The defiant leader Moses rises up against Egyptian Pharaoh Ramses II, setting six hundred thousand slaves on a monumental journey of escape from Egypt and its terrifying cycle of deadly plag... Read allThe defiant leader Moses rises up against Egyptian Pharaoh Ramses II, setting six hundred thousand slaves on a monumental journey of escape from Egypt and its terrifying cycle of deadly plagues.The defiant leader Moses rises up against Egyptian Pharaoh Ramses II, setting six hundred thousand slaves on a monumental journey of escape from Egypt and its terrifying cycle of deadly plagues.
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This film tackles a story that had already been tackled very well in previous films. The most famous of them all is the epic "The Ten Commandments" with Charlton Heston as the definitive Moses. Other filmmakers have tried to replicate this Moses story with different actors or even in animation, but the 1956 classic remains secure in its place.
This year, yet another attempt is made by director Ridley Scott with big star Christian Bale as Moses, a combination is too promising to ignore. So despite the lukewarm to negative early reviews, I wanted to see and judge this film for myself.
We all know the story of Moses from the book of Exodus. He was a Hebrew who grew up in the Egyptian palace side by side with Pharaoh's own son Ramses. When Moses' real origin was revealed, he was exiled. There in the wilderness, he obeys God's orders by way of the burning bush to return to Egypt to ask the new Pharaoh to set the Hebrews free from slavery. Only after God sent ten dreadful plagues did Ramses relent. Moses led the Hebrews across the Red Sea and into the Promised Land of milk and honey.
This film is basically faithful with the biblical story, with the advantage of higher technology in special visual effects to create grander vistas and more realistic plagues. It tried to inject some scientific logic into the supernatural events, particularly the Red Sea crossing. However, the explanation for the turning of water into blood was quite a stretch. Moses did not have a staff that turned into a snake nor part the Red Sea. The Angel of Death scenes were presented curiously just like the way it was done on "The Ten Commandments"!
The lackluster portrayal by the actors added to the coldness of the film. I don't know if Christian Bale did not make a very good Moses. He felt like he was going through the motions here, no passion whatsoever. Joel Edgerton was totally wrong as Ramses. He looked ill at ease the whole film, and it was obvious from the posters alone! The presence of Ben Kingsley, Sigourney Weaver and Aaron Paul in cast were wasted in small unremarkable roles.
Some people may expect this to be a religious film. However, the whole film felt soul-less, and this made the long 150-minute running time seem so unbearably slow. The very way God was portrayed did not sit very well with me. God in this film was personified as an imperious young boy who was projected to be mercilessly violent and vindictive. There was no hint of compassion nor magnanimity here. Moses was even arguing against God. The film felt like it had an anti-God undertone, even atheistic, which was uncomfortable for me. This is yet another disappointing Biblical film debacle this year, though I would not consider as bad as the total disaster that was "Noah". 4/10.
This year, yet another attempt is made by director Ridley Scott with big star Christian Bale as Moses, a combination is too promising to ignore. So despite the lukewarm to negative early reviews, I wanted to see and judge this film for myself.
We all know the story of Moses from the book of Exodus. He was a Hebrew who grew up in the Egyptian palace side by side with Pharaoh's own son Ramses. When Moses' real origin was revealed, he was exiled. There in the wilderness, he obeys God's orders by way of the burning bush to return to Egypt to ask the new Pharaoh to set the Hebrews free from slavery. Only after God sent ten dreadful plagues did Ramses relent. Moses led the Hebrews across the Red Sea and into the Promised Land of milk and honey.
This film is basically faithful with the biblical story, with the advantage of higher technology in special visual effects to create grander vistas and more realistic plagues. It tried to inject some scientific logic into the supernatural events, particularly the Red Sea crossing. However, the explanation for the turning of water into blood was quite a stretch. Moses did not have a staff that turned into a snake nor part the Red Sea. The Angel of Death scenes were presented curiously just like the way it was done on "The Ten Commandments"!
The lackluster portrayal by the actors added to the coldness of the film. I don't know if Christian Bale did not make a very good Moses. He felt like he was going through the motions here, no passion whatsoever. Joel Edgerton was totally wrong as Ramses. He looked ill at ease the whole film, and it was obvious from the posters alone! The presence of Ben Kingsley, Sigourney Weaver and Aaron Paul in cast were wasted in small unremarkable roles.
Some people may expect this to be a religious film. However, the whole film felt soul-less, and this made the long 150-minute running time seem so unbearably slow. The very way God was portrayed did not sit very well with me. God in this film was personified as an imperious young boy who was projected to be mercilessly violent and vindictive. There was no hint of compassion nor magnanimity here. Moses was even arguing against God. The film felt like it had an anti-God undertone, even atheistic, which was uncomfortable for me. This is yet another disappointing Biblical film debacle this year, though I would not consider as bad as the total disaster that was "Noah". 4/10.
Let me say immediately. Visually, technically, this film is a wonder and for that alone it deserves to be seen but then. Oh brother. Christian Bale, one of my favorites among the post-De Niro crop, is cast as Moses, you know? Moses - the man chosen by God for his humbleness. Christian's Moses blazes with self confidence. The Godly horrors known as plagues are a cinematic jaw dropping experience but when it returns to the actual drama. Oh brother. How can it possibly be? When the great Ridley Scott made his Robin Hood (did you see it?)his star Russell Crowe went to a talk show to promote the movie and called the Erroll Flynn version, "crap" - You see? I think that's at the center of the problem.
I have never written a review in IMDb. This is my first time. Why? Because the movie hasn't been released in USA yet, and I just watched in India. Seeing just 5 reviews, I wanted to give mine too.
What's up with Hollywood? Other than spectacular visuals and 3-D, they don't seem to care enough about anything else. In Exodus, by the famed director Ridley Scott, he surpassed many elements in visual effects. I have never ever seen so detailed visuals of ancient buildings, slums of slaves, and huge ocean waves and what not. 3-D adds a lot of pleasure in viewing such effects.
That's it! There is nothing more that I could appreciate. It feels very empty. No emotions at all. Acting by Christian Bale is quite alright, but it is nothing special. Some scenes are memorable. But the lack of good writing, script, and no contribution from other actors diminish the effect of Bale as well. It is hard to imagine the same guy directed Gladiator (I haven't seen Aliens and blade runner). But there is everything missing in Exodus that made Gladiator a hit.
At many places, it is boring, even if the cinematography and visual effects are great. In the beginning, you would feel as if Ridley took you to the ancient Egyptian world, just because of the small details shown in the effects. However, any interest or so will end in next 10 minutes or so, when the story starts lacking.
So, my question remains. What's up with Hollywood? Is this much technology and huge funding to such directors destroying the creativity. Why no body cares about character building and good script? At one level, it feels extremely sad that with this budget and this talent in technology, even a slight efforts and honesty towards script, story, and dialogue can take such movies to a masterpiece level. But...no! "We are going to earn a lot of money. You are going to enjoy watching the magnificent sequence of millions of frog jumping in ancient buildings. Call it even?" Really?
What's up with Hollywood? Other than spectacular visuals and 3-D, they don't seem to care enough about anything else. In Exodus, by the famed director Ridley Scott, he surpassed many elements in visual effects. I have never ever seen so detailed visuals of ancient buildings, slums of slaves, and huge ocean waves and what not. 3-D adds a lot of pleasure in viewing such effects.
That's it! There is nothing more that I could appreciate. It feels very empty. No emotions at all. Acting by Christian Bale is quite alright, but it is nothing special. Some scenes are memorable. But the lack of good writing, script, and no contribution from other actors diminish the effect of Bale as well. It is hard to imagine the same guy directed Gladiator (I haven't seen Aliens and blade runner). But there is everything missing in Exodus that made Gladiator a hit.
At many places, it is boring, even if the cinematography and visual effects are great. In the beginning, you would feel as if Ridley took you to the ancient Egyptian world, just because of the small details shown in the effects. However, any interest or so will end in next 10 minutes or so, when the story starts lacking.
So, my question remains. What's up with Hollywood? Is this much technology and huge funding to such directors destroying the creativity. Why no body cares about character building and good script? At one level, it feels extremely sad that with this budget and this talent in technology, even a slight efforts and honesty towards script, story, and dialogue can take such movies to a masterpiece level. But...no! "We are going to earn a lot of money. You are going to enjoy watching the magnificent sequence of millions of frog jumping in ancient buildings. Call it even?" Really?
It has become somewhat fashionable to dismiss Cecil B. DeMille's The Ten Commandments because of the arcane Victorian era dialog. But I have to say that Ridley Scott's version of Exodus while technically proficient will never become the Passover viewing treat that DeMille's film has become.
Cousins Moses and Ramses are friends and rivals for the affections of the Pharoah who is Ramses dad. But when it is discovered that Moses is actually the son of Hebrew slaves that his mother Pharoah's sister drew him out of the Nile the succession of the Pharoah's line is secure.
What's not so secure is the kingdom itself as the Hebrews who came over as a family of 13 kids several centuries earlier now are in the thousands and are slaves and they ain't happy about it. In the funny way things work out in life, the adopted Egyptian prince is in fact the promised leader who is going to lead them back from whence they came which is Canaan.
In DeMille's version the dialog may be arcane, but it is also uplifting and inspiring and delivered by the ultimate DeMille leading man Charlton Heston. Yul Brynner as Ramses in that version was the arrogant Pharoah enjoying all his princely prerogatives. They made an evenly matched pair of foes and with them scrapping over Anne Baxter the conflict got personal as well as religious.
Christian Bale as Moses and Joel Edgerton as Ramses just don't give you people you can identify with.
DeMille was always good with crowds. Note how uplifting the liberation of the Hebrews is in his film. Also the small little vignettes of the various people in the crowd. They are a family/nation in his version. All they are is in Scott's version lumpen proletariat.
Whose idea was it to have the voice of God be that of a petulant child? Instead of the pyrotechnical wizardry of DeMille the Ten Commandments are given almost matter of factly by a kid to Christian Bale.
We've gone beyond Cecil B. DeMille in the art of film making. But there a things in his craft that he was the top, far and above anyone else. Not even a Ridley Scott should try.
Cousins Moses and Ramses are friends and rivals for the affections of the Pharoah who is Ramses dad. But when it is discovered that Moses is actually the son of Hebrew slaves that his mother Pharoah's sister drew him out of the Nile the succession of the Pharoah's line is secure.
What's not so secure is the kingdom itself as the Hebrews who came over as a family of 13 kids several centuries earlier now are in the thousands and are slaves and they ain't happy about it. In the funny way things work out in life, the adopted Egyptian prince is in fact the promised leader who is going to lead them back from whence they came which is Canaan.
In DeMille's version the dialog may be arcane, but it is also uplifting and inspiring and delivered by the ultimate DeMille leading man Charlton Heston. Yul Brynner as Ramses in that version was the arrogant Pharoah enjoying all his princely prerogatives. They made an evenly matched pair of foes and with them scrapping over Anne Baxter the conflict got personal as well as religious.
Christian Bale as Moses and Joel Edgerton as Ramses just don't give you people you can identify with.
DeMille was always good with crowds. Note how uplifting the liberation of the Hebrews is in his film. Also the small little vignettes of the various people in the crowd. They are a family/nation in his version. All they are is in Scott's version lumpen proletariat.
Whose idea was it to have the voice of God be that of a petulant child? Instead of the pyrotechnical wizardry of DeMille the Ten Commandments are given almost matter of factly by a kid to Christian Bale.
We've gone beyond Cecil B. DeMille in the art of film making. But there a things in his craft that he was the top, far and above anyone else. Not even a Ridley Scott should try.
Exodus is a truly beautiful visual and audio masterpiece. The effects, the cinematography is as good as you will see and the audio is bombastic and stirring.
Unfortunately the story doesn't offer much more. The are no Lawrence of Arabia 'no prisoners' moments, nothing to prick the hairs on your neck. And for the non religious the story is daft.
What it does do is make God, via The Voice of God, look like a bit of a vengeful tosser. He/she doesn't really look good in this film. God is asked the question by Moses, why did you let them suffer for 400 years and The VOG basically says 'well what have you done'. Then God goes on a killing spree murdering innocent children. Awesome go God go.
Another negative aspect is the casting, especially the casting of Ewen Bremner (a great actor) but not many Egyptians have a Scottish accent!!!
Religious nuttery aside, the movie is entertaining and although longish will amuse most :)
Unfortunately the story doesn't offer much more. The are no Lawrence of Arabia 'no prisoners' moments, nothing to prick the hairs on your neck. And for the non religious the story is daft.
What it does do is make God, via The Voice of God, look like a bit of a vengeful tosser. He/she doesn't really look good in this film. God is asked the question by Moses, why did you let them suffer for 400 years and The VOG basically says 'well what have you done'. Then God goes on a killing spree murdering innocent children. Awesome go God go.
Another negative aspect is the casting, especially the casting of Ewen Bremner (a great actor) but not many Egyptians have a Scottish accent!!!
Religious nuttery aside, the movie is entertaining and although longish will amuse most :)
Did you know
- TriviaTo prepare for his role as Moses, Christian Bale read the first five books of the Bible, the Quran, as well as Louis Ginzberg's classic, "Legends of the Jews," and Jonathan Kirsch's "Moses, A Life."
- GoofsIn several scenes, Ramses is depicted in bed with many luxurious pillows. Ancient Egyptians did not use pillows, instead they used elaborately carved wooden headrests to sleep on.
- Crazy creditsFor my brother, Tony Scott
- ConnectionsFeatured in The Comfort Zone: Christian Bale's "Exodus" Movie (2014)
- How long is Exodus: Gods and Kings?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Éxodo: Dioses y Reyes
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $140,000,000 (estimated)
- Gross US & Canada
- $65,014,513
- Opening weekend US & Canada
- $24,115,934
- Dec 14, 2014
- Gross worldwide
- $268,175,631
- Runtime
- 2h 30m(150 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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