Rampart

"I was under attack, I went after the suspect. End of story." Dave Brown (Harrelson) is an LAPD officer that who does things his own way. After he is caught on tape brutally beating someone after they hit his car his career is in jeopardy. While trying to defend himself against the charge an old alleged crime of his comes back up. This is a really good movie. The big problem is that it is again nothing really original. He acts the way "Dirty Harry" acts but has the morals of Denzel Washington in "Training Day". The movie has an all-star cast and the acting is fantastic. Harrelson especially is great in this in a very layered performance. He covers everything in this role; brutality, being a smart-ass, father in a very dysfunctional family as well as womanizer. This is a great role for him and the movie is very much worth watching. Again, though the only problem is that it seems like this movie has been done to death. Overall, nothing new but still good. I recommend this. I give it a B+.

Greetings again from the darkness. Dirty cops happen in real life sometimes and in the movies quite often. It can be an intriguing subject to explore ... psychological demons, ego, power-mongering, etc. Typically we see it presented as a cop torn between doing the right thing and feeling like he is owed something. Rarely do we see a cop portrayed as beyond hope ... so far gone morally that redemption is no longer even a possibility.

Writer James Ellroy (LA Confidential) and director Oren Moverman (The Messenger) present to us Officer Dave Brown, known to his fellow cops (and even his daughter) as "Date Rape" Dave. The moniker stems from a vice incident where Brown dished out street justice to a serial date rapist. With no proof of his guilt, Brown remained on the force and his rogue manner has escalated to the point where he is a constant danger to himself and others. This guy has no moral filter for everyday living.

Officer Brown is played with searing intensity by a Woody Harrelson you have never before seen. As loathsome a character as you will ever find, you cannot take your eyes off of him. He is hated by EVERYONE! Somehow he has daughters by two sisters and they all live together in a messed up commune where hate is the secret word of the day, every day. Most of the time no one speaks to Dave except to tell him to "get out". He spends his off hours drinking, smoking, doing drugs and having meaningless sex. Heck, that's just about how he spends his time while on duty as well.

The supporting cast is phenomenal, though most aren't given but a scene or two. This includes Robin Wright (who nearly matches Dave in the tortured soul department), Sigourney Weaver, Anne Heche, Cynthia Nixon, Ned Beatty, Ben Foster, Ice Cube, and Steve Buscemi. The first hour feels like an Actor's Retreat as most every scene introduces another familiar face.

Still, as terrific as Harrelson is, and as deep as the cast is, the film is just too one note and downbeat and hopeless to captivate a viewer. I also found some of Moverman's camera work to be quite distracting and the sex club scene was pure overkill. Downward spiral is much too neutral a term to describe this character and ultimately, that prevents the film from delivering any type of message.

I had no idea what this was based on before I went in to watch it. Everyone (well many) were raving about Woody Harrelsons performance. But the feeling I got from the movie, the vibe it has, does remind one of James Ellroy. Especially if you have read one of his novels (which conveniently enough I just had finished one).

What you have to accept (if you can), is the fact, that this is a very dark miserable, but strangely endearing person. The character Woodys playing does not feel he's doing anything wrong. And you have to admire the honesty (he doesn't pretend, he's a straight shooter). Sometimes you may admire him, sometimes you may hate him. But you cannot say that he is fake.

Having said that, this matter will decide if you like or hate the movie. It's not really an easy movie at all. I wouldn't dare calling the watching experience as pleasant, but it sure was something incredible!

Regarded in the trailer as "one of the most corrupt cops ever on screen," Woody Harrelson's character was honestly underwhelming. The actor did an exceptional job portraying a dirty cop, but was no where near the capacity of evil as Denzel in Training Day or Damon in The Departed. His portrayal was very real which is a characteristic that Oren Moverman appears to gravitate to in his films and while Moverman, in his second theatrical film, does a good job, it is no where near what he achieved in his amazing debut The Messenger. Harrelson did a fine job but he also failed to achieve the same greatness that he displayed in The Messanger as well. Some of the talented character actors in the film like Ben Foster and Sigourney Weaver deliver solid performances but aren't on screen enough make any impact overall to the film. It's a film that due to it's original limited release will likely struggle at the box office and moviegoers aren't missing too much in the process. I enjoy dramatic movies more than any other genre, but I found this film bland and the characters for the most part only OK at best. The actors did a good job but not good enough to make the film a success. There was just no wow factor in this film, which anticipated the wow factor being Harrelson's villainous performance. I'd give it a C in large part due to a broad and bland plot which could've been much better.

The recent run of Hollywood's "corrupt cop" movies seem to fall into two categories. There are those with great story lines which really draw the viewer into their world (like the surprisingly decent STREET KINGS) and those which show promise but move along aimlessly without a decent story (such as END OF WATCH). Unfortunately, RAMPART falls into the latter category.

The film features a gaunt Woody Harrelson as your garden-variety corrupt cop, given over to adultery, racism, misogyny and about another dozen 'isms' and 'ogynies' while you're at it. He's an intriguing character, but unfortunately he's mired in an all-too-familiar world in a storyline which never really goes anywhere, instead just plodding along until it finally finishes. It's all rather disappointing, leaving me thinking "well, was that it?" come the end. After all, it's not like it brings anything original or thought-provoking to the genre.

In addition, RAMPART also manages to waste a number of decent supporting actors who usually appear in just a scene or two. Sigourney Weaver, Ben Foster, and Steve Buscemi are three of the obvious ones who are underutilised, but Ned Beatty and THE WALKING DEAD's Jon Bernthal also deserve better than this. In the end, RAMPART becomes a depressingly humdrum cop movie, too obsessed with realism to be an entertaining movie in itself.