Super 8

I have never seen a movie which could be divided to two parts of "absolutely amazing" and "boring and childish". The first 80 minutes is awesome, I was shocked by how good this movie was as I had seen some bad reviews on IMDb but then the cheesy part kicked in and ruined the whole thing.

First thing that comes in to everybody's mind when they see the first scenes is that this movie is so similar to et! The style is the same, the theme is the same, it even happens in the same era with the same kind of neighborhood which is kinda cool and nostalgic for my generation. Super 8 seems like a fan-made dedication to Spielberg but it just didn't work quite well.

From the actor's performance perspective; Elle Fanning's performance was breath-taking, and she saved some scenes. She's got potential to be a big star in the future. Kyle Chandler on the other hand was just plain and simple awful. He made the whole thing look kinda funny and stupid.

From special effects and sounding perspective, I'd say it was stunning. One of the best I have seen in the genre in years as you would expect when you see Spielberg's name on the screen. There's this big scene at the first half an hour into the movie where you just get nailed to your sit due to the load sound which should have been annoying but it was not. It was awesome. You don't see this in Germany often but after this specific scene, the audience gave Abram an standing ovation!!! It was awesome. Of course at the end, everyone was angry because he ruined the whole thing with a very cheesy "et-like" ending but all in all it was worth the money, better than most of the movies in the last 6 months, I would say.

I'm giving it 6/10 because first of all, I expected so much more from the creator of Lost and second of all, the last 30 minutes is really bad and the ending is just pure garbage. They used some cgi stuff which was very impressive but didn't quite go with the theme of the movie and was really inconsistent. All in all, it doesn't deserve the crap that it's getting in the reviews but it quite doesn't deserve the praises either. It's only OK

This film is an interesting mystery sci-fi that revolves around a small group of teenagers with a passion for cinema. They have a common project for a film, but end up witnessing a major rail disaster while filming. It is immediately clear that the accident is very unusual, and that the military's interest in what happened is far from normal. Set in the late Seventies, a remarkable decade for sci-fi thanks to the fascination of aliens and technology in general, it is a film of familiar contours where mystery is well used.

The film is skillfully directed by J.J.Abrams, and presents a good story, with young teens taking the lead. The film strives to portray teenagers, the way they relate and even the family environment and the relationships between families, which are important for a very small community like this small town. I don't think sentimentality is bad, I think that in the right measure it brings depth to the film.

Elle Fanning and Joel Courtney are the main actors in the film, which gives a lot of scope for young actors to show what they are worth, and these two young actors have definitely done a good job here. Riley Griffiths is good, but not so good. In the adult cast, Kyle Chandler and Ron Eldard deserve an especially positive mention, the latter giving life to a character that is rather unfriendly to the audience.

Technically, the film invests a lot in the environment, in creating tension. It is not that kind of film loaded with thunderous effects, but one where what is suggested matters more than what we see. Honestly, I think it's more interesting than most big-budget sci-fi films, which are basically shot on the green screen. This does not mean that it was not used here or that there are no effects: the film has good special and visual effects, a competent CGI and good sound, but it knows how to use these resources without exaggeration. The good soundtrack also deserves a mention.

As an homage to the Spielberg films of the 80's, this movie succeeds. As a piece of original entertainment? Nothing happening, folks. Now, if you're a kid and have never seen The Goonies, Jaws, ET, War of the Worlds, and Cloverfield, you may think this film is absolutely wonderful. And judged through the lens of cinema history, it may well be looked upon as a culmination of all that came before.

Let's just hope that the future is filled with something in rare supply: originality.

It's not that I wasn't entertained, it's just that I expected something more.

And I suppose that's another problem with getting older. There aren't as many surprises left in the world.

J. J. Abrams' Super 8 isn't just a sci-fi thriller-it's a bittersweet time capsule of childhood, loss, and the fleeting magic of innocence. Set in 1979, the film follows a group of kids making a zombie movie on their Super 8 camera, only to witness a catastrophic train crash that unleashes something far beyond their understanding. But beneath the lens flare and monster mystery lies something far more poignant: a story about broken families, grief, and the inevitable passage of time.

At its heart is Joe Lamb (Joel Courtney), a boy still reeling from the loss of his mother, and his complicated relationship with his emotionally distant father. The film beautifully captures that aching, unspoken void between them, where words fail but silence speaks volumes. Elle Fanning delivers a breathtaking performance as Alice, a girl with her own painful burdens, and their shared moments feel raw and real-two young souls quietly searching for connection in a world that feels too big and too cruel.

While the sci-fi spectacle unfolds in thrilling ways, it never overshadows the movie's core theme: growing up means learning how to say goodbye. Whether it's to a parent, to childhood dreams, or to the belief that life will always be simple, Super 8 reminds us that some things-like an old film reel-can only be cherished as memories.

Super 8 is more than just a Spielbergian homage-it's a deeply human story wrapped in a monster movie. The alien may be terrifying, but the real fear lies in the things we can't control: loss, change, and the painful beauty of growing up.

Look, I'm biased. When I first saw the movie in 2011 while I was still just in middle school, I was enamored. Now, 8 years later, as a film student inspired by this movie, I can honestly say that it still holds up. A lot of the love I have for this movie is purely fueled by nostalgia, but even aside from that, the thrills and heartstring tugs this movie delivers still stand up to the test of time so far. This movie is always going to mean the world to me, and I hope someone out there sees this and gives it a shot. It's so criminally underrated and under-appreciated.