June 17th, 1994
- Episode aired Jun 16, 2010
- TV-G
- 53m
Documents on how the events on the day OJ Simpson was pursued and arrested on charges of murdering his ex wife and her boyfriend overshadowed and took precedence over other sporting events f... Read allDocuments on how the events on the day OJ Simpson was pursued and arrested on charges of murdering his ex wife and her boyfriend overshadowed and took precedence over other sporting events from around the country by the media. No additional footage or voiceover was shot and the e... Read allDocuments on how the events on the day OJ Simpson was pursued and arrested on charges of murdering his ex wife and her boyfriend overshadowed and took precedence over other sporting events from around the country by the media. No additional footage or voiceover was shot and the entire documentary is encapsulated in sound bites from various feeds on the day.
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So we flit between all these events, from one coast to the other. We flit from festive crowds at the Rangers parade in New York, to crowds of reporters gathered outside the LA courthouse waiting for Simpson to give himself up. It's comprised entirely of TV footage from that day, no narration other than from TV. There's palpable excitement in the air, a sense of event.
Nevermind that it's financed by ESPN, this is eyeopening work. Simple if you peruse as just a documentary. But if you peruse it as a wandering montage, all about entirely visual flows churned out by life and picked up by the eye to splice together a larger world?
See, crowds gather up in bridges where OJ's car is going to pass by, followed by a dozen police cars. What do they see in those few fleeting seconds? A car has just come and gone, zipped by before you know. Others are waiting for hours outside his house in the hundreds, again seeing nothing much, maybe a house a few hundred feet that way.
More than just about obsession with spectacle, the same hysteric culture that would soon be gobbling up reality TV, I see this as about people coming together to be part of something larger that rends the air with anticipation. People want to partake. How descriptive then, transcendent almost, to see TV footage of Simpson's aerial chase bleeding on-air from one channel to the other, the airwaves blurring and coalescing, because there were so many cameras transmitting close by?
And all this as memory that hovers over these events from the distance of time. I was at a beach-house on the other side of the world with my grandfather that day watching the World Cup, my first ever. None of the other things reached us. I'm sure people watching at home would be doing so with some of the same anxiously fascinated sense as people below. Looking back now? Fondness at recalling, probably. Life has that completely marvelous quality, it unravels, then works itself out.
So when it all aligns, it lights up this world which would never take the shape it does without people clamoring to watch. Watch this as if it was a Soviet 'city symphony' from the silent era.
And then came O.J., with his arrest warrant and his Bronco being driven by Al Cowling, and assisting whether he knew it or not in the birth of a kind of perverse media-obsessed culture that watches Court TV, Reality TV, whatever-TV that has celebrities in bad (bleep). What I took away from it, from Morgen and his masterful editor, is that the sports figures throughout this day are deified by the media, and indeed at one time O.J. made commercials with Arnold Palmer. They're just people, but they become more in the public consciousness, brought to you by TV. If Marshall MacLughan were alive Morgen's work would be the kind to make him weep in between being thought provoked.
It's a tale of media and sports, and of a kind of circus that overtook the media in-between changing channels (which, cleverly, is used at one point as an editing trick based upon certain news stations in LA getting cross-interference from all of the helicopters in pursuit). For those who were alive then and remember the day (I was a youth but knew very well about the Rangers win and was reminded that guy in the Naked Gun movies wasn't all he seemed), it's a shot from the past, like the best Youtube video you've never seen, without a talking head from today but feeling present as ever. And for those seeing this blast from the immediate past for the first time, I imagine it would be sobering: not only have we not changed much, we've probably gotten more obsessed with Celebrity culture over actual achievements in Sports.
What made it so engrossing was the intensity of the real time reactions. The addition of OJ talking to the psychologist gave us an insight to what was happening in the troubled mind of a man we all loved. The film picked the right kind of music, ramped up and slowed down the pace when needed, and even gave moments of clarity over the absurdity over the situation. You would never realize how incredible that day truly was until you watched this film.
Did you know
- TriviaThe Major League Baseball season ended on August 11, 1994 due to a player strike; Ken Griffey Jr. hit a total of 40 home runs during that season.
- GoofsWhen a news anchor states that the district attorney's office has filed murders on OJ Simpson for the murders of Nicole Brown Simpson and her friend Ronald Coleman, his name was Ronald Goldman, not Coleman.
- Quotes
Tom Brokaw: Bob, we are witnessing tonight a modern tragedy and drama of Shakespearean proportion being played out live on television and you can probably believe this in our modern popular television culture- people are going to the freeway, parking their cars and waving at O.J., we're told, as they drive by.
- Alternate versionsScenes with OJ playing running back for the Buffalo Bills & San Francisco 49ers were replaced with him at USC on the video-on-demand version
- ConnectionsFeatured in O.J.: Made in America (2016)
- SoundtracksHeaven
Words and Music by David Byrne and Jerry Harrison
Performed by Talking Heads
Courtesy of Sire Records
Details
- Runtime
- 53m
