The plan: Kidnap your wife's lover. Take him to a remote warehouse. Hurt him a little. Scare him a lot. Keep your hands clean - hire a detective for the dirty work. Simple? There's no such t... Read allThe plan: Kidnap your wife's lover. Take him to a remote warehouse. Hurt him a little. Scare him a lot. Keep your hands clean - hire a detective for the dirty work. Simple? There's no such thing as simple.The plan: Kidnap your wife's lover. Take him to a remote warehouse. Hurt him a little. Scare him a lot. Keep your hands clean - hire a detective for the dirty work. Simple? There's no such thing as simple.
George Morris
- Sergeant Walker
- (credit only)
Adam J. Byles
- PC 1
- (credit only)
Chris Bishop
- PC 2
- (credit only)
Raiomond Mirza
- PC 3
- (credit only)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
More twists than a game of twister
I must admit, when I heard that this film had been made for £100k all in, and shot on one location in 17 days straight, I lowered my expectations accordingly. I needn't have, the script is taught, the dialogue is genuinely amusing with plenty of humour and for the most part the editing is sharp; while the plot unfolds revealing a different layer with each twist... The ending delivers a great pay off too.
Pertwee brings real menace to the roll of the sinister detective and all of the characters are well observed.
The broadsheets were hard on this film, I recommend you watch it and decide for yourself. It's a low budget British film, that may be reason enough for many support it, but I want to be entertained as well, and Four delivered on that score. Hence my 8 out of 10.
Watch it. And Watch out for debut film maker John Langridge, if that's hist first effort I can't wait to see what comes next!
Pertwee brings real menace to the roll of the sinister detective and all of the characters are well observed.
The broadsheets were hard on this film, I recommend you watch it and decide for yourself. It's a low budget British film, that may be reason enough for many support it, but I want to be entertained as well, and Four delivered on that score. Hence my 8 out of 10.
Watch it. And Watch out for debut film maker John Langridge, if that's hist first effort I can't wait to see what comes next!
Wee Cracker - Don't take it too seriously
I watched this late as I could not sleep. Yes it did have a little Chuckle Brother humour - but it did lighten it up. I knew it was not going to be too serious the way Sean Pertwee was knocking the crap out of the kidnapped man and the man was able to respond in a tone which you would use to order a pizza - although he did get better. The premise was a good one but the film could have been different and a lot darker, but for light entertainment it was good.
Sean is always a pleasure to watch and the Welsh lead was a bit wishy washy however the female character was brilliant. She certainly took control of the situation - which the viewer could see from a distance.
Worth a watch but don't expect social or ethical undertones.
Sean is always a pleasure to watch and the Welsh lead was a bit wishy washy however the female character was brilliant. She certainly took control of the situation - which the viewer could see from a distance.
Worth a watch but don't expect social or ethical undertones.
Funny and horrifying in equal measure.
Possibly the best low budget film I have seen to date. The director uses the desolate location and some amazing acting talent to bring to life a clever, intricate and often funny script. The language is shocking, as is the level of violence, but this created for me an almost morbid, edge of seat fascination, wondering what would come next. The ending was unexpected and not for the faint hearted! Interestingly, it was difficult to like any of the four characters, and the audience were left knowing little more about them than we did at the start of the film. Definitely a film to watch, perhaps more than once to really appreciate the subtle inferences of the script and direction.
Don't be put off by the staggeringly low score - it isn't that bad.
Although this film has a very theatrical feel and could, perhaps, be better performed on a stage, it has a script full of very black humour and some very strong language. At times the script mocks itself as four people go through a tangled web of deception and counter deception. It is a film for which you need to have an open mind right from the "go" or otherwise you'll miss its razor sharp patches of dialogue delivered by a cracking cast (especially Pertwee).
The action is largely confined to an appropriately dark, derelict and isolated warehouse and is very script driven. There is much violence but it is, thankfully, never overdone. It doesn't need to be for the faces of the actors tell us all we need to know, and that is why I cannot believe the low score this film has accumulated. I just think cinema audiences have never much liked stagy films as many directors have found to their cost no matter how good the material has been.
Although much of the writing is first class there are some patchy moments and it is arguable that one or two scenes didn't quite add what they were supposed to give to the drama. Put another way they were wasted because of a lack of sharpness.
But this is much better than three or four out of ten, and is certainly much better than a whole series of some crime capers.
The action is largely confined to an appropriately dark, derelict and isolated warehouse and is very script driven. There is much violence but it is, thankfully, never overdone. It doesn't need to be for the faces of the actors tell us all we need to know, and that is why I cannot believe the low score this film has accumulated. I just think cinema audiences have never much liked stagy films as many directors have found to their cost no matter how good the material has been.
Although much of the writing is first class there are some patchy moments and it is arguable that one or two scenes didn't quite add what they were supposed to give to the drama. Put another way they were wasted because of a lack of sharpness.
But this is much better than three or four out of ten, and is certainly much better than a whole series of some crime capers.
An unexpected Little Pleasure.
Having not heard a great deal about this movie I assumed that it would be passable at best. WRONG. It's a thoroughly entertaining and tightly made piece, with tight directorial pace and sharp dialogue. It is undeniably and unashamedly a film made on a lower budget than Hollywood fare but this is to the films credit rather than it's detriment. A lack of extraneous whistles and bells leaves a script which is economic and witty, delivered very competently by the cast. The location (which incidentally is beautifully lit)acts as the fifth member of this ensemble cast. The direction is stylish without being intrusive. There are a couple of lines of Dialogue I found clumsy but they are few and far between and given the nature of a dialogue and character driven piece not entirely unexpected. Bottom line, It is defiantly a film worth a look.
Did you know
- ConnectionsFeatured in The Wright Stuff: Episode #16.53 (2011)
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Details
Box office
- Budget
- £500,000 (estimated)
- Gross worldwide
- $1,198
- Runtime
- 1h 25m(85 min)
- Color
- Aspect ratio
- 2.35 : 1
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