The Doctor and Amy emerge from the TARDIS to find the wreck of the Byzantium spaceship. Down below the Weeping Angels are stirring, but the Doctor has someone else to contend with; none othe... Read allThe Doctor and Amy emerge from the TARDIS to find the wreck of the Byzantium spaceship. Down below the Weeping Angels are stirring, but the Doctor has someone else to contend with; none other than the mysterious Professor River Song.The Doctor and Amy emerge from the TARDIS to find the wreck of the Byzantium spaceship. Down below the Weeping Angels are stirring, but the Doctor has someone else to contend with; none other than the mysterious Professor River Song.
- Weeping Angel
- (uncredited)
- Weeping Angel
- (uncredited)
- Spaceship Guard
- (uncredited)
- Pedro
- (uncredited)
- Weeping Angel
- (uncredited)
- Philip
- (uncredited)
Featured reviews
The performers also come into their own in this one. Matt Smith can speak technobabble as fast a hockey commentator and Alex Kingston is utterly convincing as the still-mysterious River Song. Even the non-regulars get to shine, with Iain Glenn as a bishop in the Church militant and David Atkins as one of his khakied clerics.
Moffat has been the strongest writer of DOCTOR WHO since its revival, and this is one of the best episodes ever. It isn't one I'd recommend for a first-time viewer, but for the dedicated fan, it is wonderful.
The highlight of this episode, I can't decide; whether it's the Doctor himself, the perfectly cast River Song (played by Alex Kingston), or the Weeping Angels. The Doctor becomes far less bumbling in this episode, and transforms into a much more self-confident, trustworthy character. River also makes a welcome return, bringing to light a chemistry between herself and the Doctor which, for lack of a better word, is brilliant. Like an old married couple, and it's a joy to behold when the Doctor meets his match. River is just as intelligent and as accomplished as himself.
The Weeping Angels, on the other hand, are the opposite. In their debut episode, Blink, they were by far the most frightening creatures in the entire history of Doctor Who. Now, although I was doubtful of it actually being possible, they've become much worse. They gain additional abilities and tricks up their sleeves which make them the ideal villain for a darker-toned episode like this.
On a final note, the production values in this episode are far better, thereby making it a well-conceived episode in a technical light, also.
I seriously recommend this to anybody who's ever taken a shine to Doctor Who, or science fiction in general. This episode is an absolute gem.
The video effects of the Weeping Angel looks so good, very iconic. Amy's staring at the Angel is so creepy.
Big story, big effects, big everything, it's just brilliant. Nice to finally have a follow up to Blink. After the atrocious Victory of the Daleks, this has been a huge return to form, I honestly cannot highlight a fault. A humdinger of a cliffhanger too, could not wait for the conclusion.
After last weeks VERY disappointing Dalek episode on seeing the Weeping Angels were back i immediately got my hopes up for this episode. I wasn't disappointed.
I don't care if people call me a wuss, but i found the Angels extremely sinister and without spoiling it, the one scene with Amy and the Angel made the hairs on the back of my neck stand up.
Let's hope this has raised the bar now and the new series continues to be on a par with this.
Matt Smith and Karen Gillan are doing a great job in their roles, the chemistry between them is great.
Blink was an amazing piece of television, a premise for this. No more Star Wars rip offs like previous weeks, this was far more original.
Each character had their part and each truly shone. Reminds you what Doctor Who is about and why it sets the standard for any other sci-fi show in the world.
Thankfully, unlike the previous two episodes, there is no awful plot to distract you from appreciating the episode. We have a repeat of the quirky, amusing Amy Pond (in contrast to the previous two episodes), who really is a incredible character, and an episode where Matt Smith is really able to show his true colours.
There are some genuine scares rather than the comical attempts at them that we have become used to, and the episode moves at a much better pace thanks to being a two-parter.
I started watching this episode being very pessimistic about how good it would be thanks to the previous two, but I am glad to say that I really enjoyed it. In fact, despite an element of predictability (though only slight), it really was fantastic.
For those of you, like me, who hated the previous few episodes, you will find yourself pleasantly surprised.
Did you know
- TriviaMatt Smith literally bit Karen Gillan's hand on several takes to provoke a proper reaction.
- GoofsWhen the TARDIS materializes to catch River Song, the earlier Davies-era model is used by mistake. It can be distinguished by the missing St John's Ambulance logo, the lack of white window frames and the slightly different color scheme.
- Quotes
The Doctor: Oh, big, big mistake, really huge. Didn't anyone ever tell you there's one thing you never put in a trap, if you're smart, if you value your continued existence, if you have any plans about seeing tomorrow, there's one thing you never, ever put in a trap.
Bob: And what would that be, sir?
The Doctor: Me.
- ConnectionsFeatured in Doctor Who Confidential: Eyes Wide Open (2010)
- SoundtracksDoctor Who Theme
(uncredited)
Written by Ron Grainer
Arranged by Murray Gold
Performed by BBC National Orchestra of Wales
Details
- Release date
- Country of origin
- Official sites
- Language
- Filming locations
- Clearwell Caves, Coleford, Forest of Dean, Gloucestershire, England, UK(Maze of the Dead)
- Production company
- See more company credits at IMDbPro
- Runtime
- 42m
- Color
- Sound mix
- Aspect ratio
- 16:9 HD