Life, Above All

This is very tender-hearted film and well acted. It grows on you so bare with it, because the characters develop through-out. It took sometime before I felt being pulled into this story, but I am very happy I stayed with it. The film has a very strong feeling of authenticity. It's not trying to swindle you with false emotions; it never sinks into false melodrama.

The theme is of struggle – and the resiliency of women – more particularly a young girl growing up. The struggles are with poverty, AIDS, abandonment, and ignorance. The individuals face their issues with a stoical, but telling emotion. The performances are strong and intense. The ending brings us a soulful resolution.

Le secret de Chanda (2010) The South African/German film Le secret de Chanda was shown in the U.S. with the title, Life, Above All (2010). It was co-written and directed by Oliver Schmitz.

The movie stars Khomotso Manyaka as Chanda, a young woman trying to hold her own in a South African township. Her father is dead, her stepfather is feckless, her mother is sick, and she has two half-siblings about whom she worries.

Manyaka is a brilliant actor. Without a superb performance from her, the film could not have been so successful. Her role--and her skill--reminded me of Jennifer Lawrence in Winter's Bone. She's beset on all sides, but she refuses to give up.

Many of Chanda's problems arise from the fact that saving face is more important than almost anything else.

We saw this movie at Rochester's wonderful Dryden Theatre in the George Eastman Museum. It will work well on the small screen as well. It's a great movie-don't miss it!

This movie should be compulsory viewing for all budding film students. In fact all film makers, everywhere, should be locked in a small, locked room, strapped down and forced to watch this. For in the hour and a half it takes to watch this movie you will learn more about what movie making is truly all about. Here is a movie with a heart, a soul and perhaps most importantly, a point. It will rip your heart apart and along the way make you feel infinitely guilty that you have the couple of bucks to rent this movie, let alone enough money to own a television set to watch it on. Yet this is not the "message" this is simply a consequence of telling a real life story, of people with nothing and who just get on with life. It is indictment on the human race that we live in such inequitable times, yet again, that is not the message, just the backdrop. The actors in this movie are simply magnificent. Not only is the "lead" actor who plays Chanda stunningly good but also those who play small, almost minute parts. Amongst a truly outstanding cast the young girls who play 12 year old Esther and 6 year oldish Iris are simply phenomenal, these tiny children conveying more in a smile or the tiniest wrinkle of their faces than a veteran actor of 60 years. How they even understood what they had to do amazes me, how they actually did it astounds me.

This is a "simple" story but then again the best things in life are simple. This is a movie mostly about humanity, and sometimes about the lack of humanity. It is about personal strength, about love, about the triumph (at least in this case) of compassion over everything the world can throw at you. OK, 100,000 movies have already been made about this stuff, and 100,000 more are still to be made. But this one actually works. See it and be amazed.

It takes quite a while for the central conflict (and hence themes) to emerge in this story of a 12-year old African girl and her family. For a while, it seems to be one of those movies in which the protagonist is challenged by a series of apparently unrelated hardships -- misery for its own sake -- and hence it touches the viewer less than it might. Once the story takes shape, though, it becomes very powerful. It is absolutely worth experiencing the seemingly episodic first half to get to the film's payoff. Recommended, and highly so if you are interested (as I am) in the struggle between the rational, modern worldview and the religious. (7/10 for me, means B+, highly recommended).

I've been quite surprised if the quality of South African films from the latter years, and this is another example of this quality. And a South African film isn't only Dustrict 9 or Vehicle 19, which both were great, but also film like this little gem, based on the novel "Chanda's secrets" by Canadian Allan Stratton, and directed by the German director Oliver Schmitz, which is born in Cape Town, S.A.

Young Chanda, 12, is checking out the funeral for her little sister Sarah, which have suddenly died, getting to know that the money the mother kept has been stolen. Her father is an irresponsible drunk, and she realizes that her friend is selling services as a prostitute to the lorry drivers down town. Chanda begins to understand a lot about how the world functions. We get to see Chanda's poor neighborhood in Elandsdoorn outside of Johannesburg. Her mother turns ill just after, making even more challenges for Chanda, amongst them a lot of rumors and superstition. A superstition that adds deeply to the challenges in such a poor community.

The film was chosen for the "Un certain regard"-program under the Cannes Festival, very deservedly. I haven't read the novel, but I understand the film makes a good job, though having to let out some if the film to make a film out of it. Fine cinematography work, with great use of light focusing, and great job fond by the actors, makes this a very see-worthy film. It depicts the challenges which might occur in every society, but also the ones hitting especially hard in a poor neighborhood.

It's a beak realistically told film, even if it's a fictional tale. Still the film is not without hope. Chanda makes a big difference in her neighborhood, with her heart and sense of getting things right.