Princess of Mars

Clearly "Princess of Mars" is The Asylum's cash in on the "John Carter" movie that was out in March 2009, as "Princess of Mars" came out in December of the very same year. Is that a trademark of The Asylum, to take something that others made famous and then just sponge and leech of that success?

At any rate, and regarding the motivation behind this movie, then The Asylum actually managed to pull of a fairly decent movie here, compared to some of the other more questionable releases they have spewed out.

The story, if you are familiar with either the "John Carter" movie or the E.R. Burroughs novel, is about John Carter, a man from Earth, who end up on a distant red planet, where he have to save their world from impending doom.

Pretty straight off the copy and paste storyboard here, without anything new or overly interesting to be added to the story. But still, the movie was enjoyable for what it was. A word of warning though; if you have seen the "John Carter" movie that was out earlier in 2009, then chances are that you might want to stay clear of this version. Imagine a weird hybrid of the 1980's "Flash Gordon" movie mixed with Disney's "John Carter" movie, and you have the end result coming out as "Princess of Mars".

One thing that did puzzle me, though, with the technology and resources available to the human-like race on this red planet, why would their princess be clad so scantily like a common... Well, you get my meaning. It just didn't make sense. Or did it? Well, you have Traci Lords in the role as the princess, so of course, why wouldn't the director be having her running around half naked?

The creature effects were adequate to look at, except for those bipedal reptiles that they used for mounts. They were just horrible to look at. Awfully animated CGI and they walked like they all had bad indigestion.

I will say that The Asylum did put out a fairly enjoyable Sci-Fi movie here, but in the wake of Disney's "John Carter", then the movie pales in comparison.

I'd read some pretty brutal stuff about this flick and was happy to find an entirely competent and often clever b-movie. Admittedly, I was a huge Edgar Rice Burroughs fan as a kid, but I'm not sure that didn't prime me to dislike the movie.

It wasn't a big budget movie, but I think the money they had was well spent. The special effects were not the center of the film but they didn't detract from the story either. The acting was surprisingly unembarrassing and I personally found the dialog very good. The updating of the story was subtle and funny.

One of the other reviewers said this isn't the film we were waiting for, and I suppose that' right. It is, though, the film we got. All in all, it struck me as a sincere labor of love that did credit to the memory of Burroughs himself, the master of the pulps.

Transferring a book to the screen is never an easy or simple process. Often, a lot has to be left out... exposition, subplots and plot lines, characters and internal monologue. What can go up on the screen is further constrained by the money and time available, by the talent in front of and behind the screen.

Is this the "Worst movie evah!" Not hardly. If pressed, I'd give that honour to Tim Burton's 'Planet of the Apes', a work which cost more than the previous Apes franchise of five movies and two TV series all put together, but which was appallingly stupid - unbelievable talent and money went into making a painfully awful movie.

On the other side of the coin, here we have an action adventure movie made for very little money, with little in the way of resources. Yet it's amazing how they managed to actually make an enjoyable, watchable film.

I'm not necessarily a fan of Asylum films. A lot of them suffer from the worst sin of film-making, tedium.

But Princess of Mars is anything but tedious. There are no shortage of rocky moments, including awkward scenes with Kantos Kan, and there's definitely stuff to dislike. Shortcuts, or shots where there was no time or money to do more than get something in the can.

But flaws aside, it's a relatively faithful telling of the novel. The biggest changes are the reduction of the role and backstory of Tars Tarkas, and the elimination of the Zodangan war, as well as the cosmetic stuff - short stubby two armed Tharks, riding giant birds instead of eight legged horses.

A lot of the true heart of the novel and the characters remain. John Carter is light hearted and heroic, Dejah Thoris is regal and idealistic, Tars Tarkas is noble. The relationships develop naturally between them, the acting is usually decent and sometimes quite good. The location shooting in the Vazques rocks is a highlight, the place looks genuinely weird and alien. The script, apart from the occasional clunky line, moves quickly and efficiently, there are witty lines.

Frankly, my advice is to go look at the trailer. A lot of times, the trailers are better than the actual film. Or the trailers contain all the good parts of the film and the actual film tends to be mostly filler. In this case, the trailer is actually a good showcase for the film. If you liked the tailer, you'll enjoy the film.

In the meantime, I'm pretty happy with it.

Well. This is by no means the worst movie I've ever seen. I've seen (if you can call it that) one or two Asylum movies before, and some of them are physically painful to watch. 2012: Supernova? Arrrgh!! AVH: Alien vs. Hunter? I nearly gnawed off a limb in an effort to dull the excruciating experience. The Asylum exist to produce unbearably cheap knock-offs of well-known sci-fi and horror movies, and they survive purely by tricking the ignorant into watching their deliberately and deviously diluted versions by mistake. Someone should give these guys a good spanking and ground them for life on a deserted island.

Anyway. You can understand that my expectations for "Princess of Mars" were very low indeed. But I wanted to check it out, just in case they had actually read the original book. And I was surprised: they had. But in a characteristic fit of plagiarism (and, probably, because filming in the desert is cheap) they'd also decided to fuse the concept with Star Wars Episode VI: Return of the Jedi. Even so, I was actually mildly entertained by Princess of Mars (and yes, I can still stand to look at Traci Lords). The acting was hammy and the production values were unimpressive (but at least they were there); it looked like what it was: a thoroughly derivative low-budget C-movie bordering on the farcical. But that can be entertaining, too! As the movie went on I was thinking that, hey, this was in the same league as Bloodrayne and stuff like that, and I might actually end up rating this a 4 out of 10! A good rating for a craptacular excuse for a real movie, appreciating that it might be trash but at least it's funny and entertaining trash.

Unfortunately, the ending was so stupid and pointless that I have to cut that rating in half, and end up with a 2 out of 10 mark. Properly, the movie doesn't really deserve more than 1, but for maintaining a certain watchability almost all the way to the end, and for being funny despite its ROTJ derivation, I retain one more star.

All in all, still a massive disappointment that can in no way be recommended.

I personally think it's great that you don't have to go back to the monster movies of the 1950s - the fact that they're still making movies like "Princess of Mars" today is fine with me. Surprisingly, the makers must have read the E.R.Burroughs novel, some elements of the story are recognizable with John Carter's arrival on Mars, being able to jump very high (due to lower gravity), meeting Tars Tarkas and Dejah Thoris, and fighting for the atmosphere station. Everything is put up to date, sometimes well (Carter being in Afghanistan instead of Nevada) sometimes not (the, uh, "technically explained" data transfer to another world, and that Mars not being our red neighbor planet, but a different planet accidentally also called Mars). Fortunately they did not use the Great White Apes, because how silly would that look nowadays with men in costumes? Despite the low budget, a funny flick if you have the sense of humor for trash sf.