Sunlight Jr.

Sometimes a movie is just to darn glum for its own good, an example that could be tailor made for Sherrybaby director Laurie Collyer's raw and in the end mediocre 2013 effort Sunlight Jr. The movie is a fine showcase for the well known talents of Naomi Watts and the arguable lesser recognized talents of Matt Dillon and also a warning bell that Norman Reedus needs to find himself a new agent faster than he can say "typecast".

The story of Sunlight Jr. is really bare bones stuff with Collyer seemingly more worried about what depressing thing will happen to these people next rather than creating something that really affects the viewer. Many scenarios in the picture could hit home whether it be substance abuse, relationships, domestic violence or a raft of other tough issues but the film doesn't seem to know what it's saying and the arc struggles for it. We don't really get why a kind person like Melissa loves an obvious drunk like Richie or why she would care for a redneck drug dealing fiend in the form of Justin and it makes her decisions through the journey harder to latch onto which is a shame as Watts again delivers here.

Creating a fine name for herself over many years now Watts must of taken a significant pay cut to appear in such a picture as this and it's commendable that she would tackle a smaller scale picture that would only seem to exist to win awards for it's actors. Melissa is a fine piece of acting by Watts that is somewhat matched by Dillon while poor old Reedus must be wondering if he will ever get a non Daryl role now. Justin is such an overblown and overplayed part by Reedus that the films believability suffers for it and it's a shame he was allowed to go so OTT, same could also be said for the films atrocious guitar tinged soundtrack.

Without another fine turn from Watts this film would of been a real lost cause but thanks to her it remains watchable but highly forgettable. If a film wants to be glum it needs to overcome this with high quality elements and everything else here around Watts just isn't up to scratch leaving the viewer with not much to care for and not much reason to suggest to anyone that this trip into sorrow is worth enduring.

2 packs of donuts out of 5

It's hard to really distinguish the very good indie flicks from the not-so-very-good ones, and that's because not many people see many of them, not many notices, not many reviews out there for others to see and make a judgment as to if they want to watch a certain flick because of reviews (or not). In that case, this film isn't bad, but I may not totally recommend it either. The performances are solid but nothing extraordinary, certainly not acting that would stand as some of the best of the year. Watts has done this certain thing before and better, and she has some iffy moments here. Matt Dillon may actually be stronger and more consistent, but yeah, not much stretch as an actor the role called for. It's not really "bad" though.

"We got a plan and we're taking care of our business, but it's been stressful." Melissa (Watts) is a convenience store clerk who lives in a motel with her paraplegic boyfriend Richie (Dillon). She hates her job and Richie is struggling with his troubles trying to take care of her. When Melissa finds out she is pregnant what starts out as extreme happiness begins to change. The troubles at her job and the motel begin to wear on them. This is a perfect example of a movie that is just OK but when you add great actors to them it makes it much better then it could have been. This is just another "how much worse can things get" type movie but because of Watts and Dillon you truly care about the characters and root for them against all odds. You feel for the struggles they go through and as the movie goes on you feel as beaten down as they do. This is not a happy movie at all but it does feel very real and that is the sign of a good movie, it makes you feel things emotionally. Overall, a movie that is worth seeing but very depressing and you feel like you have been emotionally beaten at the end of it, much like you feel after watching Precious. I give this a B.

Given the mixed reviews, I opted to watch this film to determine if it was worth it for myself. In short, it was a decent film (not outstanding but not tough to get through) however, it was slow moving. The complexity was lacking but then again, this was intentional to show the true nature of the life of poverty being portrayed. The chemistry between Naomi and Matt was pretty good and the story completely believable. You can't helped but be depressed the entire movie given there is really nothing positive that happens. If you are looking for a stimulating and dynamic movie to watch, do not opt for this one as you will become frustrated. This is a movie for someone interested in observing the reality of poverty of a young couple and the struggles they go through. Take it for what it is!

6.25 of 10. A film that needs to be watched in its entirety to truly appreciate. A complex story set in the South, Florida in particular, with the type of people once viewed as trailer trash rednecks.

It starts out as a handicap man's fantasy, then starts to shift, with hints along the way that things aren't as nice as they look. It's not the happy world of Coke and donuts for breakfast and dinner, the peanut butter might not be fresh, and the adopted parents may not be in it for the sake of loving children.

It's things like the product placement in the film that require the complete story of the film to be put in proper perspective. The film would have benefited from a bit more context, but is definitely worth seeing.