The Last Sentence

Borrowed from a library, this movie was first watched by a friend. Because I had picked the movie because of its theme, I was, hence, tentative. The friend found the movie long and made too complicated with its English subtitles and 'ghosts'. However, this is a friend who cannot sit and watch a movie... has to get up and 'do other things' in 'the boring sections'. Does not work with subtitles.

So, I began to watch it with some apprehension. Which swiftly disappeared. Perhaps because I am an activist/dissident in Canada (and I use such movies to ask myself and others, what makes us so naive about our failed democracies when we have stories like this in our history?), it was the subtitles of the dialogue that struck so true. And, being male, (my friend is female) I could relate with the man's inner turmoil. Making the ghosts of three important women in the main character's life becomes an effective tool for exposing this man's conscience. It is also good to follow up the movie with the extras provided with the DVD.

This is a movie I would buy for my collection of 'movies for reflection' on human behaviour that becomes sad ignorance of situations like this... where governments push down the truth. Sweden might use the excuse that they had to do what they had to do to suppress this man and his defence of freedom of speech. This movie simply emphasizes that we have no excuse.

I loved this movie.

I couldn't disagree more with the two previous reviewers. I almost wondered whether they had been watching the same film. The pace of Troell's film allows you time to reflect as the story develops.

No, it's not Raiders of the Lost Ark nor is it in colour, but it is a thoughtful, beautifully made film which stays in your mind long after you have left the cinema.

And I'm not alone in rating this film. Most of the other reviews have praised the quality of the script, the camera-work and the way Troell manages to get such amazing performances from his actors.

In my opinion, a must-see.

Jesper Christensen with his Danish accent isn't very credible in his role as the Swedish newspaperman Torgny Segerstedt, famous for his uncompromising anti-Nazi stance. And could Jan Troell be any more boring director? Instead of making a movie about a man who stould up for liberty and against nazism to a great cost for himself, the director Troell just zeros in on his personal life and mistresses.

I quite loved the movie in terms of cinematography - although rather slow at times. However I couldn't say I liked the character of Segerstedt, who appeared to me as a most spoilt, selfish and inconsiderate man. I don't even find him 'heroic' in the slightest: how much courage does it take to oppose and attack a foreign regime from another country? The list of Anglo Americans who went to fight (and lost their lives) in Spain in an attempt to oppose the establishment of Franco's regime is long. Those are heroes, not the verbally incontinent Segerstedt.

Personal courage becomes a scarce commodity when the times get tough. And there weren't times much tougher than 1930's and the rise of Nazism. Europe stood paralyzed in an unlikely marriage of fear and denial. Veteran director Jan Troell tells a story of a public figure that bravely attacked Nazis in his newspaper column. Torgny Segerstedt was revered and much suspected. His principals made the others look corrupt and petty. And they were, but that is beside the point, because nobody has more concern about appearances than the immoral and tainted. The interesting quirk of this brilliant movie is that Torgny himself was a deeply flawed human being, in turns neglectful and cruel to his wife and kids. Somehow this man with such strong sense of morals, cared about the humanity in general, but alas, not for individuals. Well, that might be understandable. The messiness of humanity would try the patience off all saints combined. Our times prove that beyond any doubt.