Jack, a writer who goes to a remote meat cooler, where his agent has set it up for him, to be locked in for five days so he can meet his deadline while he writes the ending to his book.Jack, a writer who goes to a remote meat cooler, where his agent has set it up for him, to be locked in for five days so he can meet his deadline while he writes the ending to his book.Jack, a writer who goes to a remote meat cooler, where his agent has set it up for him, to be locked in for five days so he can meet his deadline while he writes the ending to his book.
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BELOW ZERO is a thinking person's mystery horror. A scriptwriter, Jack the Hack, has writer's block and arranges to be locked in a slaughterhouse freezer until he comes up with a script. Believe it or not, scriptwriter Signe Olynyk tells me she also did this when writing the movie. On screen, the story is dramatised for us as Jack writes, so we have two on-screen narratives: Jack's world (think, Fargo) and that of the alter ego in his story (think Saw). As he considers various re-writes, the story within a story changes. But a third story is at hand: that from Jack's own psyche. His basic plot, surprise surprise, is someone accidentally being locked in a freezer, in a building owned by a serial killer. But, if you can stand back from the subsequent on screen gore, there's maybe time to work out what's really happening! This Kaufmanesque horror story keeps you on your toes all the way through. Signe doesn't recommend new writers try the freezer trick at home, but she does run a scriptwriters' workshop, Pitchfest (www.pitchfest.com), and invites any budding writers reading this to get in touch with her.
BORING! You only see a freezer, a dissection room, and hanging pigs. Although the problem is - what part of the story is the BOOK, or which is REAL LIFE? I realize, when the guy is wearing the red plaid shirt, he's in the story - and when he is wearing the hoodie, this is real life... but... they keep rewriting the book, changing the story.
So, is Person X alive in the real world, or is Person X dead in the book? Did they resurrect him like Jesus, or just done with a pen (computer and later an old-school non-electric typewriter).
The end of the movie (or the book, not sure) was kind of funny, especially if it was done in the real world. But, I wouldn't watch this snooze fest just to find out the conundrum at the end. Just not worth it!
SKIP THIS ONE!!!!!
So, is Person X alive in the real world, or is Person X dead in the book? Did they resurrect him like Jesus, or just done with a pen (computer and later an old-school non-electric typewriter).
The end of the movie (or the book, not sure) was kind of funny, especially if it was done in the real world. But, I wouldn't watch this snooze fest just to find out the conundrum at the end. Just not worth it!
SKIP THIS ONE!!!!!
Sounded like a great idea; a guy with writer's block decides, with his agent's blessing, to get locked into a slaughterhouse, so that he will have no distractions while he completes the script for a horror movie; forget it, this doesn't work at any level. Edward Furlong is fine as the writer, but the story is ridiculous and the format annoying beyond belief. At the start, Furlong is in truck being driven by a woman who is doing a dead on impression of the Frances McDormand's character from Fargo. This is not anywhere near that great Coen brother masterpiece. The movie flashes back and forth between Furlong typing on his laptop and a bald bad guy who looks like he has been in the sun too long, cutting up people with an axe and a hacksaw. The writer puts himself and a woman trapped by the unnamed villain. There is also a little boy who never speaks. The whole thing makes no sense, and the ending is dumb. Do not waste your valuable time on this tedious film.
"You know what they say about writing about monsters, you got to be careful not to become one." Jack (Furlong) is a struggling screen writer with a bad case of writer's block. Him and his agent come up with the idea of locking himself in a freezer until he finishes writing. While he is in the freezer writing about his serial killer the line between real and imagined begins to blur and Jack is finding it hard to distinguish what is real and what his mind is doing to him. This is another movie where the idea is better then the actual movie. While there are some creepy parts in this I found it confusing. The idea of Jack not able to tell what is real and what isn't is neat, but the problem is that the movie jumps all over the place and it is very hard to relax watching it because you never know what is going on. Normally that would be a good thing because you feel what the character is feeling but it comes off as being like there was a new writer every ten minutes and it was all cut together that way. I found it very hard to follow and by the end I found it hard to be surprised about the twist. Overall, not bad but a little confusing to follow. I give it a C.
Saying this film is god awful in every possible way, would be putting it nicely. This is one of the worst lumps of crap I have ever seen, randomly threw it on while looking through Netflix (and I'm in Canada, Canadian Content Laws guarantee tons of garbage content, this is worse than the Don Cherry movies). This movie was not suspenseful, it was not thrilling, it is a horror by attempt, which it fails miserably at. It actually becomes angering when this movie tries to mimic scenes from The Shining or Misery, the only way this film could've been made, is if the screenwriter produced the film herself (which she partially did). All of the actors stunk, the sound mix was garbage, the directing wasn't the worst or causation for this debacle. Do not watch this film, watch anything but this film, if you want to watch a terrible movie find HardRock Zombies, if you want a good movie, go elsewhere.
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- TriviaElvis the pig was specifically built for this film.
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