Bedevilled

"Bedevilled" is the tale of two women.Hae-won is depressed by her empty corporate financial job.Close to an emotional break-down she decides to visit her childhood friend Bok-nam who is living on the tiny islet of Mundo.Bok-nam is often abused by her violent husband and his retarded brother.Finally this horribly victimised human being decides to retaliate against her tormentors."Bedevilled" is slow-moving and depressing drama that suddenly turns into bloody revenge movie.The cast is strong,especially Seo Young-hee gives a truly memorable performance as bullied Bok-nam.Consumed by growing anger she becomes a beast.The script is horrific with several scenes of sexual and verbal abuse and plenty of bloody violence.Very brutal pay-off has to be seen to be believed.Check out this savagely beautiful drama.8 islets out of 10.

As manipulative as a lot of Hollywood fodder, Bedevilled should be a sinker. That it isn't is testament to its beauty, committed performances and a fine feel for harshness, though overlong its powerful and occasionally savage stuff. We follow Hae-won, returning to her childhood home to visit old friend Bok-nam. High strung, frigid and apparently callous Hae Won isn't especially likable, but as things go on we see why she might be this way, for the small island where she grew up is a pretty terrible place. Her reunion may be sweet, but Bok-nam is in a bad situation, and things are building to a head…The plot summary on this page tells more than is strictly needed about the skimpy plot of this one, it's predictable stuff but I still recommend not knowing to much beforehand, all the better to get emotionally wrecked. Director Jang Cheol-so plays the audience like an instrument, highlighting the natural beauty of the location to better emphasise the nastiness, keeping the harsher moments just enough in the frame to be viciously effective but keeping the worst of it just out of view, conjuring jangling tension and a dash of sinister sexual menace, its taut stuff building effectively with tar black humour in its climatic release. Ji Sung-wong puts on a decent if distant show as Hae-won, implacable to the point of being a frustration, while Seo Yeong-hee is the more attractive as Bok-nam, lively façade in desperate conflict with her terrible treatment, a pleasant soul who doesn't want to face things but wrenched to a place where she can't hide. The notion of denial and the need to face up to things is what underlies events, unsubtly presented perhaps but a worthy message presented in jolting style, fortunately the film works as grim drama. There are problems though, none of the villains of the piece are well rounded, from crudely brutal and sex hungry men to cruel old ladies revelling in the status quo, everyone is so hissable that things are in constant danger of being overdone, and indeed sometimes are. Documented cases of similar isolated communities show that there is a bleak truthfulness to the pattern of events, but the characters of the villains generally lack psychological truth, hence they become less effective. The other trouble here is that the film draws out its finale with more climaxes than necessary, it doesn't lack for exciting or interesting events in its final stages but it becomes bumpy and feels overlong, it also hammers home the less subtle aspects of the film. Still, all in all this one had the required effect for me, I was gripped, appalled, dazzled and saddened, a veritable emotional roller-coaster. Worth a look for slow burning dark drama fans then, but be warned that things are a bit obvious.

First things first.. I really don't know whether the people from the West who aren't that familiar with Asian culture, that too the rural culture would really relate well to this movie. But I think it's one of the most interesting movies I've ever seen, to be frank. I've seen the rural life in India and kinda lived it a bit too and I was kinda really surprised by the similarity that I could find in this movie, be it regarding the gender bias or the illiteracy thing or the domestic violence that illiterate women have to tolerate and just live as if they are born to bear that kind of treatment from sadistic husbands.

As much as I was amazed from the similarity that I could find, I was spellbound by the kind of story telling that this movie was. You would never feel bored although the story goes at a very slow pace, although towards the end it gets to your nerves. The acting by every one of them is appreciable as you never feel that they are really just playing the character in the movie.

I've been watching Korean movies for a while now and have become a big fan of them since, and I certainly think this's one of the best among them. For those who have watched 'Oldboy' or 'I Saw the Devil', you would know what's the kind of gory it would reach. It's truly "Korean", in every way.

If you are a K-movie fan then you would certainly love this one! This one is going into 'My Collection'!

Some movies ask of your time like others seldom dare to try. These are the most rewarding, in my opinion, because, having allowed ourselves to be so absorbed and entrenched in their sagas, our empathic connection with their characters can almost make us feel like we are intertwined and we can come away feeling enriched for having shared our time with them. I felt this when I watched "The Pianist" and "The Deer Hunter". And I felt this when I watched "Bedeviled"

The English definitions of the word bedeviled are many, but prone to obvious seething similarity; (to worry, annoy, or frustrate, to torment mercilessly, plague, to possess with or as if with a devil, bewitch) every one of these are but glimpses into what awaits the viewer in "Bedeviled." What I found most disturbing of all for myself, was that I was cheering for the character possessed of them. You'll understand... or you might not. But some people deserve whats coming to them, in this world, or the hell they have dutifully manufactured in the next, no matter how they cloak themselves to appear like they don't stink of the blood they have washed themselves in.

The character Bok-Nam is a terrifying study of a fracturing psyche. And for her tormentors on the island, hell hath no fury like the storm that is raging towards them.

The Korean title of this movie is: Kim Bok-nam Salinsageonui Jeonmal; which translates to: The Whole Story of Kim Bok-nam's Murder Case. Soe Yeong Hie (Bok-nam) won best actress at the Korean movie awards and the movie itself won best screenplay.

-{ A great percentage of the best horror movies are foreign. Don't be afraid of them! }-

First of all, don't read anything about the story's content - it may ruin the experience for you.

What do the gender-themed Hollywood thrillers "Basic Instinct", "Fatal Attraction" and "Disclosure" have in common? 1. they all star Michael Douglas, 2. the female lead is the root of all evil. Whenever Hollywood takes gender struggle to bloody extremes, there's an irritating tendency to overly sympathize with the male - probably because the film industry is still pretty much a man's world, with the first female director winning an Academy Award coming around only last year.

In that light, "Bedevilled" - from an equally male-dominated media environment - is a different, surprising film which manages to convey a social message while delivering gruesome - and at times gory - entertainment. What we have here is a social drama/ slasher crossover with excellent production values and top-notch cinematography.

No wonder that the story often feels grossly exaggerated. The entertainment values somewhat linger in the background of an ever-growing tension in the first hour, and then dominate the finale. Therefore the psychological premise - unusually well-established for a mere shocker - appears constructed in the course of the ensuing rampage. Those who expect horror, however, may feel somewhat bored during the exposition, simply because it's so much better and less formulaic than usual for genre movies.

"Bedevilled" is a brilliant piece of entertainment if judged for what it is trying to achieve, pretty much on a par with the testosterone-driven "I saw the Devil". But it's not trying to please as much as the latter. So if you're looking for new angles on old formulas, this one is for you; if you'd rather have a good idea about what you're going to see, you may feel confused.