Of Gods and Men

At the strong recommendation of the panel of 'Le Masque et La Plume' I went to see this film.

I was struck by, as others have said here, the fraternity that existed between the priests. I thought the most interesting aspect of the film was the relationship between the priests. At times you can feel the tension because of the strong decision they had to make. Also it being 7-8 men living together it was interesting to see the different personalities in a group environment; you have the natural leader, the introverted, the brave, the scared etc.etc.

I imagine like most people who've seen this film the performance by Wilson Lambert was very touching. He was totally believable as the cloister's leader.

Unfortunately the church is undergoing a very hard time in regards mostly to child abuse, it's nice to have a reminder of the positive aspects. I myself went to a catholic school with some Brothers and a monastery on campus. I have a very positive image.

Particular favourite scenes are when they prepare and sell the honey at market and of course when they listen to Swan Lake and enjoy a glass of wine.

¨Des Hommes et Des Dieux¨is a magnificent religious picture about faith and sacrifice . Under threat by Islamic terrorists, a group (Laudembach , Rabourdin , Herlin, Pichon , Maly) of Trappist priests ( led by Lambert Wilson) stationed with an impoverished Algerian society must decide whether to leave or stay .French priests are living, working and praying in a catholic monastery in Algeria in the 90s during civil war and while help by various means to Algerian people , as the doctor monk (Michael Londsdale) heals ills , and other teaches and writting letters for the illiterate people . It starts showing how the Islamic locals and the Christian community coexist in harmony. The situation with the Algerian Fundamentalist-terrorists turns worse . They are very much appreciated by the local Arab population, but very much in danger . This becomes clear after some Croation workers are cruelly murdered by the guerrilla-forces. At some point they are threatened and unwanted by both guerrilla-fighters , the government and Military ,their presence results to less and less sure and obvious . In the end they are all can be kidnapped by the terrorists to swap them for their own prisoners in France or hidden or getting freedom to God.

This spiritual film is full of good feeling , stern life , touching sacrifice , and enjoyable relationship among monks . It describes their simple and austere existence only threatened by Islamism and intolerance , but they will have to decide whether to stay or go back to France . Tension and drama enhances when intense confrontations take place with each other, the terrorists and the locals, they all decide to stay. Sensational performances from main cast as Lambert Wilson and Michael Lonsdale along with the remaining monks as Rabourdin , Laudenbach ,and Pichon . Special mention for Jacques Herlin as a likable old priest , Herlin is a veteran secondary actor continuously working from the 60s . Sensitive and religious music score based in Gregorian songs . Very good and extraordinary cinematography filmed on location in Tioumliline Monastery, Azrou, Morocco . This powerful picture was stunningly directed by Xavier Beaouvous , a good actor , writer and director . Rating : Better than average ; well worth watching , because being plenty of luminous sensibility , brotherhood , love , holy feeling, faith and martyrdom.

In 1996, in Algeria, eight French monks of The Monastery Notre-Dame de l'Atlas of Tibhirine have a simple life serving the poor community that was raised around the monastery. During the Algerian Civil War, they are threatened by terrorist but they decide to stay in the country and not return to France.

One night, the extremists break in the monastery and abduct seven monks. A couple of months later, they are found dead in controversial circumstances.

"Des hommes et des dieux" is a film based on a true story and supported by top-notch performances. The official and non-official versions of the death of the Tibhirine priests can be found in Internet. My vote is seven.

Title (Brazil): "Homens e Deuses" ("Men and Gods")

The other day I watched the film Compliance, which tells a true story in the form of a drama. I didn't find much in the film and wondered why it added nothing to the events other than showing them. I mention this because the opposite is true with Of Gods and Men. Here we have a true story told but done in a way that adds to the characters, engages the viewer and has room for thought. The priests of the story struggle with whether or not to leave their monastery in Algeria once it becomes very dangerous due to the actions of fundamentalists in the region. This is the majority of the film in a nutshell and as such it is perhaps not a film that could stand a mass audience.

I don't say this in a condescending way, but just that the film is probably too slow for the casual viewer – not that others "won't get it" or any such nonsense as that. I liked the film but even for me there were times where it lingered too long or spent too long showing us certain aspects of life in the monastery. It did feel longer than 2 hours and I think this is mostly down to the fact that the whole film has a very slow pace and very gentle delivery. The upside of this is that it does have more emotional impact as a result – because the characters are clearer, we understand their minds and I enjoyed that I was able to see their struggle and also understand the reasons for their decisions because I had seen the role they played.

The film matches the slow pace with some beautiful shots; visually it is a very still film and it does feel at times that it is like a great painting, with the use of light and atmosphere. The performances are where the film delivers best though. Everyone is strong and seems to have understood their characters very well because they are convincing and engaging. The ballet music meal towards the end of the film is the best example but there are plenty of equally strong and expressive moments throughout.

It is a slow film and even though I liked it, I did still struggle with the glacial pace at times. It rewards and satisfies at the same time, but a few times you do need to stick with it while it unfolds slowly.

This film appealed to me in several ways. I liked the direct, intimate approach in the way it was filmed. It was very refreshing to see hymns used as a big part of the soundtrack, very different as to what you usually hear :)

In the cinema where i was watching the film, the average age must have been a lot higher than usual, and a few seats away, someone was even quietly singing along with some of the hymns, very bizarre feeling in a cinema!!

I liked the fact that they treated the subject of faith and the possibility of coexistence of Christianity and Islam, as well as the differences, in a very simple, every-day-life-way.

What was new to me was the visualization of fraternity. This aspect was a big thing throughout the whole movie. It is one of the things i least understood about priests and monks until now. It was amazing to see this feeling i have never personally experienced come alive on the screen and sort of being able to feel it myself.

I also liked that they used 'real' people and not pretty Hollywood types, but i suppose that is normal in a production like this.

I liked that a lot was left unspoken, unexplained and open for various interpretations.

The scenes i liked best was the one where: *the abbot was at a lake to find inspiration for his tough decision. *the 'last supper' with the close-ups of the monks' faces and the ballet music *the terrorist and the abbot talk about the birth of Jesus *the ending (usually i don't like abrupt and vague endings like these, but in this film it was bearable and befitting, because in real life it is also still unknown what exactly has happened).