[REC] 4: Apocalypse

It's a good go-ahead but a bad one. The film is about Angela's story after she escaped the building. The surprises inside the film obviously liked it. Especially the images shown from the 1st and 2nd movies were beautiful. It's really ridiculous in some parts of his fiction. The end result is the same as many virus-related films. Apart from the first one, I would say that three other films were definitely shot for money. The reason is that I think the concept of other films is more action oriented. If you do not watch movies other than the first REC.

⭐ 100/50

I really lost hope after i saw Rec 3 !!! A wedding !! a Bride who does a karate Moves :P

But thank god Rec is Back to the Story of "Ángela Vidal" and they connected the story to the first two movies ,,, amazing turn of events ..

The plot this time literally elevated to a new level ... Ohh and the ending is just another thing.

The scenes is so thrilling this time,, Jumped out of my seat a couple of times ;)

I still have no idea if there's another movie Rec 5 ;) but if there is ,they better make it connected and around the same story..

The Set is Genius.,. full of surprises and curves which were useful to make more frightening.. it's really amazed me though how you can do so much in such a small Set or location ..

So it must be also said the cinematography and the visual effects are Applaudable.

(TIFF'14 Intro) The film premiered as part of the midnight madness lineup. Jaume Balagueró and Manuela Velasco introduced the movie. Velasco announced that this would be her first time watching the movie as well. Balagueró thanked a bunch of people involved and restated that this is the final movie in the series, and effectively ends the story.

(Review) I'm a huge fan of the first two Rec movies. The first one is widely considered a genre buster, invigorating the hand-held found footage genre. The second one managed to build on the original, while delivering some truly intense moments and hitting all the high marks. They were intelligent, smart films, a rarity in horror movies. However, Rec 3 was a truly awful mess and thankfully not really canon (you can pretend it never happened). While directors Jaume Balagueró and Paco Plaza collaborated on both Rec 1 and 2, they decided to split up directorial duties among the last two films. After sitting through a painful viewing of Plaza's Rec 3, I could only conclude that the talent and potential gleamed in the first two films must lay with Balagueró. With that in mind, I had pretty high expectations for Rec 4.

The movie opens (seemingly) moments after the end of Rec 2. The apartment building returns to set up the script before the film shifts to the interior of a cramped oil tanker, with hardly any transition. It is by doing this that Balagueró masterfully switches out one claustrophobic stage for another, without ever giving the audience a moment of relief, or the characters, any reprieve. After a slow-burn first act, the action kicks into high gear as we are told the hope for saving, or destroying the virus lies on that oil bunker. Balagueró is a true horror movie buff, and Rec 4 is littered with references from all over the genre: movies (Aliens, RE, Deep Impact) and games (RE Revelations). Speaking of the horror movie elements, the zombie/demons look and sound more authentic than ever. And as for the new entry in the enemy roster, well, it might seem a little gimmicky but it works and Balagueró has a lot of fun with it (Everybody cheered as Angela Vidal screamed M******!). I'm not sure if this would be the goriest entry in the franchise, but it certainly delivered in that department, especially once the final act kicks in, which is, more or less, an intense bloodbath in true Rec style: Never letting up until the end, yet sprinkling the final act with small moments of black comedy. The most pleasant surprise were the characters. Fleshing out characters is hardly a priority in most horror scripts, but Rec 4 surprised me by turning the tables on usual stereotypical characters, and by the end, I was rooting for the unlikeliest of them. And I loved that about this movie. The whole thing is propelled forward by an amazing score and excellent sound work.

The bad? Balagueró has to work with narrow halls and almost no corners (sadly he could not construct the hallways around his shots like James Wan did for The Conjuring) and as such, the shots are tight and cramped. I was onboard with the directors' decision to move past hand-held, but that does not seem to have helped with shakycam. And while the movie captures some moments of pure intense action and manages to outdo Rec 3 in every way possible, it does not twist the genre like the first two films did, nor will it blow you out of the water.

In the end, Rec 4 is a satisfying, gory, visceral and intense conclusion to a great and (mostly) unique series. While the first two movies were made with the aim of creating genre-busters, Rec 4 is made for the fans who've followed the series, and Angela Vidal from the start. And you will not be disappointed.

The television reporter Ángela Vidal (Manuela Velasco) awakes in a ship and finds that she is locked in her cabin in quarantine. She escapes and stumbles with Guzmán (Paco Manzanedo), who rescued her from the apartment building in Spain. They discover that Dr. Ginard (Paco Obregón) and Dr. Ricarte (Héctor Colomé) are researching a cure for the lethal infection in the ship. Guzmán goes to the wheelhouse and he is introduced to Captain Ortega (Mariano Venancio) that is in his last voyage and radio operator and hacker Nic (Ismael Fritschi) that is trying to retrieve the footages in Ángela's camera. There is a blackout in the vessel and Dr. Ricarte discovers that someone released their guinea pig, an infected monkey where they would test an antidote. The monkey attacks the cook and most of the crew is infected by their lunch. Meanwhile Nic retrieves the footage from the camera and Dr. Ricarte sees the girl Tristana Medeiros transferring the worm-like virus to Angela that claims that is not infected. However Dr. Ricarte believes that Ángela is the hostage and patient zero and wants to extract the parasite from her belly to test the antidote. In the middle of the chaos on board, will the attempt work?

"(REC)4: Apocalipsis" is a decent conclusion of this franchise. The story returns to the genre of the first movie with Angela and the survivor from the wedding in the deceptive third movie and fortunately forgets the religious approach from the second movie. The problem now is a virus transmitted by a worm-like parasite that seeks the strongest hostage. The plot does not have surprise, is gore and entertains. My vote is six.

Title (Brazil): Not Available

REC 4 opens as army doctor Guzmán (Paco Manzanedo) and soldier Lucas (Críspulo Cabezas) rescue TV reporter Ángela Vidal (Manuela Velasco) from the apartment block where the original movie took place. The trio are put on a quarantine ship where scientists conduct experiments into creating an antivirus. However, the true nature of the infection means that it isn't long before the survivors are running for their lives from drooling, crazed, flesh-hungry 'zombies'.

Part 3 of the REC series had quite a lot of detractors, but I enjoyed it for its refreshing change in approach, which saw the introduction of a touch of humour and a lot more splatter. REC 4: Apocalypse is a return to the dark, claustrophobic atmosphere of the first two films (but thankfully, with minimal found footage style camera-work); as such, it will be seen as a welcome case of 'back to basics' by many, but to me it felt very predictable, and, as a result, less satisfying. I also found the gore lacking and was surprised by how few scares there were.

Oh well, at least director Jaume Balagueró had his heroine strip to a tight white vest and got her good and sweaty for the finalé (sometimes, it's the simple things in life).

5.5 out of 10, generously rounded up to 6 for IMDb.