"
I can't decide what's worst: the acting or the editing. The kid at the start, Alejandro Tejerias and even the leading lady...they are B.A.D.!
Our director AND writer just needed blood and beautiful photography. If that's all you as audience need, there you go, this is your movie. If you need a good story or simply a story that makes sense, you will be fighting to remain sane.
Things I wrote down while suffering with this: -SPOILERS AHEAD- They are hiding in the shower from the jealous lover inside the trailer, then it's another day, how did they manage to escape? The guy is deformed by the vet...but he has to go outside in a completely different place to see his new face again? When the guy is running from the pig, sometimes we see the animal and sometimes we don't...I guess there was not enough money. How much time has passed? What did the other guy do while the clown was hiding in the woods and the others left the circus? A single guy with a small gun can stop several soldiers - soldiers that, by the way, can't shoot a damn thing! What was the point of having them there? Background noise from their bullets? What does Natalia want? Am I suppose to root for her? If she could run even with clown shoes, why didn't she do it sooner? Everybody is awful! Nobody reacts when a shotgun is near them. The police went inside before him but he finds the couple first?? What was the point of wasting screen time with "Motorista-fantasma"? Why?
I bet Iglesia watched one night that clip of Rafael singing and thought "I should do something with clowns again! But creepy clowns! I need animals around! So I need maybe a circus...or a war? Maybe both! Who cares? BLOOD!!!!"
I can't decide what's worst: the acting or the editing. The kid at the start, Alejandro Tejerias and even the leading lady...they are B.A.D.!
Our director AND writer just needed blood and beautiful photography. If that's all you as audience need, there you go, this is your movie. If you need a good story or simply a story that makes sense, you will be fighting to remain sane.
Things I wrote down while suffering with this: -SPOILERS AHEAD- They are hiding in the shower from the jealous lover inside the trailer, then it's another day, how did they manage to escape? The guy is deformed by the vet...but he has to go outside in a completely different place to see his new face again? When the guy is running from the pig, sometimes we see the animal and sometimes we don't...I guess there was not enough money. How much time has passed? What did the other guy do while the clown was hiding in the woods and the others left the circus? A single guy with a small gun can stop several soldiers - soldiers that, by the way, can't shoot a damn thing! What was the point of having them there? Background noise from their bullets? What does Natalia want? Am I suppose to root for her? If she could run even with clown shoes, why didn't she do it sooner? Everybody is awful! Nobody reacts when a shotgun is near them. The police went inside before him but he finds the couple first?? What was the point of wasting screen time with "Motorista-fantasma"? Why?
Did you know
- TriviaAccording with Álex de la Iglesia, Raphael watched the movie before the public premieres, and he didn't like voice acting of the actor who played him. De la Iglesia offered him to dub himself, and finally is Raphael's voice which is heard in the movie.
- GoofsWhen Andres is arrested, he says "maderos" to the policemen, but this word was not yet used at this time. He shoould have said "grises" (grey) because this is the color of the police uniform - only years later would it become brown. ("Madero" is log or piece of wood, which is why people called policemen "maderos").
- ConnectionsFeatured in Half in the Bag: Robot and The Last Circus (2011)
- SoundtracksTitles
Vocals by Manuel Tallafé
Performed by 'Banda de cornetas de la Fundacion Julian Santos'
2015 Melliam Music
- How long is The Last Circus?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Balada triste de trompeta
- Filming locations
- Barrio El Partidor, Alcoy, Alicante, Comunidad Valenciana, Spain(as Madrid's suburbs, circus exteriors)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €7,000,000 (estimated)
- Gross US & Canada
- $40,548
- Opening weekend US & Canada
- $4,757
- Aug 21, 2011
- Gross worldwide
- $3,604,598
- Runtime
- 1h 47m(107 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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