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The Last Circus

Original title: Balada triste de trompeta
  • 2010
  • R
  • 1h 47m
IMDb RATING
6.5/10
16K
YOUR RATING
The Last Circus (2010)
A twisted love triangle evolves into a ferocious battle between Sad Clown and Happy Clown that escalates to unbelievable heights.
Play trailer2:05
2 Videos
51 Photos
SpanishBody HorrorDark ComedyComedyDramaHorrorWar

A young trapeze artist must decide between her lust for Sergio, the Happy Clown, or her affection for Javier, the Sad Clown, both of whom are deeply disturbed.A young trapeze artist must decide between her lust for Sergio, the Happy Clown, or her affection for Javier, the Sad Clown, both of whom are deeply disturbed.A young trapeze artist must decide between her lust for Sergio, the Happy Clown, or her affection for Javier, the Sad Clown, both of whom are deeply disturbed.

  • Director
    • Álex de la Iglesia
  • Writer
    • Álex de la Iglesia
  • Stars
    • Carlos Areces
    • Antonio de la Torre
    • Carolina Bang
  • See production info at IMDbPro
  • IMDb RATING
    6.5/10
    16K
    YOUR RATING
    • Director
      • Álex de la Iglesia
    • Writer
      • Álex de la Iglesia
    • Stars
      • Carlos Areces
      • Antonio de la Torre
      • Carolina Bang
    • 50User reviews
    • 162Critic reviews
    • 70Metascore
  • See production info at IMDbPro
    • Awards
      • 11 wins & 21 nominations total

    Videos2

    The Last Circus
    Trailer 2:05
    The Last Circus
    The Last Circus: Redband Trailer
    Trailer 2:05
    The Last Circus: Redband Trailer
    The Last Circus: Redband Trailer
    Trailer 2:05
    The Last Circus: Redband Trailer

    Photos51

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    Top Cast51

    Edit
    Carlos Areces
    Carlos Areces
    • Javier
    Antonio de la Torre
    Antonio de la Torre
    • Sergio
    Carolina Bang
    Carolina Bang
    • Natalia
    Manuel Tallafé
    • Ramiro
    Alejandro Tejerías
    • Motorista-fantasma
    • (as Alejandro Tejería)
    Manuel Tejada
    • Jefe de pista
    Enrique Villén
    Enrique Villén
    • Andrés
    Gracia Olayo
    Gracia Olayo
    • Sonsoles
    Sancho Gracia
    Sancho Gracia
    • Coronel Salcedo
    Paco Sagarzazu
    • Anselmo
    Santiago Segura
    Santiago Segura
    • Padre-Payaso tonto
    Fernando Guillén Cuervo
    Fernando Guillén Cuervo
    • Capitán miliciano
    Jorge Clemente
    Jorge Clemente
    • Javier (Joven 1943)
    Fofito
    Fofito
    • Payaso listo
    Sasha Di Bendetto
    • Javier (Niño 1937)
    • (as Sasha Di Bendetto)
    Juan Viadas
    • Franco
    Ángel Acero
    • Locutor…
    David Sánchez Calvo
    • Trapecista
    • Director
      • Álex de la Iglesia
    • Writer
      • Álex de la Iglesia
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews50

    6.515.8K
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    Featured reviews

    9damagelago

    Best film of 2010

    After the really disappointing "Oxford murders", Álex de la Iglesia returns with not only his best film to date, but with one of the best films in the last years. "Balada Triste de Trompeta" is a romantic-over the top-violent melodrama which mixes Tarantino, Hitchcock, Fellini, Todd Browning and of course it also has a lot of previous Álex de la Iglesia films like "Acción Mutante" or "El día de la bestia". Two men, one good and one bad, fighting for the love of a beautiful blonde trapeze artist (the gorgeous Carolina Bang) in a downward spiral of love and madness that also serves as a historical recount of the last 75 years of Spanish history.
    10Russian-Reviewer-Mitya

    Wonderful, beautiful and tragic!

    A magic tale of terror, dark humour and tragedy!! I think that this film is like a mix of Rodrigues, Jarmush and Kusturica... gripping and strong whilst dark, random and ghastly at the same time. Romantic and disgusting in one film. de la Iglesia beautifully makes the whole film look like a circus performance with all characters exaggerated to the point that even Franco looks like a clown. Though I appreciate that this film is probably not for everyone, I think that it's an original and interesting portrayal of, amongst other things, love and war during horrors of Spanish civil war - an interesting contrast to del Toro's "El Labiirinto del Fauno"!
    6JvH48

    After a beautiful 1st hour, the remaining ¾ hour disappointed completely

    I saw this film as part of the "Imagine" film festival 2011 in Amsterdam. It made a promising start with a good exposition of the main characters involved, the setting in which they lived (circus, civil war, etc), and personal motives behind dramatic developments later on. Actors did a great job, pictures well shot, and a perfectly fitting musical score supported the events on screen. I was fully in the mood to watch the remainder of a perfect movie. All necessary ingredients were there.

    However, after an hour my appreciation changed 180 degrees. There were too many improbable situations, unrealistic events, and several inconsistencies in the story line. Apart from that, the overload of self inflicted injuries and mutual violence started to annoy me. Equally dramatic developments might have been possible with much less blood. On top of that, the finale disappointed grossly. It was obviously intended to be spectacular, but it completely failed in that respect. I did not expect a happy ending for most of the main characters, but such a massive amount of deaths and severe injuries is uncalled for.

    When leaving the theater, I nevertheless gave a "satisfactory" score for the public prize competition, compensating the bad parts in the last ¾ hour with the good parts that made up the first hour. These film makers can do it, apparently, when they avoid their inclination to impress us with spectacular settings and special effects. I certainly hope they will in their next production.
    8davidtraversa-1

    Alex de la Iglesia, the Spanish Fellini.

    To watch this movie and enjoy it one must suspend all judgment.

    It doesn't pretend to show us scenes of everyday living, or the girl next door shopping at the supermarket.

    It deals with the same magic world that García Márquez deals with in his exotic novels. Marvellously created world. As thrilling as any Fellini movie. The circus world is the perfect setting for developing this view, between fantasy, nightmares and awful reality.

    The pacing is relentless, a thousand things happening during the 120 minutes or so, all of them linked within the main story and showing a whole range of human emotions among the three main characters: The Smiling Clown, The Sad Clown (his sidekick) and the beautiful trapeze girl, the object of jealousy, fury, rancor between the two clowns.

    Every scene is visually baroque in essence, since action takes place in the foreground but also in the background, with secondary characters.

    There is a full color palette, dazzling as an old kaleidoscope making all sorts of beautiful patterns that change in front of our eyes delighting us continuously.

    The acting is superb, from the principal actors to the last extra. The delivery of the lines in Spanish is done at full speed, clean as a whistle and sharp as a cracking whip by all the actors.

    The digital effects perfect. Top entertainment from beginning to end. What a SEN-SA-TION-AL movie!!!
    ciffou

    What happened to Alex de la Iglesia?

    Several years ago I watched "El dia de la bestia". I recall I had fun. Then with "Crimen Ferpecto" I laughed several times. I watched it so many times. Then it was "las brujas..." and I could not believe what I had just witnessed. Then I learned he had done this before - I just watched it. My god! This was a terrible mess. I don't know which one is worse.

    I bet Iglesia watched one night that clip of Rafael singing and thought "I should do something with clowns again! But creepy clowns! I need animals around! So I need maybe a circus...or a war? Maybe both! Who cares? BLOOD!!!!"

    I can't decide what's worst: the acting or the editing. The kid at the start, Alejandro Tejerias and even the leading lady...they are B.A.D.!

    Our director AND writer just needed blood and beautiful photography. If that's all you as audience need, there you go, this is your movie. If you need a good story or simply a story that makes sense, you will be fighting to remain sane.

    Things I wrote down while suffering with this: -SPOILERS AHEAD- They are hiding in the shower from the jealous lover inside the trailer, then it's another day, how did they manage to escape? The guy is deformed by the vet...but he has to go outside in a completely different place to see his new face again? When the guy is running from the pig, sometimes we see the animal and sometimes we don't...I guess there was not enough money. How much time has passed? What did the other guy do while the clown was hiding in the woods and the others left the circus? A single guy with a small gun can stop several soldiers - soldiers that, by the way, can't shoot a damn thing! What was the point of having them there? Background noise from their bullets? What does Natalia want? Am I suppose to root for her? If she could run even with clown shoes, why didn't she do it sooner? Everybody is awful! Nobody reacts when a shotgun is near them. The police went inside before him but he finds the couple first?? What was the point of wasting screen time with "Motorista-fantasma"? Why?

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    Related interests

    Ana Torrent in The Spirit of the Beehive (1973)
    Spanish
    Jeff Goldblum in The Fly (1986)
    Body Horror
    Phoebe Waller-Bridge and Sian Clifford in Fleabag (2016)
    Dark Comedy
    Will Ferrell in Anchorman: The Legend of Ron Burgundy (2004)
    Comedy
    Naomie Harris, Mahershala Ali, Janelle Monáe, André Holland, Herman Caheej McGloun, Edson Jean, Alex R. Hibbert, and Tanisha Cidel in Moonlight (2016)
    Drama
    Mia Farrow in Rosemary's Baby (1968)
    Horror
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    War

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      According with Álex de la Iglesia, Raphael watched the movie before the public premieres, and he didn't like voice acting of the actor who played him. De la Iglesia offered him to dub himself, and finally is Raphael's voice which is heard in the movie.
    • Goofs
      When Andres is arrested, he says "maderos" to the policemen, but this word was not yet used at this time. He shoould have said "grises" (grey) because this is the color of the police uniform - only years later would it become brown. ("Madero" is log or piece of wood, which is why people called policemen "maderos").
    • Connections
      Featured in Half in the Bag: Robot and The Last Circus (2011)
    • Soundtracks
      Titles
      Vocals by Manuel Tallafé

      Performed by 'Banda de cornetas de la Fundacion Julian Santos'

      2015 Melliam Music

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    FAQ19

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    Details

    Edit
    • Release date
      • December 17, 2010 (Spain)
    • Countries of origin
      • Spain
      • France
      • Italy
      • Belgium
    • Official sites
      • Official Blog (Spain)
      • Official Facebook
    • Language
      • Spanish
    • Also known as
      • Balada triste de trompeta
    • Filming locations
      • Barrio El Partidor, Alcoy, Alicante, Comunidad Valenciana, Spain(as Madrid's suburbs, circus exteriors)
    • Production companies
      • Tornasol Films
      • La Fabrique 2
      • uFilm
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • €7,000,000 (estimated)
    • Gross US & Canada
      • $40,548
    • Opening weekend US & Canada
      • $4,757
      • Aug 21, 2011
    • Gross worldwide
      • $3,604,598
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 47m(107 min)
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 2.35 : 1

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