George, a lonely and fatalistic teen who has made it all the way to his senior year without ever having done a real day of work, is befriended by Sally, a popular but complicated girl who re... Read allGeorge, a lonely and fatalistic teen who has made it all the way to his senior year without ever having done a real day of work, is befriended by Sally, a popular but complicated girl who recognizes in him a kindred spirit.George, a lonely and fatalistic teen who has made it all the way to his senior year without ever having done a real day of work, is befriended by Sally, a popular but complicated girl who recognizes in him a kindred spirit.
- Awards
- 1 win & 2 nominations total
- Chastity
- (as Sophie Curtis)
- Student
- (uncredited)
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Featured reviews
Freddie Highmore and Emma Roberts are rather sweet together, although i have to say the Emma Roberts character is slightly annoying and a bit of a hussy, obviously she's picked this up from her mother but besides that the two leads are great together and have a genuine awkwardness between them that is really funny and nice to watch.
The only time that i thought the movie faltered was when it started to deal with the family side of the story, i didn't find it very interesting and it seemed like a kinda boring subplot. I would have liked to see more scenes with Alicia Silverstone because she is great and it was cool to see her in a very different role like this. Also the lack of soundtrack lets this film down slightly but this is an independent film so i guess you have to make allowances for that.
So if you're looking for a teen film that is a tad left of field, check this out.
Here is a short summary of the movie George played by Freddie Highmore, is a senior in high school who narrates throughout the movie, is does not do his homework or listen in class instead he draws sketches and doodles. After a few days George meets this girl Sally played by Emma Roberts who becomes friends with him and falls in love with him, well George doesn't know what to feel and ends up losing her, he get a last chance to complete all his work for a whole yearn in order to graduate high school given to him by his principal. George lives with his mom and stepdad who lost his job and is leaving them. Towards the end of the movie George has to complete an art project, one project of the whole year in order to graduate and ends up painting an awesome portrait.
Great artistic drama with some comedy scenes that will make you laugh, because they remind you of when you were young and in school. Great cast. Especially Emma Roberts and Freddie Highmore, the two main people in the film.
I recommend this movie for people who love art, who likes romantic/drama films, and everyone else.
I bummed it did not make its way to theaters and got only a release at the Sundance Film Festival and on DVD and bluray. This movie could of done very well at the box office.
I give it 7 out of 10 stars, for its great cast, great plot and great story.
"The Art of Getting By" tried to straddle the line between drama and comedy. Expecting us to laugh at George's despondency but then expecting us to feel for his life's difficulties. Although both comedic and dramatic elements were present, it was missing a touch of realism to help build the connection for the audience.
Is it about getting the girl, finding your path in life, or just graduating high school? Of course it's about all of that, but at times it seemed to be about none of that. Its aimlessness in telling me what the point of it all was, seemed a little juvenile. It's a teen coming-of-age film, probably meant for the twenty-something crowd, but missing any greater meaning to fulfill its audience.
It's the type of story that gets told frequently, but it also needs to be told frequently. It can get old quickly if you've seen better versions, and I, unfortunately, have seen better versions. I love Highmore and Emma Roberts, and this is exactly the type of roles they need to launch their adult career. I was impressed with Michael Angarano playing the older, if not any more mature, slacker artist who could have easily disappeared into adolescent oblivion, but instead found some meat in his role and really stood out.
"The Art of Getting By" desperately needs the love it received from Sundance, because it's not going to get much of anything else. Which is a shame because it's not a bad movie but I don't think the filmmakers ever found the point they wanted to make.
It's beautifully shot and edited, and we see many fine performances. I found Emma Roberts particularly appealing, as she has a dour, come-hither look in her dark eyes about 95% of the time. What Ingrid Bergman could achieve by looking down, Roberts does by looking almost right at us.
Freddie Highmore looks and feels authentic. His character has a lot of choices to make, many of which go against all common sense. But although he drives us crazy, he's intriguing and we want to know what's to happen to him.
Mid-movie, the characters are hit with several crises, and it gets interesting as we wonder how they'll resolve them. When resolution strikes, though, it's so conventional that it's disappointing. The expected is unexpected.
Yup, it has indie-feel and Sundance all over it. But I was hoping for a big surprise at the end from these flawed but good people; instead, they seemed to abandon what they had stood for. And what may have qualified as a surprise involving Roberts was simply unbelievable and too convenient to accept. Though I was happy for them, a simple, happy ending didn't feel right with these non-simple characters.
But then, maybe, that was the point.
Did you know
- TriviaIn the first scene, the camera passes by Tom's Restaurant, the same restaurant featured in Seinfeld (1989), aka Monk's.
- Quotes
George Zinavoy: I read a quote once when I was a kid "We live alone, We die alone. Everything else is just an illusion." it used to keep me up at night.
- Alternate versionsThe UK release was cut, this film was originally seen for advice in an unfinished version. The BBFC advised the distributor the film was likely to receive a 15 classification but that the requested 12A classification could be obtained by reducing the number of uses of strong language. When the finished version of the film was submitted for classification, the number of uses of strong language had been reduced from five to one. Accordingly, the film was classified 12A.
- ConnectionsFeatured in Ebert Presents: At the Movies: Episode #1.22 (2011)
- SoundtracksWe Will Become Silhouettes
Written by Benjamin Gibbard, James Tamborello aka The Postal Service
Performed by The Shins
Courtesy of Sub Pop Records
Details
Box office
- Gross US & Canada
- $1,430,241
- Opening weekend US & Canada
- $679,160
- Jun 19, 2011
- Gross worldwide
- $1,892,130