I'm Not Jesus Mommy

This was re-released in 2012 under the title Devil's Angel. produced by Fortaleza Filmwork and distributed by Warner Brothers.

Language: English Region: Region 1 (U.S. and Canada only) Rated: R (Restricted) Studio: Maverick Entertainment Group DVD Release Date: November 13, 2012 Run Time: 86 minutes

Plot: Kimberly is the mother of the world's first successful human clone, a son named David. Seven years after his birth the Earth is plagued with war, famine, and natural disasters that seem to be emanating from the young boy himself.

Review: After illegally implanting herself so she can have a baby, a woman pays for it later along with everyone else as the future deteriorates in the US. There is a connection between this and her young son, shown later at age 7, but you can guess what it is from the DVD cover. Creepy, and eerily shot with 35mm and some deliberate lack of focus.

this a low cheap movie a sci fi low budget movie, first terrible and in no good shape actors, the principal role is leading for a fat ugly girl, in the first scene show her bad feet (go first to the pedicure) and the dude is kind of archie or Robert Redford after 100 plastic operations......i don't understand where those people are come from??? the director found on the street walking????? well the story is know for everybody,but please why we have to see this kind of movies there are no some first professional review? as always the first review of this movie was from some of the crew....the director of this movie must be ban and all the people inside... don't waste your time bad bad movie

Several male reviewers were quite upset about the lead actress being over-weight and unattractive. These knuckle-dragging sexists would have preferred Lindsey Lohan, no doubt. I don't recall any female comments being concerned with how skinny Charles Hubbell was – kudos to them all. Hubbell though, was noted frequently as an unknown actor of little skill, despite a long list of credits on IMDb itself. He is a fine actor in this movie and elsewhere. Then we have the "scientists" out there upset over the lack of scientific logic in a fantasy/horror movie about the Apocalypse.

Now I'll admit I was having some troubles with this movie at the beginning. I almost gave up on it. The major research facility looked like a walk-in-clinic in a strip mall. But that "Seven Years Later" CONELRAD deal woke me up and piqued my interest, along with some later twists and surprises. (And Hubbell's amazing descent into evangelical madness.) I think I know who that was at the very end: the Slender Man? Christopher Walken? The Tall Man from Phantasm? Oral Roberts? You decide; that's what makes vague endings fun and a source of discussion. The movie was weird, interesting, and different. I liked it.

This was by any measure a bad film. I cannot defend the poor writing, the poor acting and horrible casting, they are indefensible. This was basically a family project financed, produced, directed, written and acted by a husband and wife team...and it shows. The other reviews are so unkind that they deserve mention. The lead actress is a plain woman who is as they say politely "full figured" and is the star because she is the Exectutive Producer and Produce, therefore she paid for the movies and ergo she is the star. To refer to her as fat and ugly is cruel and unkind. I do think that she could have been prepped better, but I would also note that some TV stars are less attractive and larger that she is, but are fawned over by the press. Also the religious sub theme of this film is attacked in almost every review, had the theme been the coming of Satan it would have been received more favorably. Let's just say this is a BAD Sci Fi film and leave it at that.

Contrary to its so-bad-it's-good reputation, this thematically-bizarre production plays out with such an earnest tone that the cynical viewer's laughter might very well die on the lips. The first half-hour, in fact, actually shows signs of promise, and there's little evidence of any problems caused by the film's reportedly slim budget. The story-line then jumps ahead seven years, however, and trouble arrives. America, according to the movie, is now in the grip of some sort of new Ice Age, and the cast spends the rest of its time bundled up like extras from Robert Altman's "Quintet," confined to dimly-lit rooms, their breath coming out in visible vapor. The cloning-divinity premise of the movie is so strong -- implausible but strong -- that this sudden swerve into an Ice Age apocalypse seems not only unnecessary but distracting. It's as if the writers' mistakenly thought their premise couldn't carry an entire movie so they decided to throw in something else. The movie weakens at this point and never recovers despite an ending that, to put it mildly, goes beyond the curious. One final note: co-writer, co-star Joe Schneider looks mighty good with his shirt off.