Armadillo

The war documentary Armadillo shows both the fragile and the hard side of the Danish soldiers in Afghanistan, and it shows how the Danish soldiers develop black humor in order to get a distance from the serious war. It is furthermore realistic and objective and it will certainly start an important social debate. It is striking how much this war looks like the Vietnam war. The movie also debates what a war hero is. Where shall we draw the line? Are you a hero if you shoot some Talebans? Apparently yes. It also shows that this war is very hard to the civilians, and that they are trapped between two sides. If they help the "intruders" aka the USA, Denmark and so on then Taleban will come after them, but if they help Taleban, then the "intruders" will come after them. Though the film is serious it also contains "epic" boyish fun so to speak, and that gives an extra facet to the movie. Armadillo is an utmost relevant movie, and therefore it is a must-see!

This deserves the award it won at Cannes. Our theater is only showing this for a few days, it seems, although they have now doubled the amount of showings. It was packed when I went. Maybe this will aid in the situation and approach finally being reevaluated, because it clearly is hopeless right now; if you weren't certain, this will cement it for you. This has some of the best photography I've ever witnessed, and not only for a documentary. I find it hard to believe that the cameramen were always entirely safe during this. This Danish piece of non-fiction depicts six months at the Armadillo base in the Helmand province. We see the young men in various moods, a handful of them expected, others not. They entertain themselves and each other, they get bored, they express a desire to help in the war... and reveal their excitement at the idea of combat. Dark humor and porn are used to deal with what they go through. This is funny at times, but it also hits you quite hard. It is a commentary on, among other things, the human psyche. The choice of form could not be more perfect; this is immensely objective, and the facts speak for themselves. No one is painted as a monster. It would appear that, when someone expressed their emotions and it was captured, it was put in the film. The editing is spot-on. This has an always well-composed, effective and fitting score. They use lingo occasionally, and each time a new term is said, we get an explanation of it. Every word spoken that is not in Danish is either subtitled or translated by an interpreter. I think it takes a bit of empathy and maturity to understand this. There is a lot of violence and disturbing content, as well as a little strong language, nudity and sexuality in this. I recommend this to everyone old enough for it. 10/10

I went to see this movie with my mother. We come from Slagelse, the city where Gardehusarregimentet is situated, ie. the place of the danish camp from which these soldiers came from.

Previously I have been stationed abroad with the military so I know a bit about the situation. I also know that my mother was worried all the time I was away, so I figured she would appreciate the movie. And she did.

The movie is at times fun, but most of the time it's simply depicting the life I got to know. Lots of boring days, waiting for something to happen. It shows the exact same kind of stereotypes I saw myself, the quiet one, the gung-ho type, the smart-ass etc. I quickly tuned into the whole scenario.

Armadillo might not be a masterpiece technically, but if you can stomach seeing it and NOT getting a lump in your throat, you're either without feelings or not alive. I remember the day I was going to ship off, the last conversation with my mom. And I was in my late 20s. Some of these boys are in their early 20s and far from mature.

We get to see how the "hot" situations are down there and that is fine. But I would have liked more about their everyday boring life. Sure, it might not make for the most interesting movie material, but you don't get the exact picture of just how boring it can be too.

Apart from that, a very well made movie.

Oh and the controversy of the soldiers killing (lethally) wounded Talebans? I would have done the same thing. And I am almost a pacifist. I might not agree with the fact that we're shipping off people there still, but I agree with how the people down there reacts.

This is hands down the best war documentary I have ever seen. Most of it is beautifully filmed and put together, and it is showing how things are. I am a civilian, with a big interest in these things, and had my attention drawn to this movie because it seemed to get a thumbs up from people in the military. It sure shows controversial things, but balances them all the way, and show us both the civilian side with their troubles, and the danish soldiers side. Even at its controversial high point after a shootout it stays very neutral, and as such is a masterpiece of showing people the daily life of a soldier. My only gripe is that I had wished it a little longer, with more scenes that show the boredom that such a place must surely be, when nothing is happening.

What would make a young man who has just completed a harrowing and brutal six month tour of duty in Afghanistan decide to return for another stint? The answer to that question is puzzling, but it is made a bit clearer by Janus Metz' powerful documentary Armadillo, Gran Prix winner at the Critics Week competition at the Cannes Film Festival. Armadillo, like Restrepo, is named for the military base where the subjects are stationed. The film depicts the bravery and camaraderie and also the addictive high of several Danish soldiers, seemingly just out of their teens, that comes from their participation in the war in Afghanistan.

Edited by Per K. Kirkegaard, Metz follows the soldiers from their farewell party at home filled with naked strippers to their arrival at base camp, moments of relaxation, briefings by their superiors, times of boredom, and the combat that includes some stomach turning sequences. The camera seems to be ever present and it hardly seems like an understatement to say that the director and cinematographer Lars Skee's lives were as much at risk as the soldiers. The film also demonstrates the plight of the villagers who are afraid of Taliban retribution if they cooperate with coalition forces. Caught in the middle, the Afghan civilians suffer greatly, standing to lose their crops, their animals, and their lives either from NATO forces or from the Taliban.

What makes it even more distressing, as the film points out, the soldiers cannot distinguish between friend and foe. When one of the soldiers accidentally kills a young girl, all that can be offered is compensation while the Platoon commander tells the soldier that did the killing to shrug it off because these things happen every day. The camera-work is up close and personal and the horrors of war perhaps have never had such an immediate impact. We can see the look on a young soldier's face after he has just been shot and we see decapitated Taliban bodies being pulled from a ditch.

While the film takes no position either pro-war or anti-war, the inhumanity of war has never been shown more clearly and the soldiers boasting and laughter after obliterating a wounded enemy while high on adrenaline, caused considerable debate about appropriate military behavior back home in Denmark. Depending on your point of view the soldiers are either making a difference or perpetuating atrocities in an unwinnable war. What does become clear, however, is the bond formed by the men and their lack of questioning of their mission. Like adolescents on a drunken rampage, they are excited by the thrill of the moment. We owe Metz a debt of gratitude for showing us the mindless, sadistic, and dehumanizing behavior that war can induce. Armadillo stands as one of the most visceral and frightening documentaries about combat ever made.